Anton Yakovlev, Aure Atika, David Birge-Cotte

Twenty-eight-year-old Tom leads a life that might be termed as criminal. In doing so, he follows in the footsteps of his father, who made his money from dirty, and sometimes brutal, real estate deals....( read more  read more... ) Tom is a pretty hard-boiled guy but also strangely considerate as far as his father is concerned. Somehow he appears to have arrived at a critical juncture in his life when a chance encounter prompts him to take up the piano and become a concert pianist, like his mother. He senses that this might be his final opportunity to take back his life. His piano teacher is a Chinese piano virtuoso who has recently come to live in France. She doesn't speak a lick of French so music becomes the only language they have in common. Before long, Jacques' bid to be a better person means that he begins to yearn for true love. But, when he finally has the chance of winning his best friend's wife, his passion only succeeds in scaring her. And then, one day, his dubious past comes to light...

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85% liked it

7,249 ratings

Critics

84% liked it

88 critics

Unrated, 1 hr. 47 min.

Directed by: Jacques Audiard

Release Date: July 1, 2005

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DVD Release Date: November 15, 2005

Stats: 582 reviews

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Flixster Reviews (582)


  • October 2, 2009
    A very entertaining modern film-noir. Audiard is a very capable director and you can clearly spot his admiration and influence for Truffaut and Goddard. It is Romain Duris who steals the show though in a fantastic performance.
  • July 26, 2009

    In De Battre Mon Coeur S'est Arreté, the main character, Tom, goes through many ordeals in a desperate attempt to find himself. He works, like his father, in "real estate", which is an euphemism for "breaking into abandoned buildings, brutally forcing the inhabitants out, and

    ...( read more)then selling them". He is immoral to no end, as are his friends and associates. However, as the film unfolds, it's clear that he did not only inherit his father's interests; the individualism he has suppressed tries to break free by wanting to follow the footsteps of his pianist mother. Tom gets an audition with the man who managed his mother when she was alive, and begins to try and juggle the tough, almost mob-like life he leads as a "broker", and his piano rehearsals.

    Tom is such an interesting character. He looks very tough and insufferable and he seems not to give a damn about anyone except his father, but when he shows a sensible side, it's heartbreaking. He cares too profoundly about his father, even though it's because of him that he works at something that he doesn't really like very much. His father sometimes uses him to get rent from stubborn tennants... and although Tom knows he's being manipulated, he can't say no. The father-son dynamics are very well developed and they are one of the many inner currents that suck you into the film. Audiard is very good at directing partnerships in which what is said isn't as important as what is implicit; he's an excellent actor's director.


    As Tom begins to delve into piano playing, his sensibility begins to awaken from the somber letharg it had been in. When Tom works he is often in dark, dirty, unhealthy environments, frowning and swearing, whereas when he plays the piano, atlhough it enrages him not to play perfectly, he knows he has to unlink himself from that inhuman world. The piano becomes his escape, and his rediscovered love for art begin to form in him a desire to be a better person. Thanks to that he falls in love. And he begins to find his work revolting.


    The drama kicks in with subtlety. The turning point is difficult to grasp; the film flows so harmoniously. But soon the problem will be fully exposed: Tom can't marry his job and his love for music. He can't quit either. Something very big has to happen. He detests his job but he's too intimately bound to it... he can't let his father down.


    I thought this conflict was very original and very involving. I could feel very closely Tom's desperation and the different attitudes he takes in front of the difficulty of being his own person. A 28 year old man who is, all of a sudden, trapped, just while he is on the brink of making the most important change of his life.


    Audiard's narrative is one of the highlights. He relies very much on visual language, and he does "speak" it with immense clarity. His dialog almost never makes reference to the great themes of the film, but they are always clear. I think what adds to DBMSE's charisma is that illusion of uncertainty. Which was the exact case of Sur Mes Levres, another great film.


    Romain Duris is the force behind it all, though. He delivers a really fine, torrid performance... captivating when he wants to get his way, and tortured in front of his challenges. Most importantly, he plays Tom with contained passion and charming wickedness, which, in my opinion, defines him during the first hlafof the film. Later on, after the character discovers the changing power of art, he becomes eager, wide-eyed, excited but terrified. Duris evidences these changes so naturally it even seems careless.


    Behind the violent premise -Tom's "business"- is a complex film. It's accessible but it requires attention and openness. This isn't just the story of a gangster "getting soft", it's about a person struggling desperately to be independent. Regardless of where that independence will lead him. Audiard seems to be a fan of people going to their limits and then exceeding them.

  • February 13, 2008
    There are several issues with this movie but I think, over all, the main flaw falls into just how disappointing the film is. It has everything to become a truly interesting, wonderful picture about music and hard life but it's simply too slow at some moments and too intense at ot...( read more)hers. The performances are not splendid except for the larger-than-life character development by Romain Duris, by far one of the most magnificent performances of the last years. His ability to hipnotize audiences with his charm and talent is uncanny and he deserves a better vehicle to show that. The movie is not bad, it's just not as good as it looked. I definitely don't regret renting it because I enjoyed Duris' performance and the music scenes but I'm unfortunately happy that I didn't catch this at the movie theatre... 3 stars for the marvelous performance, 1 star for being good over all... but not great.
  • January 19, 2008
    There's a fine line between a quiet film and a yawn, and this film skips on the wrong side of the line too often.

    It's not that it's a bad film, but there are a lot of 'slice-of life' movies out there, and this one's predictable from beginning to end. That in-and-of itself isn't...( read more) enough to kill a film, but this one left me saying 'ho hum' a lot more than is reasonable.
  • November 24, 2009
    Disappointing and predictable from the first minute to the last. It didn't even convey the music passion successfully for me and that's the greatest failure of the film. Decent acting by Romain Duris but that was not enough. Not even close.
  • September 23, 2009
    first of all, I must say I loved two things about this movie: the title (!) and Romain Duris, he has the intensity of Christian Bale better roles.
    the story is a bit chaotic, the movie tries to cover too much into 1h 40 min: a strained relationship between father (Niels Arestrup ...( read more)) and son (Duris), a failed friendship, a love triangle, the redescovery of a lost passion, a clash between cultures, a story of revenge ...anway, I've found interesting the interaction between Thomas Seyr (Duris) and Miao Lin, a chinese girl who gives piano lessons, it would have been so great if the story was centered on this two. p.s. to myself: I have to watch more movies with Duris.
  • July 17, 2009
    Not something I can relate to, and the lead guy is really ugly.

    Art house existential drama about second chances, I think.
  • May 3, 2009
    Music Passion takes you to live above all things. Not a fantastic movie but a very good message.
  • February 2, 2009
    Why this film won some awards????
  • January 15, 2009
    Nice story about changing paths, luckily with non-hollywood results. A very anxious movie.

Critic Reviews


July 28, 2005
Steven Rea, Philadelphia Inquirer

Duris' performance is more finely tuned and less frenetic than Keitel's enjoyably over-the-top job, and the film's emotional chords resonate in more satisfying and complicated ways. full review

July 22, 2005
Ty Burr, Boston Globe

The film confirms director Audiard as a master of visual mood, in this case one of barely expressed emotional panic. full review

July 14, 2005
Roger Ebert, Chicago Sun-Times

The Beat That My Heart Skipped doesn't replace Fingers, but joins it as the portrait of a man reaching out desperately toward his dying ideals. full review

July 8, 2005
Mick LaSalle, San Francisco Chronicle

Beat is shot elegantly, and it's entertaining throughout, though in the end one might well ask what does it all mean? full review

July 7, 2005
Stephanie Zacharek, Salon.com

Jacques Audiard's The Beat That My Heart Skipped is a distinctly modern picture with its heart in the '70s: It has the nervous, kinetic energy, and the swaggering pioneer spirit, that marked '70s Amer... full review

July 3, 2005
Edward Havens, FilmJerk.com

Affirms the best cinema has to offer: exciting acting, beautiful music and cinematography, great writing and a lack of condescending to the audience full review

July 1, 2005
Kyle Smith, New York Post

This stylish, tightly coiled character study has notions of turning into a thriller but never quite does. full review

April 20, 2005
Nick Schager, Slant Magazine

The optimistic flip-side to James Tobak's Harvey Keitel-headlined Fingers. full review

View more De Battre mon Coeur s'est Arrêté (The Beat That My Heart Skipped) reviews at RottenTomatoes.com

Comments


  • gstvosett
    February 2, 2008
    why is the name of this movie only in english??
    can anyone fix that and add the original name ( De battre mon coeur s'est arrete ) ?

Critic ratings and reviews powered by RottenTomatoes.com

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