George Cooper, Gloria Grahame, Jacqueline White

Crossfire was nominated for the 1947 Best Picture Oscar won by Gentleman's Agreement. Gentlemen may propose, if not agree, that Crossfire was better. Like its upscale rival, the f...( read more  read more... )ilm noir raises the specter of anti-Semitism in America: just after World War II, an affable Jew (Sam Levene) is beaten to death by one of several GIs out "crawling." Solving the crime takes all night, but for the audience the killer's identity is scarcely in doubt; Robert Ryan's chilling study in psychopathic bigotry scored him his lone Oscar nomination. He's nearly matched in creepiness by Paul Kelly as an odd nightbird married to sultry Gloria Grahame. Two other worthy Roberts--Young and Mitchum--respectively play the police detective and the Army sergeant wondering which of his guys is a murderer. Incidentally, the hot button in the Richard Brooks novel was not anti-Semitism but homophobia--a sweaty subtext in Edward Dmytryk's film. --Richard T. Jameson

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71% liked it

1,296 ratings

Unrated, 86 min.

Directed by: Edward Dmytryk

Release Date: July 22, 1947

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DVD Release Date: July 5, 2005

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Flixster Reviews (71)


  • September 11, 2009
    A man is found beaten to death in his apartment. The last people he was seen with were four soliders. One of them did it, but which one? Robert Young as a police detective, in a better performance than I would normally expect out of him, wants to find out. Even though it's pretty...( read more) obvious who the killer is early on, I won't give it away here. This film about prejudice and Anti-Semitism should remind all of us how dangerous intolerance like that can be if taken to the extreme.
  • June 25, 2008
    A social commentary that pretends to be a murder mystery. Crossfire's main purpose is explaining prejudice or hatred of somebody just because they are a member of a certain group. For that emphasis, it's a very interesting movie and sets it apart from most films in its' time, bu...( read more)t its minor storyline is more compelling.
  • November 2, 2006
    It's not quite noir but Robert Ryan as an anti-semetic psycho is worth the viewing
  • July 5, 2008
    Clearly antisemitism was a major issue in 1947, as two of the five Best Picture nominees from that year were explicitly about the subject. This and Gentleman's Agreement are both preachy but this is clearly the lesser of the two. A boring, uninspired military mystery about invest...( read more)igating a hate crime against a Jewish officer. Admittedly, audiences in the late forties probably needed a less subtle message than we do today. Still this just felt like an after school special. The whole thing made a little more sense when I checked the wikipedia page and learned that in the book this was based on the victim was not Jewish, but a homosexual. The production code made them change it, if they stuck with the original story this would have been a much more interesting movie than it is.
  • August 15, 2009
    Gentleman's Agreement was much better.
  • March 13, 2009
    Le réalisateur de l'excellent "Murder, My Sweet" récidive avec un autre film noir béton, supporté par une distribution cinq étoiles (Robert Ryan, Robert Mitchum, Gloria Grahame...). Ces seuls noms combinés suffisent à convaincre les amateurs, mais "Crossfire" est un peu plus qu'u...( read more)n simple film noir bien foutu.

    Dmytryk l'avoue d'emblée, le choix de l'esthétique du noir est avant tout stratégique: c'est peu coûteux et c'est rapide à "setter". Ce qui intéresse davantage le réalisateur, c'est le scénario hautement audacieux pour l'époque, qui fait d'un meurtre anti-sémite le pivot du récit.

    Certes la campagne de marketing a masqué le tout sous les airs d'un "murder mystery" conventionnel, mais le spectateur reçoit tout un coup de poing au visage. Robert Ryan, nominé aux Oscars pour son rôle effroyablement convaincant de meurtrier anti-sémite, livre une performance à glacer le sang dans les veines.

    Le film sera nominé dans cinq catégories l'année suivante, dont meilleur film, meilleur réalisation et meilleur scénario, à juste titre. Il remportera également, l'année de sa sortie, le Prix du meilleur film social au Festival de Cannes. Une belle preuve que le film noir est loin d'être un genre mineur et que son impact n'est pas négligeable.
  • October 30, 2008
    Without a doubt Monty was the most interesting character but the fact that they changed the book's homosexual into Jewish was disappointing. Otherwise pretty decent.
  • July 11, 2008
    want to see this because it was nominated for best picture at the oscars and by NBR
  • May 7, 2008
    Very good...Robert Ryan is good at being scary and anti-semitic.
  • April 13, 2008
    This picture is to slow and not very creative. The acting solid but not exceptional and the movie felt like it was telling you the story instead of pulling you in to live it. It does let a few punches go, but that is only to allow for the films over bearing message.

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