Calle 54

Calle 54 (2000)

  • 87% of critics liked it
    (47 reviews)

  • 75% of users liked it
    (1,161 ratings)

Filmmaker Fernando Trueba was introduced to Latin jazz in the 1980s, when he was beginning his career as a director, and he has since become a devoted fan of the music. After employing noted jazz artists to score some of his films, Trueba took his love of the music one step further with the… More

In Theaters
May 11, 2001 Limited
Miramax Films

Critic Reviews

  • Joe Baltake, Sacramento Bee

    There is much to be said for a music film that seems to be playing directly to us, the viewers.

  • Peter Howell, Toronto Star

    As much a thrill to watch as it is to listen to, a rare combination for a concert film.

  • Owen Gleiberman, Entertainment Weekly

    Collectively, the numbers add up to a triumph of ecstatic mood swinging.

  • Fernando Gonzalez, Washington Post

    This is one fan's valentine to the music he loves. It just happens that the fan is a terrific filmmaker and the music loves him back.

  • Jay Carr, Boston Globe

    Although it isn't the human-interest story that Buena Vista Social Club was, Fernando Trueba's Calle 54 is the next best thing to that milestone musical documentary.

Read all 15 critic reviews

See more critic ratings and reviews on Rotten Tomatoes

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Featured Audience Ratings

  • Pierluigi P


    Latin Jazz in all its color, passion and fury. Fantastic numbers from some of the greatest musicians of the genre.

  • John B


    This is to be a tale of African influences on Hispanic music in the Caribbean although it is mainly a profile of Tito Puente. I don't kow. Maybe something was lost in translation but I was expecting more.

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