Jeanne Balibar, Om Puri, Samantha Morton

A futuristic 'Brief Encounter', a love story in which the romance is doomed by genetic incompatibility.

Flixster Users

63% liked it

7,167 ratings

Critics

52% liked it

94 critics

R, 1 hr. 30 min.

Directed by: Michael Winterbottom

Release Date: August 6, 2004

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DVD Release Date: December 28, 2004

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Stats: 463 reviews

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Flixster Reviews (463)


  • October 2, 2009
    Code 46 features a lovely setting, a futuristic world fraught with the perils of eugenics. Its most interesting quirk, among many, is the world-wide system of "cover," a sort of one-size-fits-all insurance. With it, you are afforded the luxury of living in a safe and insular utop...( read more)ia; without it, you're relegated to al fuera, or the harsh and dangerous outside world. It serves as a rich metaphor for the movie's recurring motif of working for feeling versus settling into it. Its two lead performers, Tim Robbins and Samantha Morton, are constantly engaging, working their hardest to let us in to these frankly bizarre characters. Unfortunately, their navigations don't accomplish much. William and Maria are indecisive, which isn't necessarily a bad thing, but their choices are repetitive, and eventually exhausting. Between that and the constant shoegaze atmosphere that the movie puts forward, Code 46 almost becomes turgid. It's like sci-fi Garden State, only infinitely more clever.

    I'm really not sure how to feel about this film. It's a cool movie to see and think about and promotes imagination in its viewers, and I'm sure that Michael Winterbottom made exactly the product he was aiming to make. I think it's a great mood piece, but the movie generally disregards anything else once it's established its ground rules and setting, so I think a lot of people will find it frustrating. Worth watching, but don't say I didn't warn you.
  • September 8, 2008
    It's cold, simplistic and distant, but it has inner power. It is a fresh change from that hideus sci-fi trend that started with 'the matrix' when technology and visuals took over the story.
  • September 1, 2007
    I love this film, and the varient of languages and the intensity of the scenes. The director is also clever and makes Tokyo seems like many many years in the futre. Tim and Samantha smolder.
  • June 9, 2007
    Pretensious rubbish
  • April 5, 2007
    Stylish but cold futuristic drama
  • November 4, 2009
    At times somber, and now and then dangerously close to self-important, Code 46 is nonetheless a smart, mature film that examines who and what we can be to each other, in a world full of invention and change.
  • November 4, 2009
    It's the future. The world has changed drastically. There are now several major cities, which have exploded in population, and where everything is taken care of in a clinical yet efficient manner. People living in the cities have to follow a set of strict codes, failure to comply...( read more) means you will be evacuated from the cities and sent to the outside world, where life is hard and where you are more or less left on your own.
  • October 14, 2009
    well done but unoriginal....nice camel!
  • September 20, 2009
    You can see what this film is trying to do right from the start but in short, it doesn't do it very well.

    It opens slowly, with a gentle whispery track playing in the background before a slightly crooked female voice-over comes in with an overly poetic descriptive line to begin ...( read more)the story.
    And this is how it carries on.
    We are shown scenes, set deliberately to the music and with a deliberately slow/considered pace so we can absorb the detail but alas, the detail aint all that great and so the film doesn't quite work.
    It seems that it is trying too hard to be something along the lines of Gattaca but somehow, despite having a lot of the same elements, lacks the gravity that Gattaca possesses.

    Perhaps this is down to the characters as they lack a believability to them. The lead guy's party trick gets played too often and the lead gal's kookiness is a too hackneyed. They both lack any real depth to them and so you never fully believe their motives for their initial behaviour/actions and later, you don't believe their "connection".

    This isn't really a bad film, it just lacks that something to make it anything more than mediocre which is a shame because Tim Robbins and Samantha Morton can both act. It's a shame they didn't have something better to work with.
  • August 16, 2009
    I wanted to enjoy this based solely on the premise, but it failed to leave any impact. It was dull, cold, and standoffish. Pass.

Critic Reviews


May 3, 2005
Nick Schager, Lessons of Darkness

A luxurious sight to behold. full review

August 13, 2004
Ty Burr, Boston Globe

With all this intelligence in front of and behind the cameras, why then does Code 46 play like a William Gibson novel with all the juicy bits removed? full review

August 13, 2004
Roger Ebert, Chicago Sun-Times

I cannot say I understand the hows and whys of this future world, nor do I much care, since it's mostly a clever backdrop to a love affair that would easily teleport to many other genres. full review

August 5, 2004
Claudia Puig, USA Today

It's all very ambitious -- and thought-provoking. But, at only 92 minutes, one wishes the script had been further developed and the film executed with more clarity. full review

August 5, 2004
A.O. Scott, The New York Times

Michael Winterbottom's somber dystopian romance is thick with disquieting, not always coherent ideas about the effects of globalization on human intimacy. full review

August 5, 2004
Peter Travers, Rolling Stone

You don't need a crystal ball to see where the Frank Cottrell Boyce script is going. full review

View more Code 46 reviews at RottenTomatoes.com

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