Ahmad Razvi, Alejandro Polanco, Carlos Zapata

Alejandro, a tough street orphan, lives and works in an auto-body repair shop on the outskirts of Queens, New York. In the confusing and complex world of adults, young Alejandro struggles to make a be...( read more  read more... )tter life for himself and his sister, Isamar.

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73% liked it

1,450 ratings

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96% liked it

47 critics

Unrated, 1 hr. 24 min.

Directed by: Ramin Bahrani

Release Date: February 27, 2008

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DVD Release Date: July 8, 2008

Stats: 224 reviews

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Flixster Reviews (224)


  • July 26, 2009

    As I watched Chop Shop, I was under the impression it was an Italian neorealist film, only set in New York and in 2008. Rahmin Bahrani draws from quintessential neoralism a contemplative eye and a restrained pace, in an attempt to tell a wrenching story in the least effectist

    ...( read more)way possible. The scenarios in Chop Shop are so explicit and overwhelming that it's easy to take them for granted and overlook the true misery they imply.

    Alejandro is a little boy who works in an auto repair shop. He does his job fiercely, and he has all the savoir faire of a man who's been in the business for years. He lures costumers into his garage, directs them, learns all the tasks, and does some side "work" selling pirate DVDs and stolen parts. He aspires to having a business of his own and collects money to buy a battered truck for his sister, Isamar, to have her own mobile food stand.


    Alejandro interacts daily with hard-working mechanics just as well as car thieves and stolen parts dealers. He works overtime and eats only popcorn for dinner. However, his refusal to be swallowed up by this environment and his desire for a better life are monumental and never falter. The film documents some of his every day activities and struggles, failures and successes, but it doesn't bring a resolution; mainly, because I don't think any resolution could be satisfying. Alejandro has his undying will and energy to work, and little else.


    Perhaps one of Bahrani's objectives was to give way to this realization: Alejandro inhabits his unpleasant world with such vigor and expertise that I often forgot he is just a boy and definitely does not belong there. This reminded me of millions of Alejandros around the world, in every city and in every corner.


    I guess what I am aiming at, and it scares me a little to say it, because it's a word that should be used carefully regarding cinema, is that Chop Shop is very realistic. True enough, we've seen films about children either struggling or adrift in urban adversity. Some much more elaborate than Chop Shop; some grittier, some very pessimistic, some a little too hopeful. From Shoeshine through Los Olvidados and on to Slumdog Millionaire, the subject has been explored. However, I find Bahrani's perspective to be, so far, outstanding in its balance, as is his ability to refrain from suggesting conclusions. Also, he didn't write Alejandro as an immoral character or an overly moral one either, he just made him a boy, toughened by his circumstances, but a boy nonetheless.


    I know the characters in Chop Shop exist, I've seen them, and I understand that morality, in their circumstances, is confusing and a total mindfuck. In such precarious situations of poverty and in the desperation to climb out of them, moral choices are almost instinctive, they come from the core, from the most basic and untouchable place in the spirit, and the film conveys just that, through Alejandro's -and the other characters'- way of behaving in front of reality.


    As I said, the film hardly has a plot and it is made in documentary style, since it is but a recount of Alejandro's daily chores. The script excels to the point of my almost forgetting there was one. It's an intimate look into the life of this fascinating child, filmed in stark and dirty streets, and featuring many non-actors. Alejandro is played by Alejandro Polanco, and although some of his lines feel a little... well... acted... he is overall as natural and convincing, fast-talking and charming and heartbreaking as the character could've been. He is, obviously, the heart of the story.


    The magic of neorealism, for me, is that it doesn't make things easy for you: in spite of its rawness, it takes time and empathy to get involved emotionally with the characters. Ramin Bahrani's 21st century film follows along those lines, precisely in account of its outstanding realism. I think it's a truly original and challenging film and he is a director to keep an eye on, by all means.

  • June 8, 2009
    "Chop Shop", which premiered at the 2007 Cannes Film Festival, is the second effort of writer-director Ramin Bahrani. Shooting his film documentary-style in the neighborhood of Willets Point, Queens, he takes us into a completely forgotten corner of our country.

    Willets Point i...( read more)s known as the Iron Triangle due to it's wall-to-wall auto repair shops, scrap yards, and dealerships. Young children and adults work side-by-side making a living hustling and working on cars - an education would be nothing more than a pipe dream. There are no sidewalks or sewers, and the dirt ground seems to be constantly ridden with puddles and mud. However, Shea Stadium looms prominently overhead in all it's glory. Walking between the two would be venturing between a first and third world country.

    Alejandro (Alejandro Polanco), Ale for short, is a twelve-year-old boy residing in this junkyard. To make a living, he works at an auto repair shop and begs on the side. This is not uncommon life for the young residents of the Iron Triangle. Director Ramin Bahrani does his best to show the forgotten lower class - the harsh reality of the delusions of the so-called "American dream". But this isn't necessarily a story about third world living conditions in New York, it's focus is more around the human spirit and the will to survive given the harshest of circumstances. Although Alejandro is still very young, his relationship with his sister, Isamar (Isamar Gonzales), is as mature, unselfish, and authentic as any brother/sister relationship you could possibly document on film.

    Alejandro and Isamar live in a small plywood room inside of the auto mechanic shop where Alejandro works. Their relationship is strong - one of their first greetings in the movie is what can only be described as a "tickle fight". That makes it all the more frustrating for Ale after he notices she's been out later than normal. Worse yet, when he's out with a friend spying on a prostitute and her customer, he realizes it's Isamar herself. Alejandro is a self-reliant kid and seems like he'd be perfectly fine without any company - but Isamar is his exception. His plan to get out of this rut is to buy a used meat truck (which turns out to be very used), and have Isamar serve food while he drives.

    "Chop Shop" is a fascinating film because of how foreign it's setting is to the majority of us. You literally feel displaced in a third world country - however, the constant roar of the trains and the looming shadow of Shea Stadium makes you realize that this isn't so far from home. Ramin Bahrani thrusts us into a forgotten part of our country with such realism and authenticity that we can almost smell the cars and dirt. Using mostly long, uncut handheld shots, the film is certainly one that'll test your patience - we're given a situation and characters, and we spend time with them. Those who aren't typically interested in small, quiet, character-driven films will likely be clawing for an exit half way through.

    The film reminds me very much of the documentary "Dark Days". That film focused on homeless people who lived underground by the subway tracks - they were a whole new undiscovered subculture right underneath feet. In "Chop Shop", this world is very much right in front of our eyes, but it still seems just as invisible.
  • April 30, 2009
    Alejandro, a tough street orphan, lives and works in an auto-body repair shop on the outskirts of Queens, New York. In the confusing and complex world of adults, young Alejandro struggles to make a better life for himself and his sister, Isamar.
  • December 20, 2008
    i have to say i was pretty disappointed with this one. the acting, especially from the protagonist, felt forced and it's characters lacked pathos. the films thematic elements are nothing we havent seen before. it's purpose is to be thought provoking but i found it all so bromidic...( read more). i know im in the minority, but it lacks the creativity and inspired power that i was hoping for.
  • August 6, 2008
    Chop Shop, a neorealistic view into a modern urban lower-class, is a remarkably well put together film, with a plot that is about as serious and realistic as you can ever get in cinema... which I mean literally. Usually, seriousness can get away with fudging realism to amplify it...( read more)s message... or realism ends up being used in the service of a simplistic moral message. Instead, Chop Shop delivers raw realism, and unabashedly complex morals on an bare-bones plot. Add its documentarian cinematic style, non-actors, and one of the most interesting and on-edge neighborhoods in New York City, and you have a gem of a film. We'll have to keep an eye on director Ahmad Razvi.
  • November 16, 2009
    This is a great slice of life film that I really enjoyed. Simple to the point where it might turn some people off of the film, I have always thought this style of filmmaking adds a true ripple of suspense. Most everyone who watches films like this one keeps waiting for the worst ...( read more)to happen (as if being an orphan living over a garage isn't horrible enough), but what is surprising about this film is the surprisingly touching moments that happen in what are already dire situations. The cast of non actors are great. Alejandro Polanco (who plays the lead little boy in the film) is fantastic and has a great natural sense about him without it seeming cheesy. There are some times when you are reminded that they are not professional actors, but it really doesn't matter because I found myself being so wrapped up in the story. Well written and directed film by Ramin Bahrani.
  • October 22, 2009
    Another good movie ruined by a S****y ending
  • August 4, 2009
    Nothing...much...happens.
  • July 10, 2009
    This was compared to "Pixote" and "City of God", but it came no where near to either the beauty or tragedy of either of those amazing films. It was predictable and boring, although Alejandro was an incredible child actor and I hope he goes far in the future.
  • April 21, 2009
    its a good program...
    I LOVE CARS

Critic Reviews


April 11, 2008
Steven Rea, Philadelphia Inquirer

Beautifully observed, and beautifully acted by the novice thespian Polanco (culled from a New York City public school), Chop Shop is at once a heartbreaker and a story of hope and the American Dream. full review

February 27, 2008
A.O. Scott, The New York Times

Chop Shop is concerned principally with the kind of hard, marginal labor that more comfortable city dwellers rarely notice.

February 26, 2008
Marcy Dermansky, About.com

The boy is fueled by a manic energy, moving so fast and furious, so ridiculously and affectingly hopeful, that it's hard to find time to reflect on what he's missing. full review

February 25, 2008
David Edelstein, New York Magazine

Ramin Bahrani's Chop Shop is a low-budget vérité triumph. full review

January 13, 2008
Nick Schager, Slant Magazine

With Chop Shop, Ramin Bahrani exhibits a restraint not found in his 2005 debut Man Push Cart, focusing more intently on his tale's neorealist particulars than its symbolic potential. full review

View more Chop Shop reviews at RottenTomatoes.com

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Chop Shop Trivia


  • In the 2005 film Crash, what TV channel does the chop shop owner reference to when he says he won't take a bloody car?  Answer »
  • In Jason's Lyric what car did Jason's brother Josh steal to cash in on at the chop shop?  Answer »

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