Critic Reviews
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Jonathan Rosenbaum, Chicago Reader
A disappointment.
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Marta Barber, Miami Herald
Cheung makes her character work, despite a weak plot and script, both by director Assayas.
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Stephanie Zacharek, Salon.com
Maggie Cheung gives an astonishingly complex performance as a junkie rock star trying to clean up her act.
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Jeff Shannon, Seattle Times
There are so many quiet, understated miracles unfolding in Clean that all you can do is watch in awe and amazement.
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Steven Rea, Philadelphia Inquirer
It helps -- immensely -- that Cheung is pitch-perfect. Her performance is heartbreaking.
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Jessica Reaves, Chicago Tribune
It's a joy to watch the characters in this grown-up drama interact, their exchanges laced with anger and doubt, sadness and regret.
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Demetrios Matheou, Film4
A tough tale that gives a fresh perspective and brittle honesty to the experiences of a recovering drug addict.
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Kam Williams, Philly Limelight
A worthwhile examination of the crash landing of a delusional junkie with an attitude who has no business behaving like a spoiled-rotten diva.
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Cherryl Dawson and Leigh Ann Palone, TheMovieChicks.com
It's a movie about bad choices and suffering the consequences and unfortunately, a lot of the suffering is done on the audience's side of the movie screen.
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Jeff Vice, Deseret News, Salt Lake City
While this somber drug-abuse drama contains few surprises -- it's pretty much what we've come expect to expect from such material -- Cheung's convincing performance as a drug addict is what makes it watchable.
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Ethan Alter, Show Business Weekly
While it may sound like the premise for a Lifetime movie starring Tori Spelling, Clean pulls off the difficult task of telling a deeply emotional story without slipping into excessive sentimentality.
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Sean Means, Salt Lake Tribune
Cheung reveals a wealth of intense emotions, never once going for a predictable emotional chord.
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Sean Axmaker, Seattle Post-Intelligencer
The rough, exposed emotional candor of Cheung's singing voice carries into her performance...
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Phil Villarreal, Arizona Daily Star
The viewer comes to identify with Jay, feeling jerked around and not really wanting to get to know Emily, a lost soul who isn't worth two hours of audience investment to find.
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Marjorie Baumgarten, Austin Chronicle
One of the most emotionally honest movies about drug addiction ever made. Well, maybe not addiction per se, but rather the attempt to disgorge oneself from heroin's grip.
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Shawn Levy, Oregonian
Beautifully shot and cut, written with a visceral aversion to cliche, deftly skirting sentimentality, sensationalism and simplicity, it continually surprises, engages and satisfies.
Read all 16 critic reviews
Featured Audience Ratings
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Impossible not to think about Kurt and Courtney, even if inspite of choosing to bring up a "glamourous" drug and rock n´roll world (or the typical approach of junkies trying to clean up), the movie focus on a woman trying to change her life and to get her son back.… More
Impossible not to think about Kurt and Courtney, even if inspite of choosing to bring up a "glamourous" drug and rock n´roll world (or the typical approach of junkies trying to clean up), the movie focus on a woman trying to change her life and to get her son back.
Another interesting point is that it´s not really a sweet movie about mother and son knowing each other and getting close. Emily is not likeable and she´s not even sure if she wants to settle down. However, it´s more to a "typical" drama movie than any other Olivier Assayas´s movies (I´ve seen) where "nothing really happens".
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Clean is all about the slow burn. It keeps itself thankfully distanced from the histrionics and melodrama of a typical drug movie, instead immersing itself in the ephemeral dream pace that most indie movies have. For what it's worth, not much actually seems to happen, and the… More
Clean is all about the slow burn. It keeps itself thankfully distanced from the histrionics and melodrama of a typical drug movie, instead immersing itself in the ephemeral dream pace that most indie movies have. For what it's worth, not much actually seems to happen, and the development is far too subtle for most of the idiots on Flixster to comprehend. You can't blame people for finding the movie slow, but the path to recovering from addiction is a slow one.
Maggie Cheung completely owned this role. She gives one of the most powerful, troubled, convictive performances I've seen in a very long time. Nick Nolte is great, as well, but this is Cheung's movie.
Don't bother picking this one up if you consider yourself even slightly short of attention.
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[font=Century Gothic]In "Clean", Emily(Maggie Cheung) and Lee(James Johnston) are a rock and roll couple on the skids in Hamilton, Ontario.(Their son, Jay(James Dennis), is being watched by his grandparents in Vancouver.) Following a drug buy and an argument, Emily drives… More
[font=Century Gothic]In "Clean", Emily(Maggie Cheung) and Lee(James Johnston) are a rock and roll couple on the skids in Hamilton, Ontario.(Their son, Jay(James Dennis), is being watched by his grandparents in Vancouver.) Following a drug buy and an argument, Emily drives off and spends the night in her car near the lake. By the time she returns to the motel, the police have discovered Lee dead from an overdose. To make matters even worse, the police find heroin on her which leads to a six month jail sentence for possession. When she gets out of jail and is now on methadone to wean her off the heroin, she meets up with Lee's father, Albrecht(Nick Nolte), who tells her that it is a good idea that she not see her son for a while. Emily says she is going to Paris where she has family...[/font]
[font=Century Gothic][/font]
[font=Century Gothic]"Clean" is ostensibly about a person trying to put her life back together after hitting rock bottom, but it meanders and lingers on useless trivia too much to have any success. And we learn nothing of the time Lee and Emily spent together. But it does get better by the end and is very well photographed. Nick Nolte gives one of his best performances but Maggie Cheung can do very little with a badly underwritten character. [/font]
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Clean works as a thoughtful, smart, and realistic look at drug abuse and the ramifications from it. It features a powerful and nuanced performance by Maggie Cheung and Nick Nolte, albeit in a similar role for him. It doesn't opt for cliched resolutions or answers, but is really… More
Clean works as a thoughtful, smart, and realistic look at drug abuse and the ramifications from it. It features a powerful and nuanced performance by Maggie Cheung and Nick Nolte, albeit in a similar role for him. It doesn't opt for cliched resolutions or answers, but is really quite authentic. At the same time, the film does have an overly slow pace, which borders on meandering, and does seem to occasionally lose focus, at first attempting to introduce various subplots, but never quite paying them off. Still, an effective drama marked by strong acting.
3.5/5 Stars
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Like a painting on the wall of the Met, films should continue to invite inspection long after the voyeur has left the theater--like true art should. Slow and bleak but still poignant, Clean kinda sort does this, leaving room for interpretation from filmgoers...if the audience is… More
Like a painting on the wall of the Met, films should continue to invite inspection long after the voyeur has left the theater--like true art should. Slow and bleak but still poignant, Clean kinda sort does this, leaving room for interpretation from filmgoers...if the audience is patient
enough to take the whole journey with the characters.
Wrestling with a failing singing career, drug addiction, and being an absentee mother to her young son, Emily Wang (Cheung) suddenly finds her life turned upside down and inside out by her husband's death in the R-rated Clean.
Despite weaving a slow-going tale, director Olivier Assayes still renders an exceptional and complicated tale of redemption simply by posing the following question: "Can people change?" Backed with luminous performances, especially that of an extra grizzly Nick Nolte as her long-suffering father-in-law, Assayes wholly succeeds not by fully answering the question, but by allowing filmgoers to identify with this reality.
Bottom line: Good habit.
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A really interesting premise. We have the Chinese Maggie Cheung in France interacting with the very American Nick Nolte in a drama involving drugs and custody. A very unusual and rewarding viewing experience.
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Maggie Cheung is dazzling as always. This would get 2 stars if not for her stellar performance.
Read all 7 featured audience ratings
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