Dancer in the Dark

Dancer in the Dark

91% Liked It
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Dancer in the Dark

Bjork, Catherine Deneuve, David Morse, Peter Stormare

An east European girl goes to America with her young son, expecting it to be like a Hollywood film.

Id: 10898703

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Recent Reviews


  • December 4, 2009
    Bjork, an Icelander, plays a young Czech woman who has immigrated to the United States in hope of a better life for herself and her son.

    A most unconventional film. One that draws from old styles yet remains avant garde. Sad and utterly mesmerizing.
  • November 22, 2009
    All right, i guess i should write a proper review for this, and in the process maybe explain a bit why this was reason enough to avoid any movies by this director for life. Spoilers ahead, but trust me, you'll thank me later.

    So, Bjorks character comes to "AMERICA" and gets a ...( read more)shitty job in a shitty factory. She's poor and lives alone with her son, she's going blind and she also seems to have some kind of mental disorder, because she imagines people dancing like if it was some old hollywood musical. Ah yes, this is the movie telling you that she's "escaping reality" into a (dumb) fantasy world. Her love for this shitty dancing musical world causes her to make a mistake with a machine in the factory and get her stupid blind ass fired. Now she won't have enough money to pay for a future operation for his son, to prevent him going blind (and hopefully becoming an idiot just like her) but oh noes! Turns out that her evil american friends, one of them that is, steal her money. Some confussion and other very fucking stupid plot devices make her go to jail for killing the evil american that stole her money.

    So she has to go to a trial, while going even more blind, and still dreaming of her silly musical numbers. Some more dumb shit happens because, again, she's a poor hopeless soul living in the EVIL UNITED STATES OF FACISTMERICA where she gets accused of being a commie and what not (this is USA in the 60s i think) One of her non-evil american friends want to get her a lawyer but Bjork/Selma, being as stupid as she is, refuses any help. She gets hanged, cue to another awful song and the end.

    See? I told you i was going to save you time and probably money. The director of this nonesense, some douche that calls himself "Von", has this childish and one-dimensional view that the USA is the biggest source of evil this world has ever seen. That everything going on there fucks up their poor citizens, specially women, or foreigners. He's like a 18 year old collegue student who read too many Marx and Voltaire and thinks he just found out the "real true" about the world. Idiotic political agenda aside, this is a cinematic exercise in painful boredom, crap-tistic "sensibilities" and lots of naked emperor crap going on. Characters are made of cheap cardboard and the story wouldn't even get approved for an episode of Grey's Anatomy. I guess movies like this need to exist in order to......actually, i have no idea. All this said, what a waste of such a good support cast. Oh yeah, Bjork should never, ever, be in a movie for the rest of her life.
  • September 22, 2009
    "They say it's the last song. They don't know us, you see. It's only the last song if we let it be."

    An east European girl goes to America with her young son, expecting it to be like a Hollywood film.

    REVIEW</
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    Danish filmmaker Lars von Trier's daring, `Dogma'-tic depiction of sacrificial lamb in the form of going-blind, single mother/factory worker Czech immigrant Selma Jezkova (Iclandic pop singer Bjork in an outstanding, memorable film debut - and reputedly last time on the silver screen) circa 1950s Washington state, borderlines misogynistic sadism and placating the adage of ignorance being bliss in this tragic quasi musical. > Riveting and maddening at the same time (largely thanks to the audacity to jump to haunting musical moments out of nowhere) it is unique in its deliverance of a semi-innocent character that one feels needs some type of protection from her doom and a righteous anger as the script betrays her along the way. Fantastic use of film stock color depletion/enhancement (the latter during the musical moments) by cinematographer Robby Muller and von Trier (employing over 100 digital cameras) gives the fairy tale quality a punch of surreality. Deneuve gives another beautiful performance as Selma's best friend and co-worker who tries to keep her charge from harm. Operatic and Greek tragedy in delivery with some humor sprinkled makes for a cringe-worthy, throat constricting time by the film's heartbreaking climax and unmistakably memorable ending that will haunt you long after viewing. Tough to watch; impossible not to.
  • September 2, 2009
    I didn't know this was a musical before I watched it and so when the Dogma style of filming was interrupted suddenly with a song I was both shocked and exhilarated. Lars von Trier got kicked out of his own gang in true style with this one (Well, technically he did with Breaking t...( read more)he Waves, but this one was the final straw). The cast is unlikely but brilliant, the songs are wonderful and the story is typically bleak and beautiful, what Von Trier does best. Another misunderstood and underrated masterpiece.
  • January 30, 2009
    Directed by: Lars Von Trier.
    Starring: Bjork, Catherine Deneuve, David Morse, Peter Stormare.

    << "You know, when I used to work in the factory, I used to dream that I was in a musical...because in a musical, nothing dreadful ever happens." >>

    ...( read more)Full review coming soon.

    97/100

  • December 13, 2009
    The dogma style works really well for this movie in order to distinguish the bitter reality from the escape of fantasy which is the drive of this film. Truly captivating and moving and unique as the main character who Bjork plays so well doesn't stop seeing the beautiful things i...( read more)n life through her blindness, and between the mendacious and treacherous life she encounters. Although far from flawless, I couldn't stop myself from falling in love with this heartbreaking film.
  • December 6, 2009
    Great visuals, greats soundtrack, awesome story, incredibly well acted. I LOVED this movie!
  • December 1, 2009
    I found it difficult to get into. The musical scenes were very off putting. The ending was very difficult to watch, it was touching.
  • November 28, 2009
    only von Trier could make such a devastating musical like this...
  • November 26, 2009
    "Lars von Trier is a mechanic, not an artist. And his movies are meat grinders he feeds his characters through"
    I kind of agree with this statement and overall the film's approach is too simplistic, naive & shallow that it even fails to work as a simple tear-jerker, Stormare & M...( read more)orse are great as usual

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