Featured Audience Ratings

• Carlos M

  
  Romain Duris is fantastic here, doing an exceptional work in the composition of his character, with a special care for small details. A compelling, fascinating character study about an unsatisfied man trying to have back his life and follow his dream.

• Emil K

  
  There is something in Jacques Audiard's films that resemble me from some of Michael Mann's work. This may not be a film about cops and criminals but it has that same handheld, nervous and hectic visual language that Mann usually has. It also captures that same mystical feel… More
  There is something in Jacques Audiard's films that resemble me from some of Michael Mann's work. This may not be a film about cops and criminals but it has that same handheld, nervous and hectic visual language that Mann usually has. It also captures that same mystical feel of the city that never sleeps. These characters are quite captivating to watch and Romain Duris is excellent in a lead role. Even though the feel of doom is lurking behind every corner and even if Alexandre Desplat's elegant and grim score hints for something bad to happen, it still has moments of joy and optimism. You may think you know which direction this film is going to take you, but believe me it will surprise you with twists you didn't expect. It would be just stupid for me not to go into details of performance of Romain Duris which is simply phenomenal and a reason enough to see this film. Every little nervous crack and uncertain move of his character Tom makes are quite possibly the evidence of one of the greatest examples of acting as a art. Duris is not only great, he becomes Tom here. In the end this film loses a bit of it's charm and the story does not seem to know where to head at with it's multiple storylines, but it has just enough power to make you think. This is nice and sophisticated remake of James Toback's 70's cult flick, but it sadly lacks the passion. Audiard tries to sink his teeth into too many themes and the end result is a handsome but hollow work.

• Anthony L

  
  A very entertaining modern film-noir. Audiard is a very capable director and you can clearly spot his admiration and influence for Truffaut and Goddard. It is Romain Duris who steals the show though in a fantastic performance.

• Elvira B

  
  <p>In De Battre Mon Coeur S'est Arreté, the main character, Tom, goes through many ordeals in a desperate attempt to find himself. He works, like his father, in "real estate", which is an euphemism for "breaking into abandoned buildings, brutally forcing the… More
  <p>In De Battre Mon Coeur S'est Arreté, the main character, Tom, goes through many ordeals in a desperate attempt to find himself. He works, like his father, in "real estate", which is an euphemism for "breaking into abandoned buildings, brutally forcing the inhabitants out, and then selling them". He is immoral to no end, as are his friends and associates. However, as the film unfolds, it's clear that he did not only inherit his father's interests; the individualism he has suppressed tries to break free by wanting to follow the footsteps of his pianist mother. Tom gets an audition with the man who managed his mother when she was alive, and begins to try and juggle the tough, almost mob-like life he leads as a "broker", and his piano rehearsals.</p> <p>Tom is such an interesting character. He looks very tough and insufferable and he seems not to give a damn about anyone except his father, but when he shows a sensible side, it's heartbreaking. He cares too profoundly about his father, even though it's because of him that he works at something that he doesn't really like very much. His father sometimes uses him to get rent from stubborn tennants... and although Tom knows he's being manipulated, he can't say no. The father-son dynamics are very well developed and they are one of the many inner currents that suck you into the film. Audiard is very good at directing partnerships in which what is said isn't as important as what is implicit; he's an excellent actor's director.</p> <p>As Tom begins to delve into piano playing, his sensibility begins to awaken from the somber letharg it had been in. When Tom works he is often in dark, dirty, unhealthy environments, frowning and swearing, whereas when he plays the piano, atlhough it enrages him not to play perfectly, he knows he has to unlink himself from that inhuman world. The piano becomes his escape, and his rediscovered love for art begin to form in him a desire to be a better person. Thanks to that he falls in love. And he begins to find his work revolting.</p> <p>The drama kicks in with subtlety. The turning point is difficult to grasp; the film flows so harmoniously. But soon the problem will be fully exposed: Tom can't marry his job and his love for music. He can't quit either. Something very big has to happen. He detests his job but he's too intimately bound to it... he can't let his father down.</p> <p>I thought this conflict was very original and very involving. I could feel very closely Tom's desperation and the different attitudes he takes in front of the difficulty of being his own person. A 28 year old man who is, all of a sudden, trapped, just while he is on the brink of making the most important change of his life. </p> <p>Audiard's narrative is one of the highlights. He relies very much on visual language, and he does "speak" it with immense clarity. His dialog almost <i>never</i> makes reference to the great themes of the film, but they are always clear. I think what adds to DBMSE's charisma is that illusion of uncertainty. Which was the exact case of Sur Mes Levres, another great film.</p> <p>Romain Duris is the force behind it all, though. He delivers a really fine, torrid performance... captivating when he wants to get his way, and tortured in front of his challenges. Most importantly, he plays Tom with contained passion and charming wickedness, which, in my opinion, defines him during the first hlafof the film. Later on, after the character discovers the changing power of art, he becomes eager, wide-eyed, excited but terrified. Duris evidences these changes so naturally it even seems careless.</p> <p>Behind the violent premise -Tom's "business"- is a complex film. It's accessible but it requires attention and openness. This isn't just the story of a gangster "getting soft", it's about a person struggling desperately to be independent. Regardless of where that independence will lead him. Audiard seems to be a fan of people going to their limits and then exceeding them.</p>

• Walter M

  
  [font=Century Gothic]In "The Beat that My Heart Skipped", Tom(Romain Duris) is a young man who takes after his father(Niels Arestrup) by working shady real estate deals. He also occasionally does favors for the old man when a bit of force is required. While driving past a… More
  [font=Century Gothic]In "The Beat that My Heart Skipped", Tom(Romain Duris) is a young man who takes after his father(Niels Arestrup) by working shady real estate deals. He also occasionally does favors for the old man when a bit of force is required. While driving past a concert hall, Tom notices his mother's former agent, Mr. Fox(Sandy Whitelaw).(Tom's mother was an accomplished concert pianist and he had aspirations in the same direction...) After inquiring about whether he has kept up his playing over the years, Mr. Fox hands the young man his card and an offer to audition...[/font] [font=Century Gothic]"The Beat that My Heart Skipped" is a remake of the massively overrated "Fingers" starring Harvey Keitel. It is also the very rare remake that is superior because of all remnants of James Toback's psyche having been purged and a better central performance which sheds more light on the lead character's mental state.(Or maybe some movies play better in French...) Tom is an impulsive man(which helps in his affinity for violence), and has had little patience required for the career of a concert pianist in the past. Additionally, he is a charming man but has had trouble maintaining relationships and lives alone.[/font] [font=Century Gothic]Note: My interest in seeing a remake depends upon my feelings towards the original work. For example, I do want to see the "All the King's Men" remake because I can hardly remember the original. On the other, I very much liked "Infernal Affairs", so I'm not going to go near "The Departed."[/font]

• Lesley N

  
  Tom is a real-estate hooligan by day, but dreams of being a concert pianist by night. Excellent acting by Roman Duris, who manages to bring together amoral thug, loving son and sensitive artist into one part and make it work, and an absorbing character study though I found the final… More
  Tom is a real-estate hooligan by day, but dreams of being a concert pianist by night. Excellent acting by Roman Duris, who manages to bring together amoral thug, loving son and sensitive artist into one part and make it work, and an absorbing character study though I found the final epilogue a bit of an unnecessary tag-on. Cool title too..

• Kyle S

  
  A great film, not quite as good as "Read My Lips," but still highly reccomended. Romain Duris delivered an intense and emotional performance, and Aure Atika was gorgeous! Also, a small role but the beautiful Melanie Laurent of "Inglorious Basterds" fame is in it… More
  A great film, not quite as good as "Read My Lips," but still highly reccomended. Romain Duris delivered an intense and emotional performance, and Aure Atika was gorgeous! Also, a small role but the beautiful Melanie Laurent of "Inglorious Basterds" fame is in it and plays a semi-key part. Emmanuelle Devos of "Read My Lips" also has a small role as well. I need to see the original, "Fingers," with Harvey Keitel.

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