Sylvia Sidney, Joel McCrea, Humphrey Bogart

This classic Hollywood drama (based on Sidney Kingsley's hit Broadway play) set in a Manhattan slum in the 1930s stars Humphrey Bogart as gangster Baby Face Martin, who returns to his old neighborhood...( read more  read more... ), is spurned by his mother (Marjorie Main) and becomes a bad influence on the neighborhood kids.

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70% liked it

1,253 ratings

Unrated, 1 hr. 33 min.

Directed by: William Wyler

Release Date: August 27, 1937

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DVD Release Date: March 8, 2005

 

Stats: 65 reviews

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Flixster Reviews (65)


  • April 1, 2009
    Depression Era Melodrame is boring at best. Bogart, when he's actually on the screen, chews the scenery a bit.
  • June 29, 2009
    Very enjoyable film about the Lower East Side in the 30's.The rich are starting to move into the slums in high rise apartments,and a change is staring to take place.The film is about Bogie,a wanted Gangster, going back to his old neighborhood to see is Mom and a old girlfriend.Bo...( read more)gart has had surgery and no one recognizes him except for a old childhood friend(McCrea) who don't see eye to eye. The movie is also about The Dead End Kids, a gang of toughs who keep getting into trouble,but their ways are becoming out of date. Everyone is great in this and the subject matter is harsh and very adult oriented. This is based on a stage play and it must have been great to see back in the day.The only problem I had was I wanted a more McCrea and Bogie and a little less Dead End Kids. I was really surprised how much I enjoyed this and it goes to show you what a great actor Bogart was.The scene between him and Claire Trevor(his old squeeze) and Marjorie Main (his mother) is extremely powerful and really holds up. William Wyler in the 30's couldn't be stopped and this is another great one from him.
  • October 23, 2008
    Nice bit of New York life from the 30's. Bogart gives a powerhouse performance, and the kids do good work.
  • October 19, 2009
    An interesting film which attempts to grapple with the depths of despair and desperation that the poor must continuously battle juxtapozed with the conflicts and views that the very wealthy have towards them and their place in society. This film was also a bit of a landmark as it...( read more) basically calls out the reform school and prison systems and squarely blames their inadequate systems on creating the modern hardened criminal played by Humphrey Bogart. It might not seem like a big deal these days but back then it caused quite a stir.

    This film was also a landmark in that it introduced the gang of smart aleck gang of kids known in this film as the Dead End Kids and whom would later go on to make literally dozens of films in various incarnations probably the most famous of which is the Bowery Boys (which is where I first encountered them). Even with this knowledge I was fairly taken aback by the overall dark and depressing nature of the film as it draws a very bleak picture of the poor and their hopes and dreams or lack thereof.

    I really enjoyed this picture although I do think some of its points and issues are a tad dated so its not quite as powerful as it was during its debut. With the properties of the very rich literally towering right over the ramshackle tenements of the poor it painted a very real line between the poor and the rich. A large and very clean door opens right into the tenement and acts as a beacon of hope for some, a sign of safety for some, and a temptation of violence for others.

    In a particularly telling moment the new love of Joel McCrea (for whom he has recently fallen at the disappointment of an old flame) attempts to visit him in his worn down apartment complex. Leaving the safety of her expensive dwelling she starts to make her way up the stairs and bit by bit she is worn down by the filth and degradation until she finally breaks down and flees the filthy abode in utter fear and immediately runs through the clean doorway to take up safety in the comfort of the rich.

    You see, she used to be poor just like them and although her love for Joel is strong, she can't overcome her fear of being that desperately poor again and so she must put aside her feelings and stay with her rich fiance'. Unknown to her Joel as seen her approach and escape and immediately realizes that it's just not to be.

    The film features an interlocking array of characters all of whom dramatically affect the fate of one another with their actions bit by bit throughout the film. It all fits together very well and is fairly unflinching in its presentation of these characters. Bogart's gangster character comes back hoping to reconnect with his mother and old flame but the reunion of both is the worst possible outcome. Drina tries to save her brother from becoming more and more of a hardened street thug but she is almost helpless to watch as he becomes caught up in the nightmare of their situation.

    In the end it's a very satisfying movie but then I felt something was a little off. For such a rough movie it somewhat tries to back-peddle a bit and soften the blow of the inevitable conflicts and the two main characters are given a somewhat hopeful outlook. Then I saw those giant words plastered on the ending board "Approved by the Movie Board Association" and I realised the date of the film and it all became clear.

    Even though it's is a fairly dark film and I admired at how much of a statement they were allowed to make, I realized the Hays Code was in full effect at this point and I had to laugh. Apparently the writers did soften up the remaining main characters a little bit from the stage production and created a more hopeful outlook for them in the end.

    Ah well...

    Still, I did really enjoy this film and that way in which it immerses the viewer right into the run down Dead End neighborhood and made you live there was really magical and very well done.
  • August 13, 2009
    Not as good as it should be.
  • November 1, 2008
    This is a good movie

    You can view it on Flixster
  • July 3, 2008
    want to see this because it was nominated for best picture at the oscars
  • August 14, 2007
    After watching twenty or so 30s films made by Warner Bros the difference in quality is jarring: here we see Bogart, on loan to Golwyn, doing his best in a poorly scripted, structured and designed film that feels more like a play. Extremely uncinematic, though it introduced the D...( read more)ead End Kids whom Warners would use so well in Angels with Dirty Faces.

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  • absaroka
    November 7, 2008
    The movie is kind of melodramatic but you have to remember when it was made. I personally found it of a lot of historical interest as this was the movie that introduced a lot of people who became famous later in all the Dead End/East Side Kids/Bowery Boys movies. Growing up on the Bowery Boys I was a bit surprised that this was not in any way a comedy.

    It was also performed as our class play in high school way back in the early 1970s

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