Cinévardaphoto

Cinévardaphoto (2004)

  • 94% of critics liked it
    (18 reviews)

  • 60% of users liked it
    (232 ratings)

Three short films touching on the art and emotional resonance of photography from director Agnès Varda are collected in this compilation feature. Cinévardaphoto features one new film, Ydessa, the Bears and Etc..., a profile of Ydessa Hendeles, a Canadian photo collector who has curated exhibitions… More

In Theaters
Feb 16, 2005 Wide

Critic Reviews

  • Frank Scheck, Hollywood Reporter

    Although Cinevardaphoto is hardly a major work, it does represent the latest (and earlier) chapters in the career of a fascinating filmmaker.

  • Andrew Sarris, New York Observer

    All three films focus on Ms. Varda's interest in the affinity of photography -- her first profession and obsession -- to her subsequent cinematic career, and all three films take unexpected twists and turns, both aesthetic and political.

  • Owen Gleiberman, Entertainment Weekly

    Varda herself has never stopped wandering.

  • Elizabeth Weitzman, New York Daily News

    A masterful collection of cinematic essays, Agnes Varda's triptych of short films takes its audience from elation to despair and back again.

  • Manohla Dargis, New York Times

    The unutterably charming Cinévardaphoto brings together three short works by the filmmaker Agnès Varda, one shot in digital video, the others on celluloid.

Read all 13 critic reviews

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Featured Audience Ratings

  • Walter M


    My French teacher in high school, who by the way eerily resembled Audrey Hepburn at her peak, once told us that as we grow older we would only get more conservative. I'm now 36 which I think is how old she was when she told us that. I'm not getting any more conservative by… More

  • John B


    Varda has emerged as a great documentary film maker. Here the subject is photography. Of particular note is her lok at Ydessa Hendeles and her collection of photos of teddy bears. A surprising appearance by a former dictator is an unnerving surprise.

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