Donald Pleasence, Françoise Dorléac, Jack MacGowran

A retired businessman and his young, vivacious wife are living quietly on small British Island until two gangsters on the run stumble into their home and into their lives.

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79% liked it

2,873 ratings

Critics

90% liked it

10 critics

Unrated, 1 hr. 50 min.

Directed by: Roman Polanski

Release Date: January 1, 1966

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Flixster Reviews (130)


  • October 5, 2007
    Lionel Stander and Donald Pleasence are marvelous, as well as the screenplay and direction, with Polanski's intense, bizarre and darker than night humour. both delightful and warped piece of art.
  • September 12, 2009
    A roman polanski classic, in which one's peace and tanquility are distirbued and ruined by unexpected outsiders. A loathing insues for the main gangster/villian, whom we wish was minced up by a gatlin gun. Alby the weird shrimp of a man, and very guache.

    A vivicious head stron...( read more)g independant forward french woman ( just the same asd real life!!!) and a weakling cowardly husband reside in the seaside manor. A look at tolerance and then ultimalty insanity when this ideal is broken.
  • July 3, 2009
    Not really my cup of tea, but it was watchable.
  • June 24, 2009
    A highly original and very amusing little gem from Polanski. You can clearly get his sense of humor by watching his earlier efforts.
  • June 15, 2009
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  • May 22, 2009
    Comme dans son premier film "Knife in the Water", Polanski présente ici un couple perturbé par l'arrivée d'une tierce personne dans leur univers hermétique. Tourné dans un château ancien en Angleterre, les décors époustouflants augmentent l'effet d'étrangeté et donnent lieu à des...( read more) plans d'une grande beauté.

    L'humour et le drame sont habilement mélangés pour créer une ambiance singulière. Le film est divertissant de son début à sa finale bouleversante, et je dirais que de manière générale Polanski a pas mal réussi son entreprise de créer un film "étrange". Par contre, à savoir si ça nous paraît encore si étrange et original aujourd'hui, c'est autre chose.

    Le jeu des acteurs est aussi un peu inégal. Pleasence semble jouer un drame, Stander une comédie un peu burlesque et Dorléac... on ne sait pas trop. Elle flotte encore, comme sa soeur Catherine Deneuve, dans une espèce de complaisance qui capitalise davantage sur sa beauté naturelle que son talent d'actrice. Ça m'a en tous cas permis de confirmer que les Français qui campent un rôle en anglais n'arrivent pas souvent à m'émouvoir.
  • May 6, 2009
    Cul De Sac is a brilliant peice of work! Polanski's style is very much starting to take form in his 3rd(?) film. The performances from the 3 leads are fucking incredible! The film is a disturbing blend of black humour and vicious characters. Lionel Stander has a voice thats in mu...( read more)ch need of a warm salt water gargle! Donald Pleasence has never been better. His eccentric performance makes this film!! He is fucking incredible. And he is one of the main reasons this film works as good as it does. Its now up there as one of my favorite Polanski films.
    Polanskis a master at framing imagry and some of the images presented in this film are beautiful and almost haunting. This is a beautiful film. And its one i see myself revisiting over again in the near future!
  • October 13, 2008
    It's decent drama but there wasn't a single funny moment in it.
  • August 25, 2008
    When I think of a Cul-de-Sac I think of white picket fences, 2.5 dogs and desperate housewives. This doesnt look quite that mundane but I will see it anyway bcause Roman Polanski made it.
  • January 16, 2008
    This film is just great. GREAT I TELL YOU!

Critic Reviews


October 23, 2004
Roger Ebert, Chicago Sun-Times

This much sounds like a standard horror-film outline, especially since Stander looks amazingly like Frankenstein. But Polanski ignores the horror to concentrate instead on macabre humor. full review

View more Cul-de-Sac reviews at RottenTomatoes.com

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