Featured Audience Ratings

• Stella D

  
  the most famous underground film of the rock era, it's available in bootleg form of varying quality and on youtube. it's messy and depressing. the limited concert footage is worthwhile; the rest is a portrait of unglamorous life on the road. all the usual rock star… More
  the most famous underground film of the rock era, it's available in bootleg form of varying quality and on youtube. it's messy and depressing. the limited concert footage is worthwhile; the rest is a portrait of unglamorous life on the road. all the usual rock star cliches abound and were perhaps first seen here, including rampant drug use, groupie orgies and tossing tvs from windows. it's pretty graphic. the boys already seem bored and it's hard to imagine how they've kept it up for almost 40 more years. of interest mainly to fans who want to see mick stroking himself, keith nodding out and various hangers-on behaving badly.

• Michael G

  
  So incredibly disappointing. I've heard about this for years before I saw it and it just seemed like a bunch of uninspiring home movie footage pieced together. I know it was the 70s and everything, but COME ON....!!!!

• Eric B

  
  Notoriously blocked from official release, "Cocksucker Blues" follows the matured Rolling Stones at the peak of their onstage powers: the expansive 1972 tour, supporting the landmark "Exile on Main Street" album. Presumably inspired by the guerrilla style of D.A.… More
  Notoriously blocked from official release, "Cocksucker Blues" follows the matured Rolling Stones at the peak of their onstage powers: the expansive 1972 tour, supporting the landmark "Exile on Main Street" album. Presumably inspired by the guerrilla style of D.A. Pennebaker's "Don't Look Back," "Cocksucker Blues" has choppy editing, erratic sound and lots of handheld camera work, and treats live performance as a mere sidelight to the group's backstage antics. Musically, the footage includes exciting chunks of a few classic songs (particularly "Midnight Rambler," "Happy," "Street Fighting Man" and a chaotic "Uptight/Satisfaction" medley with guest Stevie Wonder), but the prime focus is on depraved action away from the spotlight. Such scenes feel like re-edited home movies, with no direct interviews and plenty of trivial chat which provides little character insight. Given this casually voyeuristic tone, the film's highlights can be ticked off like a frat party's code violations. We see shooting up. Cocaine. Naked girls. Roadies gone wild. Mick Jagger's ass. Keith Richards throwing a TV out a window. A getaway trip to a pool hall. A woozy room-service call which botches the simple act of ordering fruit. Glimpses of Truman Capote, Andy Warhol, Tina Turner, Dick Cavett, Terry Southern, Bianca Jagger and Ahmet Ertegun. There's also a charming snatch of impromptu, New Orleans-style piano from Richards. Surprisingly, what we don't see are the other three Stones. Charlie Watts and Mick Taylor are just occasional shadows flashing into view, and the ever-mysterious Bill Wyman scarcely appears at all. "Cocksucker Blues" easily deserves a public release, but the depiction of heroin use was presumably the dealbreaker. It doesn't transcend its genre in the way "A Hard Day's Night" and "Don't Look Back" do, but it's a treasure for the classic-rock set.