After watching 'Calendar Girls' I discovered that although inspired by a true story, (of which I was unaware) almost everybody actually agreed with the idea immediately. The film, on the other hand, follows best friends Chris (Helen Mirren) and Annie (Julie Walters) as they… More
After watching 'Calendar Girls' I discovered that although inspired by a true story, (of which I was unaware) almost everybody actually agreed with the idea immediately. The film, on the other hand, follows best friends Chris (Helen Mirren) and Annie (Julie Walters) as they overcome a certain amount of opposition to get the risque calendar photographed, published and sold. I wonder whether the film could have worked as a simpler tale about some women trying to do good, or obstacles are necessary elements of cinematic narrative. Would I have found the final resolution as touching? Or the amusing jokes half as refreshing?
Anyway, there are obstacles, and the director doesn't lend them too much screen time that characters simply pass us by in favour of a more dramatic plot, which is rather shy of any soap-style moments. After Annie's husband John dies of leukaemia, the women of Knapley WI decide to raise money for the local hospital through their annual calendar. Chris, however, is bored of the monotonous flower arrangements, countrside scenes, churches, bridges, cakes and jam. So, after some amusing inspiration, she suggests the members themselves pose for the calendar - artistically, of course. They will be nude, not naked.
If I had to categorise 'Calendar Girls' I would probably call it a comedy-drama, and it achieves both of these aspects just above mediocrity. The humour is very quirky and British, and the drama quaint, and not subtle, but understated. Helen Mirren is hilarious as rebellious Chris, and Julie Walters great as sensible Annie. Unfortunately, none of the supporting players are well woven into the story, and their backgrounds are cliche and given less importance than they deserve. Penelope Wilton's Ruth, for example, has the chance of a sad and meaningful subplot, which is hastily reduced to comic feminism. It's a shame to see one of my favourite older actresses robbed of a chance to show off her talent.
Still this is a film that doesn't struggle to make you smile and admire the real-life counterparts of the characters. The humour, and more surprisingly, the character's dilemma's, sneak up so you like them all, and care for the eventual outcome. As I said there are many obstacles, but none are overtly evil or manipulative, except the media, perhaps. The film is too charming to burst the bubbly atmosphere with a sharp needle of a character or institution that would dare stand resolutely in these girls way.
The final act forgets the humour a little in favour of a pathos injected morality play, and again, it's generic, but works. It isn't too heavy or downbeat, but it affirms the friendships we have come to know and admire in the first two thirds.
'Calendar Girls' certainly has a market, and even if you're not an old British lady the film isn't a dreadful display of abrasive feminism or jokes you won't understand. It's about friendship, in it's most simple form. Of course there is nudity too, but thankfully there's plants and cakes abundant to cover up those which you'd rather not be seeing.