Cameron Diaz, Drew Barrymore, Lucy Liu
Three women, detectives with a mysterious boss, retrieve stolen voice-ID software, using martial arts, tech skills, and sex appeal.
DVD Release Date: December 11, 2001
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Stats: 21,240 reviews
Your Rating
Flixster Reviews (21,240)
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September 24, 2009Cameron Diaz wiggling her bottom. That?s the only good thing about this film!
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May 3, 2009The angels are eye candy that can supposedly fight their way out of any problem. There is not much point to this movie.
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April 11, 2009the most cliched perception on charlie's angels would be feminism or girl-power (why not "WOMAN" power? is it an suggestion of eternal puberty?) generally speaking, the movie has nothing tasteful, compounded by a bunch of highly blatant cgi effects and cheesy jokes. no need to cr...( read more)
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February 3, 2009"Get Some Action"
They're beautiful, they're brilliant, and they can kick your butt -- the most glamorous private eyes in the world are back in action in this big-screen adaptation of the popular '70s television series. Natalie (Cameron Diaz) is the smart but silly one, D...( read more) -
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November 12, 2009i good movie i love all the people in this movie this movie is full of drama!
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November 5, 2009I saw this movie with all my friends when I was like 8 and thought it was going to be like the top of the Sistine Chapel or something haha.
Critic Reviews
June 30, 2003
David Edelstein, Slate
March 19, 2002
Liam Lacey, Globe and Mail
A speedy, ask-no-questions pop contrivance that, as long as it keeps sparkling and whirling, continually amuses. full review
May 8, 2001
Peter Travers, Rolling Stone
These kickass Barbies bring heart to a machine-tooled genre. full review
January 1, 2000
Moira MacDonald, Film.com
An amiable mess.
January 1, 2000
A.O. Scott, The New York Times
Sure, it's easy on the eyes, but would a little brains be too much to ask? full review
January 1, 2000
Roger Ebert, Chicago Sun-Times
Charlie's Angels is like the trailer for a video game movie, lacking only the video game, and the movie. full review
January 1, 2000
Stephanie Zacharek, Salon.com
As a director, McG is far too hyperactive to hold the story together neatly. full review
Comments
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