Is "Casa de mi Padre" funny if you don't speak Spanish? Well, ehhh maybe near the end. The real question is: Is "Casa de mi Padre" funny to anyone who didn't grow up in a Mexican (Mexican-American) household with black and white ranchero movies on the… More
Is "Casa de mi Padre" funny if you don't speak Spanish? Well, ehhh maybe near the end. The real question is: Is "Casa de mi Padre" funny to anyone who didn't grow up in a Mexican (Mexican-American) household with black and white ranchero movies on the television and crosses (or pictures of the Pope) on the walls as far as the eye can see? The answer to that is unfortunately a resounding NO. In the end, this film may have been better served as an overly long SNL bit or as a Funny or Die internet segment.
"Casa de mi Padre", is the type of average at best comedy you get when Will Ferrell is the star of the movie. Not surprisingly directed and written by former Saturday Night Live writers Matt Piedmont and Andrew Steele, this extremely slow satire of Mexican cinema doesn't seem to work as well as the trailers will have American audiences believing. And suffice to say, the Will Ferrell (Talladega Nights, Anchorman) Spanish speaking gimmick gets old fast, when teamed with a far too clever script which gives Ferrell almost no punch lines. What "Casa de mi Padre" really comes down to is if you don't understand the extremely high content of Mexican entertainment references this film is drenched in, then you will find yourself checking your watch before the opening credits finish rolling.
In an old school, Cantinflas-esque, watered down Grindhouse style film, with the overwhelming feel of the most basic Univision novellas, comes the story of Armando Alvarez (Ferrell), a Mexican rancher who still lives with his dad (el Padre). Armando, the younger, dumber and whiter brother that, while is considered by most (including his father) to be an imbecile, believes in the power of "good over evil" (or whatever the good guy believes). His brother Raul, expertly played by Diego Luna, is a drug dealer, who is planning to enhance his drug dealer prowess by expanding his drug dealer-ness into the territory of a drug lord who goes by the name of Onza (brilliantly played by Gael Garcia Bernal). Now, what I have just laid out is the synopsis of a movie with all the potential in the world to be a hilarious satire (with the help of some half way decent writing) but unfortunately...it's just not that funny. At least not for a long, long, long time. In fact, the first hour the film is more so awkward to watch than anything, as Piedmont tries to direct in a super self aware and "B" movie style, with winks at the camera, Spanish-for-beginners dialogue and five dollar sets. But as this film moves forward and the kitschiness of Ferrell speaking Spanish wears off, the quirkiness of the movie drags "Casa de mi Padre" down with a quickness.
Another hindrance to this film, as I had made mention of before, is how "Casa de mi Padre" relies solely on jokes which reference the look and feel of old fashioned Mexican ranchero films and novellas. So, if you have no idea what I just said, then there is no way you will find any humor in any part of this film...no matter how many times you have convinced yourself that Will Ferrell is lead actor material or that "Step Brothers" was a great movie.
But if there is one overwhelming thing "Casa de mi Padre" has going for it, it is the high caliber acting throughout. Not so much Ferrell, but more so from the likes of Luna, Bernal and seasoned actor Pedro Armendariz Jr. playing el Padre, who masterfully encompasses everything overdramatized about Latin novellas that many Latin children grew up watching. And even though it is overwhelmingly true that the movie does not even begin to become remotely funny until almost an hour in, where Bernal and Luna almost completely take over (saving the struggling Ferrell from drowning amidst his hacky bit) the final thirty minutes of "Casa de mi Padre" is cinematic brilliance (in fact, outdoing the likes of Mexican satires such as "Machete"). It is just a shame that by the time the film gets to that point, many will have tuned out, simply because the first hour is void of humor. And I wouldn't blame any audience member for doing so, because as far as comedies go, that is completely unforgivable!
Written by Markus Robinson, Edited by Nicole I. Ashland
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