Dark Days (2000)
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91% of critics liked it
(35 reviews) -
84% of users liked it
(5,816 ratings)
Novice filmmaker Marc Singer lived in the bowels of a midtown Manhattan railway station for two years to shoot this harrowing account of the day-to-day existence of the homeless. Shot in noirish black and white, Singer shows how society's discarded and disenfranchised fashion a community of… More Novice filmmaker Marc Singer lived in the bowels of a midtown Manhattan railway station for two years to shoot this harrowing account of the day-to-day existence of the homeless. Shot in noirish black and white, Singer shows how society's discarded and disenfranchised fashion a community of sorts in the sunless labyrinth of the station's transit tunnels. Though told without narration, a dozen or so individual stories emerge. Dee (the sole woman depicted in the film) lost all her children in a house fire while she was high on crack; Ralph remains inconsolable after his five-year old's rape and mutilation during a stint in prison. In the final reel, Amtrak sends in armed police to clean out the tunnels, citing health concerns. However, the subterranean tenets happen upon a stroke of luck, as an NYC social worker discovers a cache of previously unclaimed public housing. Featuring a sparse soundtrack by DJ Shadow, Dark Days won the Grand Jury prize for cinematography, the Freedom of Expression award, and an audience award at the 2000 Sundance Film Festival. ~ Jonathan Crow, Rovi
- Directed By
- Marc Singer (II), Marc Singer
- Written By
- Marc Singer (II)
- Genres
- Documentary, Special Interest
- In Theaters
- Aug 30, 2000 Limited
Critic Reviews
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Mark Holcomb, Village Voice
Marc Singer's feted 2000 doc about a Manhattan subterranean community has lost none of its power since its debut.
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Emanuel Levy, EmanuelLevy.Com
Shot in stylized black-and-white, this docu about the homeless was the winner of multiple awards at the Sundance Film Fest.
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Louis Proyect, rec.arts.movies.reviews
A deeply humanistic documentary about NYC's "lower depths".
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Kalvin Henely, Slant Magazine
The documentary feels like it surreptitiously removed another barrier to more direct relations between those behind and in front of the camera.
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Neil Mitchell, Electric Sheep
Dark Days remains a vital documentation and representation of a continuing, widespread problem, the resonance of which is heightened in these fragile, economically troubled times.
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