Caos Calmo (Quiet Chaos) (2008)

74% of critics liked it
(35 reviews)
66% of users liked it
(3,510 ratings)

With Quiet Chaos (Caos Calmo), acclaimed Italian helmer Nanni Moretti steps away from his standard directorial role to essay the lead and co-author the script in a gentle psychological drama directed by Antonello Grimaldi. Moretti stars as Pietro, a film executive whose life takes an irreversible… More With Quiet Chaos (Caos Calmo), acclaimed Italian helmer Nanni Moretti steps away from his standard directorial role to essay the lead and co-author the script in a gentle psychological drama directed by Antonello Grimaldi. Moretti stars as Pietro, a film executive whose life takes an irreversible and devastating turn one fateful morning. During a trip to the beach with his brother, Pietro's path intersects with that of a woman, Eleonora (Isabella Ferrari), who is drowning in the ocean; horrified, Pietro rushes in to save her. He subsequently returns home only to discover that his wife, Lara, just died in a nasty falling accident; devastated to the core, this nascent widower must make the necessary psychological accommodations to adjust to life as a single parent, with sole responsibility for raising his ten-year-old daughter, Claudia (Blu Yoshimi). Almost instinctively, as a reaction to Lara's death, Pietro opts to sit and wait for his daughter to finish school each day (in a park across from the school), in lieu of abandoning her to his own priorities and commitments. This means that the fellow's colleagues in the film industry must, by necessity, come to do business with him in the park. Through it all, Pietro remains silently dumbfounded that the tragedy itself hasn't shaken him more, that the grief (the "quiet chaos" of the title) is subtly agonizing instead of grossly traumatizing and debilitating. Nevertheless, he ultimately begins to approach a full realization and acceptance of his loss, and gains an enhanced awareness of himself and others from the potentially crippling events thrust into his path. Valeria Golino (Rain Man) co-stars; Roman Polanski appears in a cameo as one of Pietro's industry colleagues. ~ Nathan Southern, Rovi

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Rating, Runtime: Unrated, 1 hr. 52 min.
Directed By: Antonio Luigi Grimaldi
Written By: Nanni Moretti, Laura Paolucci, Francesco Piccolo
Genres: Drama, Romance, Art House & International

In Theaters: Jun 26, 2009 Wide
On DVD: Jan 26, 2010
Studio: IFC Films

Critic Reviews

Owen Gleiberman, Entertainment Weekly
[Nanni] Moretti makes this 'study' in despair a naggingly neutral, at times borderline coy experience.
V.A. Musetto, New York Post
Moretti gives his usual excellent performance. But the script throws in too many other elements while it should be concentrating on the father-daughter relationship.
A.O. Scott, New York Times
The film, while uneven -- sometimes too on the nose, sometimes anecdotal and diffuse -- is generally absorbing, thanks mostly to the quality of the acting.
Ella Taylor, Village Voice
Not even the momentary participation extraordinaire of a vertically challenged famous filmmaker self-exiled from the United States can save this phony pseudo-drama from its final collapse into a heap of inconsequence and male vanity.
Jay Weissberg, Variety
Beautifully modulated, fluidly told film expresses pain with warm understatement.
Natasha Senjanovic, Hollywood Reporter
Nanni Moretti superbly carries family tragedy, infusing it with depth and humor.
Andrew Schenker, Slant Magazine
Grief has rarely felt quite so empty as it does in Quiet Chaos.
Kent Turner, Film-Forward.com
Quiet Chaos jerkily shifts tones, from oddly comic ... to blunt. And by blunt I mean an indiscreet, in-your-face sex scene that turns the viewer from observer to pervy voyeur.
Joshua Rothkopf, Time Out New York
Unfortunately, Quiet Chaos can't help but become heated, and a ridiculous climax sabotages much of the emotional weight.
Richard Mowe, Boxoffice Magazine
Grimaldi's sensitive direction, allied to a subtle score by Paolo Buonvino, sharp script and accomplished acting, helps to turn this into an original and complex study of the unpredictability of human foibles and weaknesses.
Julie Rigg, MovieTime, ABC Radio National
Quiet Chaos has strength and insight about the experiences that cause us to change direction in life.
Mark Demetrius, FILMINK (Australia)
Some of the plot is implausible, yet the core ideas resonate richly, and the characters' behaviour is psychologically intriguing.
Des Partridge, Daily Telegraph (Australia)
[Moretti delivers] a complex and complete performance...
Jake Wilson, The Age (Australia)
Touching and sentimental in equal measure, Quiet Chaos exhibits many traits that fans will recognise from Moretti's own films as director, such as Caro Diario (1993) and The Son's Room (2001).
David Stratton, At the Movies (Australia)
A respectable and always watchable film about bereavement, well acted and well made.
Sandra Hall, Sydney Morning Herald
It's subtle stuff with an appealing lack of contrivance and there is something very natural about its resolution.
Andrew L. Urban, Urban Cinefile
It's like a psychological study, but performed with grace and humanity
Louise Keller, Urban Cinefile
Quiet Chaos is an apt description for the emotional state of Nanni Moretti's grieving widower Pietro, in a film whose central theme is grief, but that plays out with a mix of humour and acceptance

Read all 18 critic reviews

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Mark A

A quiet character study regarding a man dealing with the accidental death of his wife, leaving him to care for their ten year old daughter. Facing uncertainties at work and seemingly unable to process his loss, Pietro (Nanni Moretti) daily waits for his daughter in the park across… More
A quiet character study regarding a man dealing with the accidental death of his wife, leaving him to care for their ten year old daughter. Facing uncertainties at work and seemingly unable to process his loss, Pietro (Nanni Moretti) daily waits for his daughter in the park across from her school. He attracts the notice of several other people who frequent the park and receives visits from colleagues, friends, and relatives. His brother, Carlo (Alessandro Gassman), and crazy sister-in-law, Marta (Valeria Golino), check in with him from time to time to express their concerns and to try to induce him into a more normal routine, to no avail. The interaction between the father and daughter feels quite natural and provides a handle with which to understand their grief process. There are lighter moments to relieve the gloom, and the bright daily scenes also help to mask what otherwise could have been maudlin. One sex scene toward the end detracted from the overall tone of the film. It seemed out of place and completely unnecessary. This viewer has no problem with scenes of this nature as long as they flow naturally from the story. This one was too jarring and gratuitous.
Alex F

I liked it even more than The Son's Room; it's similar in a way, but here it doesn't take so long to show the pain, and it's more original. Great, great dialogues and stupid sex scenes.