Audrey Tautou, Benoît Poelvoorde, Alessandro Nivola

A little girl who is sent with her sister to an orphanage in the heart of France, who waits in vain every Sunday for her father to come for her...

A cabaret performer with a weak voice who ...( read more  read more... )sings to an audience of drunken soldiers...

A humble seamstress, who stitches hems at the back of a provincial tailor's shop...

A young, skinny courtesan, to whom protector Etienne Balsan offers a safe haven, amongst the idle and decadent...

A woman in love who knows she will never be anyone's wife, refusing marriage even to Boy Capel, the man who returned her love...

A rebel who finds the conventions of her time oppressive, and instead dresses in her lovers' clothes...

This is the story of Gabrielle "Coco" Chanel, who begins her life as a headstrong orphan, and through an extraordinary journey becomes the legendary couturier who embodied the modern woman and became a timeless symbol of success, freedom and style.

Flixster Users

59% liked it

2,583 ratings

Critics

68% liked it

93 critics

PG-13, 1 hr. 50 min.

Directed by: Anne Fontaine

Release Date: September 25, 2009

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Flixster Reviews (732)


  • November 8, 2009
    Audrey Tautou, with her sparkling eyes and winning smile, established herself as one of our most beloved screen actresses in Jean-Pierre Jeunet's "Amelie". Oddly enough, perhaps her least glamorous role is that of a fashion designer.

    Coco Chanel is still one of the most signific...( read more)ant names in the world of fashion. Her influence single-handedly changed the way women dressed - gone was the reign of corsets and lace, Chanel's simplistic and rather androgynous fashion sense liberated women into clothes that were at once elegant and comfortable: "I gave women a sense of freedom; I gave them back their bodies." In Anne Fontaine's latest effort, Tautou inhabits the formative years of the woman who would become an icon of the fashion world.

    Beginning in the 1890's, we first meet Gabrielle "Coco" Chanel, along with her sister, Adrienne (Marie Gillain), working as singers in a bar. There, following a successful performance, she meets Étienne Balsan (Benoit Poelvoorde), the man who would entice her to live with him in his mansion. Chanel accepts his invitation, but romantic love with the baron is the farthest thing from her mind: "A woman in love is helpless. Like a begging dog."

    Her resistance to love is compromised when she meets a friend of Balsan's, Arthur "Boy" Capel (Alessandro Nivola), who convinces her to leave the baron for Paris. There she begins a career selling hats and dresses, which becomes the prelude to her rise in France's fashion industry.

    The love-triangle at the center of the picture is a bit of a bore. The film doesn't go for high melodrama - it barely passes for drama, in fact. There's no fire, no intensity to the relationships. If the filmmakers didn't wish to make a soap opera, perhaps the film should've been kept to a typical rags-to-riches procedural - here, Fontaine's film seems completely without direction, meandering aimlessly through postcards until the conclusion. It's not necessarily a bad film, but there's nothing much of interest.

    If there's one thing to praise "Coco Before Chanel" for, however, it's the look of the film. Those interested in the fashion industry will not be disappointed - the costume design here is sumptuous, and Christophe Beaucarne's cinematography is exquisite. If only there was a compelling story to match the transendant beauty gracing the screen.
  • June 27, 2009
    Could have been Audrey's La Vie En Rose oscar winner, instead is tedious and tepid. i wanted to see Coco as Channel with her wartime Nazi scandal and all her glamour.
  • November 8, 2009
    Great movie...very interesting woman from historic point of view, from the fashion point of view. Takes us back to the fashions essential purposes: simplicity, elegance and femininity
  • November 7, 2009
    Coadjuvantes roubam a cena
  • November 6, 2009
    Audrey Tautou's acting is near perfection. I found a bit of myself in the person of Coco Chanel. It's too bad that nowadays Chanel is not what it used to be. She dared to be different and do her own thing but it seems that now Chanel is a brand for fashion followers only. Oh well...( read more). It was still a nicely photographed film, very subtle and mellow.
  • November 1, 2009
    Tre bien! Standard period drama piece, but beautifully done.
  • October 28, 2009
    If their lives were that similar, I don´t know, but either bieng Chanel or Piaf, the movie is (almost) the same. Like Kyle Smith says (check critic review below), Anne Fontaine´s movie " begs to be compared to 'La Vie en Rose' ".

    As happened to "La Vie en Rose", "Coco avant C...( read more)hanel" is nothing but a typical drama like any typical Hollywood crap would be (it´s obvious that a car accident will happen when they are seeing off/saying goodbye). I´m being very honest when I say that after Chanel´s lover dies and we see a lot of "snapshots" of her work/life with a melty song in the background, I turned off the sound.

    (...)

    I know te movie is focused on Chanel´s life before the sucess, but after a very long view of her way to succeed, the movie suddenly jumps to her atelier in Paris as if right after leaving Étienne she had done it. Even having Boy lent her money, how did she really manage in the beginning in Paris? Why was her sister working with her? And, the most important, how and when she definitely became Mademoiselle Coco Chanel?


  • October 26, 2009
    No va mas allá de ser una biografía edulcorada, es decir, menos enfocada en apegarse a la realidad que a contar una historia romántica sobre las visicitudes de una joven y humilde joven que se convierte en la famosa diseñadora. Sin embargo tiene mejor calidad que una tipica biopi...( read more)c para la televisión francesa que pasan por Eurochannel. Cumple con su cometido.
  • October 25, 2009
    The film is telling nothing. However u can extract an idea that Life has no meaning without love. I accept that.
  • October 18, 2009
    Great acting by Audrey. Nice attention to detail, historically very true.

Critic Reviews


October 15, 2009
Colin Covert, The Minneapolis Star Tribune

The film, although sumptuously produced, is a staid and conventional account of her early years. full review

October 15, 2009
Moira MacDonald, Seattle Times

The film, understandably, leaves you wanting more about the rest of the designer's life, but Coco Before Chanel is wisely focused on those years in which she became herself. full review

October 8, 2009
Roger Ebert, Chicago Sun-Times

The film loses some of its fascination when Coco is unmistakably launched on her career path. But that's when the story ends; this is titled Coco Before Chanel for a reason. full review

October 2, 2009
Mick LaSalle, San Francisco Chronicle

Coco Chanel is not the most lovable of heroines, but it's a strength of the film that director Anne Fontaine allows Tautou to make Coco as cold and ungiving as she does. full review

September 25, 2009
Kyle Smith, New York Post

A flat, airless tale of a sullen hooker who lucked out. full review

September 25, 2009
Joe Morgenstern, Wall Street Journal

It's a special pleasure to watch this vibrant Coco taking in the world around her and turning it to her use, in her fashion. full review

September 25, 2009
A.O. Scott, The New York Times

The blossoming of her ambition, as much as her love life, drives the story forward, and turns Coco Before Chanel into a costume drama worthy of the name. full review

September 24, 2009
Claudia Puig, USA Today

The film, while scaled-down, is quite beautifully woven, like a classic Chanel tweed. full review

September 21, 2009
Nick Schager, Slant Magazine

Fontaine dramatizes Coco's struggles respectfully if mundanely, crafting believable period detail for her procession of key-life-moment scenes, all of which employ serviceable but far from groundbreak... full review

September 21, 2009
Anthony Lane, The New Yorker

I missed the desperation that goaded the real Coco--not just the sulks that pass like rain showers across Tautou's prettiness but that brisk contempt for existing conditions which led Chanel, like any... full review

View more Coco avant Chanel (Coco Before Chanel) reviews at RottenTomatoes.com

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