Benito Stefanelli, José Lewgoy, King Ampaw

A fearsome 19th century bandit cuts a swath through Brazil until he's exiled to Africa to reopen the slave trade. In the process, he exploits tribal conflicts to commandeer an abandoned fortress and w...( read more  read more... )hip an army of thousands of naked Amazon warriors into a frenzied bloodlust.

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75% liked it

2,244 ratings

Critics

86% liked it

14 critics

Unrated, 1 hr. 51 min.

Directed by: Werner Herzog

Release Date: December 3, 1987

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DVD Release Date: October 24, 2000

Stats: 163 reviews

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Flixster Reviews (163)


  • October 1, 2009
    When Herzog switches on a camera, wonderful things happen! This film has some of the most peculiar and wonderful scenes I've ever seen. Kinski and Herzog are a match made in Heaven on film, it?s a crime they made so few films together! This is an underrated classic!
  • July 26, 2009
    Pure unadulterated delightful madness.
  • April 15, 2009
    "Cobra Verde" is a conclusion in several ways: it's the final installment of a sort of "trilogy" of Herzog's man vs. nature films set in exotic locales ("Aguirre: The Wrath of God" and "Fitzcarraldo" being the other two), and it's also the last collaborative effort done by Herzog...( read more) and the hot-tempered Klaus Kinski - a relationship documented in Herzog's own documentary, "My Best Fiend". This film, "Cobra Verde", was inexplicably forgotten, not even having a traditional American release upon it's completion in 1988. It's also the lesser known of the trilogy I spoke of, with "Fitzcarraldo" being immortalized by the infamous making of process, and "Aguirre" as a cult-classic masterpiece. It is, however, no less of a film than the other two - a dominating, hostile, and fascinating exploration of an eccentric set on becoming godlike.

    Francisco Manoel da Silva (Klaus Kinski), infamously known as Cobra Verde, is an intimidating bandit with a well-known reputation. Herzog films him as if he was Clint Eastwood - his appearances in fantastical ponchos amongst the dusty desert send the townsfolk running. To da Silva, these towns are ripe for the plucking and are nothing more than a playground for the violent, womanizing, and drunk bandit.

    Impressed by his confidence and charisma, a plantation owner offers Cobra Verde a spot on his ranch to keep the slaves in order. It seems like a job tailor made for da Silva, and it certainly would have been had he not impregnated the daughters of employer. Enraged by this discovery, the plantation owner sends Cobra Verde on a suicide mission to Africa as a part of the slave trade, an assignment meant only as vengeance. When da Silva approaches this territory by boat, he gazes upon it as if it were an unimpressive adversary.

    And, of course, Verde's arrogance leads him face-to-face with death in the form of the natives of Africa. It's here that the film becomes something special, and the credit is due equally to Herzog and Kinski. Kinski for an unforgettable wildman performance, and Herzog for simply having the guts and ambition to make a project so demanding in it's environment and cast. While "Fitzcarraldo"'s spectacle was perhaps more unusual and impressive, the images of Klaus Kinski firing up hundreds of soldiers is just as enthralling.

    "Cobra Verde" is perhaps not on the level of "Aguirre", but it is certainly more than worth your time. It's lead performance is unforgettable, and the authenticity of the environment and people could almost make this serve as a tool of anthropological study. "Cobra Verde" is available on NetFlix Instant View, but i'd recommend buying the Herzog/Kinski box set for your collection (even if it is a blind buy). These films are, simply put, some of the most rich and unforgettable pictures you'll ever see.
  • February 16, 2007
    Cobra Verde was the last collaboration between director Werner Herzog and actor Klaus Kinski, a cinematic partnership infamous for its volatility but unsurpassed in its raw emotional energy. Kinski here plays the titular character, a ruthless bandit who after being shipped to Afr...( read more)ica overthrows the local leader and presides over the region's slave trade. Of course this being a Herzong it isn't too long before things start spiralling out of control.

    On the film's accompanying commentary track Herzog reveals how Kinski's mental health had deteriorated significantly by the end of the shoot and this near insanity can be witnessed in his intense but somewhat bewildered performance. Whilst the plot itself is not as engrossing as Fitzcarraldo or Aquirre, the sheer screen presence of Kinski is enough to keep you glued to the screen. The film contains the trademark beautiful cinematography and powerful scenes, the ones involving the female warriors come to mind.

    Fans of the pair's work will not be disappointed by this film even if it is a little disjointed at times. Highly recommended.
  • November 24, 2009
    Bad and ridiculous at times. I could easily have done without watching this.
  • November 1, 2009
    Wow. Well, this certainly wasn't Herzog's finest hour. I don't know, I mean, I liked certain things about it, but for the most part it just drove me completely crazy. Herzog is a master at affecting the audience, whether it be physically or psychologically, and he certainly did i...( read more)t here. However, thinking back on my experience in watching this I can safely say that I could have done without this film. Maybe I just wasn't in the right frame of mind when I watched it. I don't know.
  • April 22, 2009
    If Aguirre was raving mad, fun och beatutiful, this one is just raving mad and drunk.
    Well someone's must have been drunk, at least Herzog
    Kinski is Kinski as always, always worth watching
  • February 18, 2009
    No thankyou - Not interested
  • January 1, 2009
    Dernière collaboration entre Herzog et Klaus Kinski, ce film raconte l'histoire d'un bandit brésilien surnommé "Cobra Verde", envoyé en Afrique par un riche et puissant marchand de sucre pour y forcer un roi despotique à reprendre la traite interrompue des esclaves. Incarné par l...( read more)e déséquilibré notoire Kinski, le personnage est à la mesure de la personnalité de ce dernier, mégalomane, intempestif et probablement complètement fou.

    Cobra Verde marque en quelque sorte le passage du Herzog dramaturge vers le Herzog plutôt documentariste. La place qu'occupe l'intrigue à proprement parler est de moins en moins importante au fur et à mesure que le film progresse. Tourné au Ghana avec la collaboration du véritable roi et de plusieurs centaines de figurants locaux, ce film est un véritable tour de force de réalisation et une autre démonstration étonnante de la capacité d'immersion de Herzog.

    Ceux qui s'attendent à un film centré sur Kinski dans la veine de leurs quatre précédentes collaborations n'y trouveront pas leur compte. Plusieurs longueurs nuisent également à la fluidité du récit, mais la magnificence des paysages et le souci du détail dont fait preuve le réalisateur dans sa présentation des moeurs et coutumes du pays gardent le spectateur éveillé. On ne peut cependant pas dire qu'il s'agisse d'une oeuvre majeure, en grande partie à cause de l'incapacité palpable de Herzog à se décider entre un film de fiction et un documentaire. À voir quand même, ceci dit.
  • November 26, 2008
    eo tamben sol Silva.

Critic Reviews


March 23, 2007
A.O. Scott, The New York Times

The final third of this film contains sequences of horrifying sublimity and ethereal beauty, moments that have a clarity and power beyond the reach of reason.

View more Cobra Verde (Slave Coast) reviews at RottenTomatoes.com

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