Douglas Edwards, Vincent Cartier, Walter Cartier

Based on Kubrick's pictorial for Look Magazine (January 18, 1949) entitled "Prizefighter," "Day Of The Fight" tells of a day in the life of a middleweight Irish boxer named Walter Cartier, particularl...( read more  read more... )y the day of his bout with black middleweight Bobby James. This 16-minute short opens with a short (about 4 minutes) study of boxing's history, narrated by veteran newscaster Douglas Edwards in a no-nonsense, noir tone of voice. After this, we follow Walter (and his twin brother Vincent) through his day as he prepares for his 10:00 P.M. bout. After eating breakfast, going to early mass and eating lunch, he starts arranging his things for the fight at 4:00 P.M. By 8:00, he is waiting in his dressing room, where he undergoes a mental transformation, turning into the fighting machine the crowd clamors for. At 10:00, he faces James, and soon, he comes out victorious in a short match which was filmed live on April 17th, 1950.

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49% liked it

104 ratings

Unrated, 16 min.

Directed by: Stanley Kubrick

Release Date: April 26, 1951

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Flixster Reviews (22)


  • February 26, 2008
    If it wasn't for the name Kubrick this 1 reeler would likely be lost.

    You can see some very early Kubrick style in the composition of shots and in one particular shot involving a stool.

    You can see it at
    http://www.hollywoodsaloon.com/podcastEP36-4.html
  • January 27, 2009
    Kubrick's very first film, this short gives us just the tiniest peek at the future techniques of what was soon to become one of moviedom's greatest directors. Shot in the style of a "March of Time" newsreel (in fact, one of its former producers was involved in this film's creatio...( read more)n), Kubrick's legendary attention to detail is remarkably evident (especially in the religious artifacts that surround our "hero," the prizefighter Walter Cartier), and has a certain "eerieness" (which was to become a trademark of Kubrick's) in its bizarre fascination with Cartier's ever-present twin brother. Recommended, especially for Kubrick fans.
  • March 2, 2008
    You can see the immerging talent behind the lens. One of Kubrick's early works.
  • September 5, 2009
    Add a review (optional)...
  • June 29, 2009
    "Before a fight there's always that last look in the mirror. Time to wonder what it will reflect tomorrow."



    While the idea of the film was entirely Kubrick's, the screenplay for the narration was entirely the work of Robert Rein, who follows the typical style of nar...( read more)rative that had been prevalent during the 40s weekly newsreels of "The March of Time", as in fact, that company was the originally planned buyer of "Day of Fight. However, since the company went out of business that very same year, the movie was then sold to RKO Pictures, who under the RKO-Pathé brand, became the movie's distributor. Anyways, as written above, Rein's script follows the classic conventions of the newsreels of its time, mixing the educational purposes of the documentary with a heavy use of melodramatics in the voice-over's narrative. However, credit must go to Rein for making a very realistic, albeit sentimentalist, description of the boxers' life.

    If the voice-over of "Day of the Fight" sounds archaic and outdated to us these days, Kubrick's direction of the film looks the opposite as while still limited to its medium's restriction, the young director managed to create a vibrant film thanks to his very fluid and dynamic use of camera-work. While the movie is still a documentary bounded by its obligatory narration, Kubrick uses his camera to create a character out of the real persona of Walter Cartier, and while the boxer has no lines in the movie, a lot of him can be known thanks to the images Kubrick's camera has captured of him. As the moment of the fight gets closer, Kubrick accelerates the pace, truly increasing the tension and giving the story a real feeling of suspense as the fight begins. The images from the fight are remarkably edited and the result is one of the best scenes of a sports documentary.



    Narrator: In these hours he can feel his body tightening, but it's a tightness that does not come from lack of confidence, it's the pressure of the last waiting. Here in a place where the walls are so close a man can barely move his body around. If only the fight would come, then everything else would not be so bad not really bad at all.

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  • March 18, 2009
    Kubrick's first short film about a day in the life of a boxer.
  • October 24, 2008
    Already a genius, frightening is Kubrick's talent.

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