Cinévardaphoto (2004)

94% of critics liked it
(18 reviews)
55% of users liked it
(220 ratings)

Three short films touching on the art and emotional resonance of photography from director Agnès Varda are collected in this compilation feature. Cinévardaphoto features one new film, Ydessa, the Bears and Etc..., a profile of Ydessa Hendeles, a Canadian photo collector who has curated exhibitions… More Three short films touching on the art and emotional resonance of photography from director Agnès Varda are collected in this compilation feature. Cinévardaphoto features one new film, Ydessa, the Bears and Etc..., a profile of Ydessa Hendeles, a Canadian photo collector who has curated exhibitions from her large archive of snapshots of people with their teddy bears, which she believes reveal a great deal about the times and circumstances of their creation. Two earlier Varda shorts also appear: Ulysse offers a close examination of a photo taken by Varda in Egypt in 1954, while Salut les Cubains is an animated film created from 1,500 photographs Varda took while visiting Cuba in 1963, in which the static images take on joyous life. ~ Mark Deming, Rovi

Rating, Runtime: Unrated, 1 hr. 36 min.
Directed By: Agnès Varda
Written By: Agnès Varda
Genres: Documentary, Musical & Performing Arts, Art House & International, Special Interest

In Theaters: Feb 16, 2005 Wide
On DVD: Aug 31, 2010

Critic Reviews

Frank Scheck, Hollywood Reporter
Although Cinevardaphoto is hardly a major work, it does represent the latest (and earlier) chapters in the career of a fascinating filmmaker.
Andrew Sarris, New York Observer
All three films focus on Ms. Varda's interest in the affinity of photography -- her first profession and obsession -- to her subsequent cinematic career, and all three films take unexpected twists and turns, both aesthetic and political.
Owen Gleiberman, Entertainment Weekly
Varda herself has never stopped wandering.
Elizabeth Weitzman, New York Daily News
A masterful collection of cinematic essays, Agnes Varda's triptych of short films takes its audience from elation to despair and back again.
Manohla Dargis, New York Times
The unutterably charming Cinévardaphoto brings together three short works by the filmmaker Agnès Varda, one shot in digital video, the others on celluloid.
Russell Scott Smith, New York Post
Two documentaries too many.
Dennis Schwartz, Ozus' World Movie Reviews
Interesting, charming and diverting, but nothing overwhelming uncovered.
Christopher Long, Movie Metropolis
Three sterling examples of the short films of Agnès Varda, goddess of the New Wave and also one of the great directors of the 21st century.
Sean Axmaker, Seanax.com
... more film essays than traditional documentaries and connected by the theme of photography and Varda's cinematic exploration of the art and meaning of the still image.
Jeffrey M. Anderson, Combustible Celluloid
Overall, Cinevardaphoto is a mixed effort, but it's nice to hear from Varda, still vibrant in her 70s.
Maria Garcia, Film Journal International
Everything is in Varda's perspicacious photos.
Laura Clifford, Reeling Reviews
Those who loved Varda's quirky approach to recycling in the much-praised Gleaners may be even more pleased with Cinévardaphoto.
Ken Fox, TV Guide's Movie Guide
This wonderful compendium of three cinema essays on photography, culled from various stages in Varda's long career, are a welcome introduction to yet another facet of an artist who continues to beguile well into her seventies.

Read all 13 critic reviews

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Featured Audience Ratings

Walter M

My French teacher in high school, who by the way eerily resembled Audrey Hepburn at her peak, once told us that as we grow older we would only get more conservative. I'm now 36 which I think is how old she was when she told us that. I'm not getting any more conservative by… More
My French teacher in high school, who by the way eerily resembled Audrey Hepburn at her peak, once told us that as we grow older we would only get more conservative. I'm now 36 which I think is how old she was when she told us that. I'm not getting any more conservative by the way. Which brings me to... [color=green]"Sunset Story" is a funny and touching documentary about two friends in a retirement home named Lucille Alpert and Irja Lloyd. The retirement home, Sunset Hall, is specially reserved for retirees of a progressive bent and Lloyd and Alpert continue to go to protests for various causes and discuss various issues. They are an inspiration to those of us of a younger generation that you can never be to old to be politcally active.(This documentary got me thinking of John Sayles' short story "The Anarchist's Convention.")[/color] [color=#008000][/color] [color=navy][/color] [color=navy]You know that old saying about a photograph equaling a thousand words..."Cinevardaphoto" is a triptych of short documentaries by Agnes Varda, each focusing on photography. [/color] [color=navy][/color] [color=navy]"Ydessa, the bears and etc..."(2004) is about an exhibit of photos of teddy bears in Munich, which starts innocent and gets rather more disturbing as we proceed through the exhibit. It is also an interesting look at the way people proceed through an art exhibit. What they see and what they do not see, is quite important and thought provoking.[/color] [color=navy][/color] [color=navy]"Ulysse"(1982) is about a photograph taken in 1954 containing a naked man, a naked boy and a naked dead goat. And it reexamines the memories of the people involved and what they were doing 28 years later. Well, the dead goat is not doing that well...[/color] [color=navy][/color] [color=navy]"Salut les Cubains"(1963) is a photomontage of photographs taken from a recent visit to Cuba in the aftermath of the Cuban revolution. In it we get a history lesson and a rare view into the country and the Cuban people as it was then.[/color] [color=navy][/color] [color=navy]All three documentaries taken together are endlessly fascinating. They are shown in the chronological order of the photographs taken - The teddy bear photographs are taken mostly before World War II, Ulysse's photograph was taken in 1954 and the Cuban photographs were taken in 1963. [/color]

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Cinévardaphoto (2004)

Critic Reviews

Featured Audience Ratings

Walter M

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