Caifei He, Cao Cuifeng (II), Cao Zhengyin

In 1920's China, an attractive new concubine to a wealthy master arouses tension amongst the other wives.

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93% liked it

17,921 ratings

Critics

96% liked it

23 critics

PG, 2 hrs. 5 min.

Directed by: Yimou Zhang

Release Date: September 1, 1991

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DVD Release Date: February 14, 2006

Stats: 1,039 reviews

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Flixster Reviews (1,039)


  • September 22, 2009
    Picture this: 1920-something China. A rich man has four wives. Each wife has her own house. Each house is connected by a common courtyard. Every night the four wives stand by their door to see which house will get the red lantern. The house with the red lantern gets to 'host...( read more)' the husband for the night. The wife with the red lantern also gets to decide what's for dinner and has general control of the combined households. You'd think that would be enough to pit four women against each other, right? Well it does, but there's one more thing that the lantern bearer gets... a foot massage! Throw four women together in vicious competition for a foot massage and you've got the makings of top-notch drama. Five stars.
  • August 2, 2009
    Four women live in separate apartments in a beautiful castle. Three of them like to eat meat, one is a vegetarian. They're all married to the same guy, the master of the castle. Whomever the master chooses to stay with on any given night gets a foot massage and gets to call the s...( read more)hots at dinnertime, decide the menu. Seems like an environment ripe for jealousies and fighting. Seems like a season of DALLAS but it's tweaked out to 1920s Chinese concubine culture. It's a beautiful film because the castle is beautiful. Gong Li is beautiful. But it's too easy to see where things are going, and an obvious girly cat fight isn't that interesting. Or is it a veiled allegory against Chinese communist authoritarianism, or the culture of patriarchy? If so, we have to call it good. That's the rule. Damn chicks, allegorically speaking, should have banded together and thrown off their oppressors instead of fighting each other. The film, in foreshadowing irony, is divided into "Summer, Fall, Winter, Spring ... Summer."
  • March 30, 2009
    I'm a sucker for a good "period piece". Throw in a great actress (Gong Li) a intriguing story and some amazing cinematography...and I'm hooked!

    While ultimately a very sad tale, it presents many interesting questions and is intriguing on many levels.

    An enjoyable experienc...( read more)e over all.
  • March 23, 2009
    A beautifully shot film with a beautiful mid-20s Gong Li. The subject, the life of the concubine, is not, however, beautiful. La vita is not bella. It is a tradition of slavery made palatable only to the point that it permits a lavish and pampered lifestyle -- in some ways the...( read more)se women are like calves being fatted for slaughter. Other than that, it is slavery by any other name, and it does not smell sweet. Brutal, harsh, mindless, insufferable, suffocating, soul-killing -- these are some of the adjectives that come to mind for the life depicted in these sumptuous settings.
  • April 5, 2008
    Zhang Yimou's greatest film, about the hardships of women in China.
  • October 5, 2009
    red red red, it's like a sweet death.
  • August 25, 2009
    Puppet-like patriarchal society
  • July 29, 2009
    Foot massages with little mallets... that has to be great! I was really impressed by the book. When I was reading many people said it was a great movie. And it was. There was one minor detail in the book that was changed, but should have stayed as it was in the book- I won't give...( read more) it away here- and then the movie probably would have gotten 5 stars.
  • July 19, 2009
    Viva o cinema asiático. Yimou Zhang é um ótimo diretor.
  • May 21, 2009
    colorful, elegant, and subtly menacing. very strong performances given to very strong, intense characters. the cinematography was especially outstanding--extended stationary shots, distance shots, angles that only emphasize certain characters (notice how the master is never see...( read more)n in a completely unobstructed view). combined with the various colors and lighting, the film's best element is purely visual. the softly intriguing storytelling and the emotional acting are just icing on the cake.

Critic Reviews


May 12, 2001
Peter Travers, Rolling Stone

Gong Li delivers a performance of exquisite expressiveness that, like the film itself, is unnerving in its emotional nakedness. full review

January 1, 2000
Roger Ebert, Chicago Sun-Times

A Chinese film of voluptuous physical beauty and angry passions. full review

View more Da hong deng long gao gao gua (Raise the Red Lantern) reviews at RottenTomatoes.com

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