I watched this film the same day as <i>Memoirs Of A Geisha</i>, and whilst the two can't really be compared, this was easily the more enjoyable film. On the one hand we have <i>Memoirs</i>, with a mega budget, big stars, renowned director and a script… More
I watched this film the same day as <i>Memoirs Of A Geisha</i>, and whilst the two can't really be compared, this was easily the more enjoyable film. On the one hand we have <i>Memoirs</i>, with a mega budget, big stars, renowned director and a script based on an award winning book. On the other hand, <i>Creep</i> has a creaky script, no established stars to speak of (though lead actress Franka Potente is always worth watching), has a teeny budget largely funded by the UK Film Council and is the debut of an unknown director (Christopher Smith, who went on to make the more successful <i>Severance</i>). <p>But, despite a somewhat unfocussed story, <i>Creep</i> succeeds far more than the previously mentioned blockbuster. Using the setting of the London Underground for a horror film is a genius idea not really capitalised on since <i>An American Werewolf in London</i> and is arguably the films biggest trump card. After a rickety prologue set in the sewers, the next 20 minutes or so is tense stuff, with lead character Kate (Franka Potente), who has found herself locked in for the night at an underground subway station, running away from an unseen enemy. The location is put to genius effect - the brightly lit corridors with buzzing lights and sharp corners somehow claustrophobic, juxtaposed with the dark, narrow underground railway itself, with mazes of abandoned stairways and old stations connected by ancient passageways (the London Underground really does connect to the sewers and there really are endless and forgotten places infested with rats and sunken in water). <p>The storyline has an abrupt change at about the 45 minute mark which actually works quite well. The scene where Kate awakens to find herself in a cage in the water was, well, creepy, and it reminded me of a plot point in an RPG game I can't put my mind to (<i>ok, so you're in a cage in freezing cold water, something terrible is coming back for you, and you only have a few minutes to escape - what do you do?</i>) - but I mean this in a complimentary way. The exploration into the origin of the seemingly unstoppable enemy is borrowed a bit too much from other films and seems unnecessary, and slows the pace of the film down a little, but writer/director Christopher Smith gives us a nicely unpredictable ending which doesn't induce the groans but instead an ironic smirk and a shudder. The final shot seems to be a commentary on our attitude to the homeless, and although it's a little unsubtly delivered it's still an interesting thought. <p><i>Creep</i> is clearly a low budget effort and the vision and ambition evident in the story isn't always matched to what we see on screen, but this is a decent, gory, sometimes scary film. Bravo.