Critic Reviews
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V.A. Musetto, New York Post
Carmel will be embraced by Gitai fans, who are familiar with his work and ideas. Casual moviegoers will be perplexed.
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Stephen Holden, New York Times
An impressionistic family chronicle with a tender heart.
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Michelle Orange, Village Voice
Unfortunately, the viewer is left out of the equation.
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Mark Keizer, Boxoffice Magazine
In an era of impersonal filmmaking, Carmel is as personal as a movie can be without naked body parts.
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David Fear, Time Out New York
Gitai has never been shy about adding autobiographical elements to his dramas, which only underlines Carmel's central irony: His most blatantly personalized movie feels like his least personal statement to date.
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