Burl Ives, Elizabeth Taylor, Jack Carson

Elizabeth Taylor has never been sexier than as Tennessee Williams's hot-blooded Maggie "The Cat" Pollitt, prowling around her boudoir in a slinky white slip. That's how you know her alcoholic, ex-foot...( read more  read more... )ball-player husband, Brick (Paul Newman), must have more than just his leg in a cast. It's the 65th birthday of wealthy (but dying) southern patriarch Big Daddy (Burl Ives), and his sons Gooper (Jack Carter) and Brick have come to suck up to him for $10 million in inheritance money. Gooper is a family man and father to a brood of "no-neck monsters"; youngest boy Brick is papa's favorite (as if you couldn't tell from the fellow's names), but hasn't sired progeny. Maggie is definitely in heat, but Brick refuses to sleep with her because he suspects her her of being unfaithful with his best friend, who recent committed suicide. Although toned down for the movies, Cat on a Hot Tin Roof is vintage Tennessee Williams. The film was directed by Richard Brooks (In Cold Blood, Blackboard Jungle, Elmer Gantry). --Jim Emerson

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91% liked it

8,364 ratings

Unrated, 108 min.

Directed by: Richard Brooks I

Release Date: September 20, 1958

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DVD Release Date: September 23, 1997

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  • May 20, 2009
    "cat on a hot tin roof" would probably be the very picture in which paul newman and elizabeth taylor radiate the maxium of sex appeal despite their primitive physical allure has been shimmeringly evident in almost every picture they made separately within 1950s but "cat on a hot ...( read more)tin roof" shall be the most powerful one. somehow i wonder how came tennese williams' plays catapulted into such enormous stardom in the 50s since those reputed scripts of his had been composed and put into broadway during 1940s, why 1950s had the appropriate atmosphere for the williams temperament to glow and shine brilliantly upon the silver screen? my personal assumption may have lots to do with the death of film noir as well as the newly arised and foundamentally revolutionized sort of manhood and gendering attributes.

    as i dissected previously upon the archetypes of tennse williams protagonists: weakening men in resistance of strong sexually loaded women who are ironically enslaved by their unsatiable desire toward distant unavailable men conflicted with impotence and homosexuality. so williams effortlessly forms a literary garden of homme fatales and women as the saps within the traps of elusive charm boys, opposite to the conventional world of film noir viewing woman as the central object of fatal attraction which men would die for. 1950s is the period for the phallic ladies like joan crawford, bette davis and barbara stanwyck started to fall out of favor as the dizzy blonde and chaste ingenuine female types began to reign, such as marilyn monroe and audrey hepburn when the whole society was enclosed with a wholesome aura demanded by maccarthyism...as for male types, the notion of man-boy occurs along with the sweeping phenomenon of junvenile leisure wears as james dean and marlon brando advocated..my point would be men had been made to demonstrate their side of frailty and also remain favorably charming like paul newman's character in "cat on a hot tin roof", and newman has won the public affection while his character with the play is a wimpish drunk inflicted with misogynistic sex frigidity and potential homosexual tedency, at most of the time, newman's whining and mourning while the voiluptuous elizabeth taylor literily begs him to shag her(pardon the usage of language without euphemism due to the effect i apply) and she doesn't mind he barely pulls the thing off at the drunken state. why wouldn't newman's machismo be doubted and defiled while his character is obviously a frightened loser? perhaps only paul newman could accomplish the task of redeeming such role into public empathy and sympathy by his good looks and his winsome charisma.

    some film critic or book writers would claim elizabeth taylor for bringing a new sort of female character who dares to speak out for her rights in her roles of "butterfield 8" and "cat on a hot tin roof", women with strength of life to survive. but one fact they neglec would be: wouldn't taylor's cinematic characters also be pushed around by men? would that be self-deragatory enough to have her role pleading for such petite wish to bed with a man who apparently contempts her? in the film noir cinema of 1940s, men are the saps who are at the sparing mercy of sinister dames whose crotches could dominate the world and high-hat the men with their feminine scents. (pardon the phrases, ha.) wouldn't elizabeth taylor's patronizing womanhood also be a sign of gendering conformity required by the time? why men are so afraid of women, and being warm and beautiful is not enough anymore and you have to apologize for being so to win the heart of men?

    at one scene of the movie, taylor is on the verge of cracking up in vulnerabilty, longing for newman's touch to console her, and she even says if you wouldn't make love to me again, i would use a long knife to stick into my heart...all he does is to hide in the restroom and cling by the door to smell his wife's silky pajamas instead of offering her a bit of compassion..the audience is able to buy into that because it's paul newman who is handsome enough to acquire your forgiveness come what may. as the movie poster demonstrates, the woman is leaning over the man desperately while the man glares without responce, so object of desire is the man. but taylor was so beautiful you forget the outrageous reversal of genders. paul newman's character also rebels against his intimidating father no less harsh than james dean, wouldn't that be a new sort of beatnik boyish manhood by defying your daddy and pushing away your beautiful wife like a misogynist who's got to prove he's not threatened or weakened by the feminine charm? elizabeh taylor is surely the most beautiful ever in "cat in the hot tin roof" but she ain't certainly no seductress. paul newman is.
  • December 17, 2008
    Drama for your mama! Issues, issues, issues.

    This is my first movie with Liz Taylor, and she looked all hot and perky!
    She didn't really impress me with her acting skills, but Newman didn't really impress me either. I missed the chemistry he had with Piper Laurie in The Hustler ...( read more)(still my favorite Newman film).

    I'm glad I finally watched it, and although I wasn't really impressed, I enjoyed it very much. Newman is of course as handsome as ever!

  • October 14, 2008
    although this still suffered from some of the same pretentious crap that all other films based on plays by tennessee williams suffer from, this film had some amazing things going for it. paul newman and liz taylor were both very good, burl ives is classic as always, and the end ...( read more)of the film was pure magic. the film had actually almost lost me a few times, but the end could not have been better.
  • September 16, 2008
    Cat on a Hot Tin Roof with one of my all time favs Liz Taylor is a very good film...one of her best. Paul Newman is perfect as the leading man in this drama. A couple that is seeminly bad for one another deal with family and other assorted drama in the 50's.
  • August 2, 2008
    Cat on a Hot Tin Roof is an exceptional film with emotionally intense performances from Paul Newman and Elizabeth Taylor, who's chemistry is electric.
    Based on the Tennessee Williams play about a family gathering at the Pollitt household that creates a whirlwind of uncontrollab...( read more)le tensions and confrontations. A main theme of the film is the subject of mendacity which is powerfully illustrated.
    This is one exciting film with intelligent dialogue and a dramatic atmosphere. Two reasons to watch this - tremendous acting and a brilliant script. Do not miss out on this.
  • November 4, 2009
    Cuando el cine americano hacia arte ademas de pop
  • October 22, 2009
    Almost every moment of this movie keeps you on edge, enthralled and completely enamored by what each of the characters will say next. A film truly about the characters in it, with a clear build up to the climax and the ultimate revelations at the conclusion, is balanced perfectl...( read more)y.

    It's all about the characters and the dialogue, a passion and fire from the actors that you just don't see anymore today.
  • October 7, 2009
    From its opening the chemistry amongst the characters never lets up and you can't help but be pulled in. Constantly maintaining heavy overtones of claustrophobia but in a similar way to the play remains an observation of human behaviour.

    I love movies that just grace the screen...( read more) naturally and appear so effortless, this is one of those movies. Everything appears very natural and easy to watch and the characters that Williams created have never been so vibrant... I'm sorry but I've seen stage performances that aren't even near the same league as this movie!

    Everything about this movie for me is enticing. It's like everytime you watch these characters interact you pick up on other little things in the actors performances. Paul Newman gives his best performance as the alcoholic Brick. But there has never been such an emphasis of the transformation from sex symbol to amazing actress like there is for Elizabeth Taylor in this movie, she provides a legendary performance. It's like complete metamorphism. Newman and Taylor at their very best!Then combine all that with the steamy southern atmosphere...

    A truly amazing movie.
  • October 4, 2009
    Its newman..Its Taylor what more do you want
  • September 11, 2009
    it's a 1958 movie based on Tennessee William's play , it's about events that happens in one day ( Paul's father's birthday ) where the whole family is gathered and they start to sort out their problems and try to overcome a haunting past.

    Paul Newman and Elizabeth Taylor were ...( read more)great playing the married couple who are distant from each other in feelings and emotion . Burl Ives was also good playing the Big Daddy who faces his son(Paul) demanding to know why he's acting so different.

    the word " mendacity " is repeated so many times in this film since it is actually the theme of the movie (it gives me a headache hearing it a lot) still it's an excellent piece of work

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  • terris85017
    January 13, 2008
    Sultry Summer H E A T ! ! (Director: Richard Brooks) Ol blue eyes + violet eyes! Roarawe! + a young young...Burl Ives...1958 movie...here is why Liz was such a hearthrob!!
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Cat on a Hot Tin Roof Trivia


  • Name the movie that starred Paul Newman, Elizabeth Taylor, and Burle Ives.  Answer »
  • Grace Kelly was considered for the role of Maggie the cat in Cat On A Hot Tin Roof ?  Answer »
  • Who was known as Maggie the Cat, in the movie Cat on a Hot Tin Roof.  Answer »
  • Who plays Brick Pollit in the 1958 movie "Cat on a hot tin roof"?   Answer »

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