Rosie Perez, Javier Bardem, Harley Cross

Rough girl Perdita and her demonic lover Romeo Dolorosa need humans to sacrifice following Romeo's religion before he can go on a mission ordered by mob boss Santos. They kidnap teen sweethearts Duane...( read more  read more... ) and Estelle and travel with them to Las-Vegas.

Flixster Users

58% liked it

4,070 ratings

Critics

40% liked it

10 critics

R, 2 hrs. 1 min.

Directed by: Alex de la Iglesia

Release Date: January 1, 1997

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DVD Release Date: December 28, 1999

Stats: 160 reviews

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Flixster Reviews (160)


  • July 28, 2008
    A flawed affair from Alex de la Iglesia that benefits from one thing: Javier Bardem playing a crazy ruthless mexican santero who rapes american teen girls and makes human sacrifices. Bardem owns the movie in every way.
  • January 16, 2008
    Right after the success of his masterpiece, the dark comedy "El Dia De la Bestia", Spanish director Alex De la Iglesia took a stab at Hollywood with this wild ride of marvelous insanity and bizarre entertainment. Sadly, the resulting movie was severely cut in the U.S. and the U.K...( read more). and didn't had the expected results as many labeled as another Tarantino-style film. While at first sight "Perdita Durango" indeed looks like a rip off of the movies by the Tarantino-Rodriguez tandem, this really black comedy is more a witty satire than a serious action flick.

    The film is the story of Perdita Durango (Rosie Perez), a young criminal who one night meets Romeo Dolorosa (Javier Bardem), a crazed priest of an extreme form of Santeria who makes a life doing jobs for the mob. They fall in love and Perdita comes along in Romeo's latest job: the traffic of human fetuses for the cosmetic industry. On their trip, they kidnap two American teenagers for Romeo's human sacrifices. However, things go wrong as a DEA agent (James Gandolfini) follows them closely and the kidnapped teens try to escape.

    Based on Barry Gifford's novel of the same name, the movie follows the criminal couple's adventure in the style of a road trip movie with the two couples (the criminals and their victims) as main characters. I can't tell how faithful the movie is to the novel, but it is definitely closer to Gifford's previous film adaptation, David Lynch's "Wild at Heart" than to the Tarantino films that are often compared to it. The movie is charged with black humor and disturbing violence, and is a brilliant satire of modern society.

    Alex De la Iglesia crafts a film that is at the same time disturbing and funny, and he plays with those two very different emotions with very good results. The pacing of the movie is very good although it is true that at times it feels a bit disjointed. Still, De la Iglesia manages to tell an intelligent and different story than what we are used to. On a side note, the edited A-Pix version is missing what is probably the most important moment of the film due to copyright troubles, so to fully appreciate the film, the 125 version is the way to go.

    The acting is good for the most part, with Javier Bardem showing exactly why is he considered the best Spanish actor of his generation; his Romeo Delarosa is one of the best performances of his career. Rosie Perez is effective, but at times it feels as if she weren't up to the challenge, something that hurts the film badly, as she is the main character. Harley Cross and Aimee Graham are very believable as the kidnapped teens and show potential for comedy, but the real joy comes from supporting actors Gandolfini and a surprising Screamin' Jay Hawkins.

    Personally, I liked the film a lot and it is a personal favorite, but I must be fair and point out that it is not a perfect film. Alex De la Iglesia's main mistake is to focus too much on Romeo Delarosa's character, almost to the point where Rosie Perez almost becomes a supporting actress. The fact that Bardem's acting is enormously superior doesn't really help Perez' performance. On another point, the movie seems to lose steam at the last point, and while it does recover some of its initial power, the edited versions definitely take out this final improvement.

    As written above, this is a personal favorite, and while I wouldn't recommend it to everybody (due to its disturbing images), I would definitely recommend it to fans of black comedies, disturbing thrillers and overall bizarre film-making in general
  • January 31, 2008
    Boring. Went to see this because it was a follow up on one of the characters from Wild at Heart, but it couldn't be further in tone. Maybe I should see it again after viewing a lot more cult movies, but I remember sitting in my seat excited to see this, and by the middle being ...( read more)sunk into the chair waiting for it to end.
  • October 25, 2009
    pulp fiction version tijuana
  • September 14, 2009
    Cult movie not for my taste. I prefer El Día de la Bestia. The story, although crazy and macabre, totally fails for me. I know that sex and violence are essential factors in Iglesia's style, but there was absolutely no point with this sh!t. Fortunately, this was not the beginning...( read more) of the director's downfall.

    41/100
  • August 2, 2009
    Excellent film. I loved it. I didn't like the way it ended. It was too abrupt and I felt like I got kicked out of the world of the film. It was trashy, gory, bizarre, and insane. There's lots of sex, violence, and sexual violence. A truly trashy and fun film!
  • June 17, 2009
    He said it wasn't Voodoo, it was Santeria, but the altar was taken straight from the "Sacred Arts of Haitian Vodou" exhibit. But that's not why I hated this movie...
  • April 30, 2009
    One of the funniest movies I have ever seen, but it's not a comedy. I was in NYC with some high school friends and this movie was on in the hotel. This was one weird movie and we were laughing so hard that security came to our room twice!
  • April 25, 2009
    No thanks - Not interested
  • April 19, 2009
    Another Alex de la Iglesia film. Also pretty good, though not as great as many others.
    I sort of disagree on the woman beign taken as the main protagonist: her name on the movie, her image almost covering all the poster, etc. Cause if you take a look at one of the other names in ...( read more)the cast, you'll see Javier Bardem's. And he is clearly the soul of the movie. One more time, he offers a flawless performance, this time as a villan, who is also a kind of a quack doctor (you have to see that scene!!!!).
    All in all it's a good film definitely worth-watching.

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