Adrian Grenier, Aida Turturro, Charlize Theron

Woody Allen's portrait of the celebrity life--as seen through the eyes of a newly divorced couple--is a black-and-white, New York-style La Dolce Vita that's a chillier flip side to Allen's ear...( read more  read more... )lier New York valentine, Manhattan. Despite a few missteps, though, it's an admirable (if dark) and worthy addition to the Allen pantheon. Kenneth Branagh and Judy Davis (both boasting American accents) star as the once-marrieds, each struggling to build new, separate lives in a media-saturated, celebrity-driven world. He tries his hands at celebrity profiles (while peddling a screenplay to any star that will listen) and falls into the lap of a bosomy starlet (Melanie Griffith), the first in a long line of briefly attainable women. She runs into a producer (Joe Mantegna) who offers her a job as a TV personality as well as a loving relationship. This seemingly simple double plot is punctuated with twists and turns in the form of flashbacks and innumerable side trips, all ravishingly photographed in black and white by the legendary Sven Nykvist, and populated by one of Allen's largest casts ever; if you blink you'll miss countless cameos by Isaac Mizrahi, Donald Trump, Hank Azaria, and a host of others.

While Davis is splendid as usual (aside from the requisite nervous breakdown scene she's done one too many times), somebody should have told Branagh to put a kibosh on his Woody Allen imitation, which is so impeccable as to become irritating. His failure in the role, however, isn't entirely his fault, as it's also another in a long line of unlikable male protagonists that Allen has created, as if daring audiences to hate his main characters after loving them in such movies as Manhattan and Annie Hall. He's never more unlikable than in a painful sequence in which he tags along with a spoiled, temperamental teen idol (a shrewd and clever Leonardo DiCaprio) and proves himself the quintessential noodge. Far more enjoyable misadventures with Branagh include Charlize Theron in the film's best performance as a libidinous supermodel with a penchant for echinacea; a stunning Famke Janssen as a successful book editor Branagh almost moves in with; and Winona Ryder, acting like an adult for the first time, as an aspiring actress who catches Branagh's eye more than once. All manage to slip through Branagh's fingers by the end of the film.

Despite the film's lack of focus, Allen aficionados will want this film for at least two wonderful moments, one in which Davis seeks solace from a streetwise fortune teller after she's fleeing her own wedding, and a beautiful nighttime scene in which Branagh romances a captivated Ryder at a subway kiosk. Both episodes prove that Allen, despite the fitful period he's moved into, still has that movie magic. --Mark Englehart

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43% liked it

7,739 ratings

Critics

39% liked it

36 critics

R, 113 min.

Directed by: Woody Allen

Release Date: November 20, 1998

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DVD Release Date: October 2, 2001

Stats: 311 reviews

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Flixster Reviews (311)


  • October 1, 2009
    It?s got a great cast but no one delivers a fantastic performance or seem to be able to gel together on screen. A film about big egos tarnished by big egos!
  • September 29, 2009
    I expected great things from the stellar cast. But it was too dark. I became bored. And I could not get past Branagh's bad Woody Allen imitation!
  • January 13, 2009
    You need to be a Woody Allen fan to appreciate this one. If you arent, you most likely will find this dull. To those who like Woody Allen, this is good. Its quite funny and pretty dark--possibly owing to the black and white photography. It ends when it should. Some of the sequenc...( read more)es are top tier Woody Allen, specifically the scene at a table when Branagh meets Ryders character for the second time and also--as many have already mentioned--the scene involving Leonardo DiCaprio. The acting across the board is very good, and Branagh has a suprisingly good American accent.
  • July 1, 2008
    I was surprised. I thought it was going to suck. Everything was good about it. Everything was smart about it.
  • March 4, 2008
    Eh. The most interesting part was post-watching, when my friend and I considered the theme of the spurned wife getting the last laugh in the context of Woody Allen ditching Mia Farrow for her 20-year-old daughter. It's always good to see a brilliant but sleazy filmmaker mocking ...( read more)himself.
  • October 20, 2009
    Woody Allen can't make good movies.
  • July 28, 2009
    You better really love Kenneth Branagh if you're willing to sit through this mess. Not even Leonardo DiCaprio (in what amounts to a cameo) can save this movie. A rare miss for Woody Allen but a spectacular one at that.
  • July 23, 2009
    It's funny how you always end up learning something from Woody's films - even if it's really trivial. It's also funny that even in the films he doesn't act in, you can see mr. Allen as a character (in this case, you can see him in Kenneth). Could have been better, but the amazing...( read more) cast makes up for it. Too bad Sam Rockwell didn't even have a line...
  • May 27, 2009
    I think the biggest problem with Woody Allen is that Kenneth Branagh was playing him too perfectly. Emulating the voice, the stammer, the movements... he wasn't playing the character. He was playing Woody Allen playing the character. John Cusack, Will Ferrell, and Scarlett Johnss...( read more)on have played the typical Woody Allen character in recent years, but they each added their own special touch to them. Branagh makes us feel like we're watching some sort of Freaky Friday moment in motion, where Allen has actually transported himself into the body of the other actor. This is somewhat unsettling to people who are familiar with Allen and his mannerisms.

    The story itself isn't too hot, either. It mostly treads old ground. Although there's some very good moments (Leonardo diCaprio is wonderful as a spoiled, sleazy movie star) it's one of Allen's least impressive films...and also one of his least funny comedies. Disappointing. 2.5 stars because he's still a very good writer/director... But this pales miserable in comparison to anything else he's done.
  • April 21, 2009
    This was the first Woody Allen film I ever saw and I hate to say it but I really hated it. It was annoying, boring, uninteresting, ponderous, and ugly. The only part I liked was Leonardo DiCaprio.

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