Das Haus der Schlafenden Schönen (House of the Sleeping Beauties)

Das Haus der Schlafenden Schönen (House of the Sleeping Beauties) (2008)

  • 28% of critics liked it
    (18 reviews)

  • 24% of users liked it
    (156 ratings)

Director Vadim Glowna explores such complicated issues as loneliness, guilt, remembrance, mourning, sex, death, and dying in this adaptation of Yasunari Kawabata's novel concerning a most unusual bordello catering to a most unlikely clientele. Edmond is a lonely man in his late sixties. On the… More

Unrated,
Directed By
Written By
Vadim Glowna, Yasunari Kawabata
Genres
Art House & International, Drama
In Theaters
Nov 14, 2008 Limited
First Run Features

Critic Reviews

  • J. R. Jones, Chicago Reader

    Glowna presents this smoky German feature as an elegy for lost youth, but it's so tumescent with male self-pity that I couldn't wait for it to end.

  • Roger Ebert, Chicago Sun-Times

    Do you find this premise anything but repugnant? It offends not only civilized members of both sexes, but even dirty old men, dramatizing as it does their dirtiness and oldness.

  • V.A. Musetto, New York Post

    Sure, there's copious full-frontal female nudity and an aroused male body part, but such scenes are a means to an end, not an end in themselves. There's a subtle difference, but still a difference.

  • Frank Scheck, Hollywood Reporter

    Based on an acclaimed novella by Japanese author Yasunari Kawabata, the film is one of those self-consciously atmospheric literary adaptations that suffer from a surfeit of symbolism and pretentiousness.

  • Jeannette Catsoulis, New York Times

    Not even the august presence of Maximilian Schell can dispel the odor of fusty smut that clings to House of the Sleeping Beauties.

Read all 18 critic reviews

See more critic ratings and reviews on Rotten Tomatoes

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Featured Audience Ratings

  • Mark A


    A very sensual film that explores loneliness and innocence, and does so in a very low-key, almost mystical way. The main character, Edmond (Vadim Glowna, who also directed), carries most of the action and the dialog, delivering soliloquies that evoke his pain at losing his wife and… More

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