Critic Reviews
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Ronnie Scheib, Variety
The pic comes off as too scattershot to do anything but skim the questions it raises about the nature of the image as spiritual beacon and corporate logo.
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Andrew O'Hehir, Salon.com
The Cannes Che, probably a film no one will see again, is a big, sprawling, ambitious mess. It's less a grand-opera mess than a beautifully constructed machine whose parts don't all quite work together.
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Ian Buckwalter, DCist
A history of Guevara that not only succeeds in avoiding either blind lionization or reactionary condemnation, but that looks at him via the lens through which we most often see him: a single iconic photograph.
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Phil Hall, IdentityTheory
A genuinely interesting film about a photograph that still, after 50 years, continues to haunt and intrigue us.
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Adam Lee Davies, Little White Lies
A tight, energetic documentary.
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