Aleksei Kravchenko, Jüri Lumiste, Liubomiras Lauciavicius

A boy is unwillingly thrust into the atrocities of war in WWII Byelorussia, fighting for a hopelessly unequipped resistance movement against the ruthless German forces. Witnessing scenes of abject ter...( read more  read more... )ror and accidentally surviving horrifying situations he loses his innocence and then his mind.

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96% liked it

5,834 ratings

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94% liked it

16 critics

Unrated, 2 hrs. 22 min.

Directed by: Elem Klimov

Release Date: October 17, 1985

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DVD Release Date: October 23, 2001

Stats: 636 reviews

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Flixster Reviews (636)


  • April 24, 2009
    A young Russian lad dreams of leaving his mother and younger siblings behind to join the Partisan army and "kill Germans". But later, when his military unit pulls out and orders him to stay and guard the camp, he finds himself alone behind enemy lines in the midst of a Nazi blit...( read more)zkrieg.

    I don't recall ever seeing a more powerful anti-war film. The transformation of Florya (Aleksei Kravchenko) from an innocent boy into a battle-hardened soldier is something that must be witnessed in order to be fully appreciated.
  • September 17, 2008
    I first saw this movie a couple of years ago. I didn't really know what to think of it at first. The soundtrack on the DVD is a little messy and the acting was a bit strange. I knew it had affected me though in a way that not many other movies had. As time went by I began to real...( read more)ize just how much of an impact the movie had on me. It really, really stuck with me. One night I found myself thinking more and more about Come and See, and decided that I had to watch it again immediately. I ran out after midnight and rented it, and watched it 3 times over the next week. I started to see why the film had been haunting me and sticking around my thoughts.
    Elem Klimov directs the film, starring Aleksei Kravchenko as Florya, a young boy who desires to fight with the Partisan's army against the invading Nazi army. He digs until he finds a rifle, then the next day he is off to a camp in the middle of the woods. The scene there is chaotic. The fighters try have their photo taken, in an effort muddled as everyone keeps messing up their positions. Florya spots Glasha (Olga Mironova), a young girl, who has the younger fighters swooning, but also seems to have some sort of relationship with the leader of the camp. What that relationship is exactly we never find out.
    Florya gets left behind on the attack supposedly because he is too young, and because another older fighter needs some new boots, and swaps with the new kid. The anxious Florya is upset by this decision and he takes to the woods for some solitude. He cries and then discovers that near by Glasha is also crying at being left at the camp, more so for being left alone than behind. The two bond and soon end up in an open field as German planes attack encampment. Nearly every scene that follows teeters on the brink of madness on film.
    Come and See is, quite frankly, one of the most maddening films ever made. The key is the soundtrack. Florya is struck deaf for a few moments by the first bombardment bombs. Sounds are muffled, but not like anything you would expect or are used to seeing in a Hollywood film. The soundtrack is a mix of strange ringing, unexplainable sounds and random notes of music, adding to the atmosphere of chaos that the two youngsters have now been thrown into. Much of the film has this style of soundtrack, which makes Florya's descent into madness so much more poignant.
    After returning to Florya's village only to find it deserted (save for one frightening shot of its inhabitants), the two flee to an island across the swap. To get there they must fight through the mud, which looks as if it threatens to swallow them whole. The soundtrack again becomes ambient and menacing in its strange blends of sounds. They find the remaining villagers, who inform them that Florya's mother and sisters have been killed by the Germans. The young boy's decent into madness intensifies even further. In one of the most memorable scenes in the film, Florya's hair is cut off to be placed on a model Hitler. This scene will be the last time we see Glasha in the movie, as Florya then goes with a party to collect food for the starving villagers - one of the scenes directly inspired by Klimov's late wife's masterpiece, The Ascent.

    The most famous scene, and the one that will never leave you for the sake of its pure chaotic cruelty, is of a village being ransacked by Nazi soldiers. The scene is frenetic and culminates in a barn stuffed with the townspeople being burned and shot apart. Another famous scene involves Florya shooting a photo of Hitler, each bullet making time reverse. The photo goes back in time until it is a picture of Hitler as a baby on his mothers lap. He is an innocent infant, and Florya cannot bring himself to fire another shot. Come and See is filled with such gloriously insane moments.

    Obviously, Come and See was filmed with influences of Soviet Propaganda in mind, but that hardly matters. The film is so well made and so maddening you can't help but be totally absorbed by the experience. It has a hypnotic quality about it. Its horrors are not the jump out of your seat or bloodbath kind. It is horrifying in its poignant representation of the cruelty people are capable of in war.

    I can't recall seeing another film that expressed the descent into madness so convincingly as Klimov does here. It's a sensual bombardment fit for a psychological experiment. By the end of the film, you feel like you've just experienced what it must be like to lose your mind. The film has no interest in the desensitizing of violence in war. It is instead interested pain war causes to our collective soul. War is not an effort of nobility, but one of survival in the face of intolerable cruelty.
    Elem Klimov created this film out of the viewer's senses, making them essentially another character. This is aided especially by the performance of Aleksei Kravchenko. His face is haunting as it appears to age decades over days. Come and See draws you in and forces us to experience what the characters. There is no safe zone to remind us that this is just a movie.
  • May 11, 2008
    With evocative sound and music this film tells the story of a world that teeters on lyrical poeticism and expressionist nightmare. reminded me a lot of andrei tarkovsky's Ivan's Childhood
  • April 11, 2008
    Unlike any war film I've seen before. The story involves a rite-of-passage of a young Byelorussian villager who is drafted into the army to fight the Nazis during WWII.

    This film not only shows the horrors of war, but throws you right in the middle of it, showing the receiv...( read more)ing end of the Nazi's raid that spread to over 600 villages being burned. An unrelenting, waking nightmare with sounds and visuals unmatched by any other war film.
    Come And See
  • March 30, 2008
    Remarkable and unsettling recount of the holocaust in Byelorussia. Director Elem Klimov's approach is crude, brutal and precise, just the right tone for this horrific odyssey of inhumanity, death and utter chaos. the final montage is spellbinding.
  • November 22, 2009
    It's like a fucking bad acid trip, it's so fucking insane and brutal that every war film after is basically worthless. It affected me like few movies have, it drained my soul out of my asshole into a puddle of tears. They found the perfect kid to follow on this journey of unrelen...( read more)ting horrors, his face fucking haunts me. Saving Private Ryan wishes it approached this film in anyway, it appears to go fairy tale for the first half-hour or so and just descends into a pit of despair that should heavy your heart to the abyss. A brilliant and emotionally affective ride that shall I shall never forget.
  • November 17, 2009
    World war 2 doesn't get more realistic than that.
  • September 29, 2009
    This film about war is unique and exceptional in all means, especially the camera work and also the scale of production. But after all, i didn't like the way it ended.
  • September 11, 2009
    Review coming someday...

    98/100
  • July 3, 2009
    Dang, this one almost hit me in the gut with its sheer power and realism. Instead, it aimed higher at my subconscious and my mind, and it was still damn disturbing - it's as if you're one of the citizens in the town, and every danger and casualty you're able to feel. Truly a powe...( read more)rful, horrific experience thanks to none other than one of the worst events in human history. Its madness I found in similar style to Aguirre, but that film was so over hyped and dismissable for me. This is the real deal. One of two war films which depict the exact horror of it all, except this one is mentally agitating, the other one is a visual onslaught (Men Behind the Sun).

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