Brigitte Bardot, Fritz Lang, Giorgia Moll

Paul Javal, a writer, is hired to work out a script for the new movie about Ulisses, directed by Fritz Lang and produced by Prokosch. Because he let his wife Camille drive with Prokosch, and he is lat...( read more  read more... )e, she belives, that he uses her as a sort of "present" for Prokosch to get get a better payment. So the relation breaks up.

Flixster Users

87% liked it

7,863 ratings

Critics

94% liked it

34 critics

Unrated, 1 hr. 43 min.

Directed by: Jean-Luc Godard

Release Date: March 14, 2008

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DVD Release Date: November 26, 2002

Stats: 588 reviews

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Flixster Reviews (588)


  • September 15, 2008
    godard's proclaimed "failed experiment" with a big budget about a troubled couple and a troubled film project about ulisses. the characters are alternate versions of the characters from the odyssey. certain scenes reflect actual events during the course of the making of the film....( read more) not one of godard's best but certainly recommended.
  • May 7, 2008
    Although, visually, it is highly poetic, and although Brigitte Bardot, Michel Piccoli, and Fritz Lang shine in certain scenes, Le Mepris drags its confusing message for an hour and a half of creative editing and stunning cinematography.

    Apparently, Godard's film is a critic to...( read more)wards the Hollywood perspective of cinema. It is also an honest "scene from a marriage" because the conflicts between Paul and his wife Camille are absolutely believable.

    Unfortunately, I found Godard's criticism to wear off after the first half of the film and the love/hate story also lost my interest towards that moment. I think perhaps he got lost in getting his opinion across, to the point he didn't bother to maintain the allure Le Mepris has during its first quarter. For example, the very opening scene in which Camille asks Paul whether he loves *all* of her is unique in cinema. But for the most part, the rest ranges from good to dull.

    All in all, Le Mepris has some good scenes and dialog and it must definitely be seen for its value as one of Godard's most well-known and mainstream films, but I didn't find it to have the same innovative, rebellious, in-your-face attitude and energy as Masculin/Feminin, for example. Knowing how far Godard could go and how much he could challenge his audience, this film just seems a little tame.
  • March 15, 2008
    Yeah yeah, Hollywood producers are dicks, not good for real artists like Godard, what else is new?
  • March 1, 2008
    First movie i tried to watch from Godard, and yes, i used "tried" in the best way possible. I'll stick with what Herzog thinks about that french snob.

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  • March 15, 2007
    Godard's best film next to Alphaville.
  • October 7, 2009
    http://fr.wikipedia.org/wiki/Villa_Malaparte
  • September 4, 2009
    come un'idiota, non mi sono documentata prima: la versione italiana, completamente doppiata e assai modificata, fa schifo.
  • July 26, 2009
    Starts with rich promise, with astonishingly beautiful photography and interesting dynamics. It quickly wastes this potential, however, on a boring relationship melodrama that's so insipid, uninteresting and even irritating that I almost fell asleep. Has some interesting elements...( read more), but doesn't know what to do with them.
  • May 30, 2009
    I'm such a heretic on this one; there are many more Godards I like much better than this. There's a beauty to this movie, but the only thing in it that rings somewhat true is its dissection of a failing marriage, and yet one has to sort of care about the spouses, which, frankly, ...( read more)I don't.
  • February 25, 2009
    Is it possible for one human being to understand another human being? Can we communicate successfully? Well this film sure can. Watch it if you want to learn about life, love, humanity, making movies, etc...etc.

Critic Reviews


April 11, 2008
Ty Burr, Boston Globe

What's the price of selling out? Contempt asks the question of its characters, its audience, and its own director. full review

January 1, 2000
Roger Ebert, Chicago Sun-Times

Contempt was Jean-Luc Godard's 1963 attempt at a big-budget, big- star production, and more or less satisfied his curiosity. full review

View more Le Mépris (Contempt) reviews at RottenTomatoes.com

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