Bruno Ganz, Daniel Schmid, Dennis Hopper

A dying man reluctantly takes on a job as a hit man in order to have money to leave to his widow.

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81% liked it

3,713 ratings

Critics

88% liked it

16 critics

Unrated, 2 hrs. 7 min.

Directed by: Wim Wenders

Release Date: June 24, 1977

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DVD Release Date: January 7, 2003

Stats: 173 reviews

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Flixster Reviews (173)


  • February 26, 2009
    beautifully shot and atmospheric thriller based on ripley's game with a great performance by bruno ganz. i admit i found it hard to imagine hopper as ripley but he was quite good too. and
    it seems to be making a statement about u.s vs. europe. don't trust the americans? hmm...
  • January 28, 2009
    A brilliant art house noir by Wim Wenders, adapted from Patricia Highsmith's Ripley's Game. Bruno Ganz plays Jonathan Zimmermann, a picture framer with an incurable blood disease, whose precariousness of health is manipulated by Dennis Hopper's Tom Ripley, a sociopa...( read more)thic art dealer seeking to recruit a contract killer for a gangland associate. Eager to provide his wife and son with some financial security before his 'imminent' demise, Zimmermann is sucked into the criminal underworld.

    Wenders' presentation is dazzling enough to prevent us from scrutinising the rather implausible plot too closely. There are a couple of artsy digressions - unfortunate, because Robby Müller's stunning photography ensures that the film would have been just as aesthetically pleasing without them - but, happily, Wenders doesn't let them get in the way of the story. I could have done without some of Hopper's trademark nutty behaviour - he's Dennis Hopper, right! I'll buy the fact that he's crazy sight unseen - but it's fun to see him playing opposite Nicholas Ray, the director who gave him an early break with Rebel Without a Cause. Curiously, the protagonist here is called Zimmerman(n) and the film closes with Ripley mumbling the lyrics to Bob Dylan's I Pity the Poor Immigrant. Coincidence?
  • March 11, 2007
    I watched this film as it was part of the German expressionim era and starring Dennis Hopper. Plus, a young Bruno Ganz as the German picture framer.

    What I loved was the use of the locationswith the atmospher of the film. From Hamburg to the far end of Germany this creates a u...( read more)nqiue film for me. I enjoyed the use of language withing the film. You have Tom Ripley( played by Dennis Hopper), American and will only speak English but German on some occasions. You also have Bruno Ganz's character and the frenchman( Gerad Blain talking English which i found made the film more familiar to English-speaking countries and certainly you'e able to realte to the character more. Also, you start to understand the impact of the english language, not just through England and America but through Europe.

    Certainly the plot is done very well in this and the cross- pollination of the two speaking countries is effective in the story progressing. Overall i recomend this movie to people who wouldn't nessacerily watch a foreign film and hopefully they will watch more in the future. A great thriller to watch filled with suspense, intrigue.
  • July 22, 2006
    I approached this film with some trepidation as I was less than impressed with the last Wenders film I watched (Paris, Texas which I found to be rather indulgent). Whilst this film does carry his trademark long pauses and rambling narrative, it contained just enough of a surreali...( read more)sti edge to hold my interest over the 2 hour plus running time.

    The plot itself is rather drawn out but essentially it's about the relationship between quiet frame-maker Jonathon Zimmerman (Ganz) and the fraudulent art dealer Tom Ripley (Hopper). Zimmerman it seems is suffering from a terminal illness and his condition is manipulated by a mysterious American mobster who convinces him that he's dying. Fearful that he will be leaving his family without any financial support, Zimmerman agrees to carry out an assassination for a large lump sum. However, things begin to spiral out of control and he soon finds himself increasingly reliant on the eccentric Ripley.

    This is an uncoventional a thriller you'll likely to see as it lacks the conventional action sequences and is broody in pace. The films strengths however lie elsewhere, in particular the solid performances by the two leads (Hooper's haunted look was no doubt a result of his long term alcohol problem).
  • November 27, 2009
    Most audiences were first made familiar with the character of Tom Ripley from the 1999 film The Talented Mr. Ripley, but the character really originated in a series of novels by Patricia Highsmith which date back to 1955. The aforementioned film was an adaptation of the first no...( read more)vel, this 1977 Wim Wenders film is an adaptation of the third novel, Ripley?s Game (which would be adapted again in 2002).

    The film mostly follows a character named Jonathan Zimmermann (Bruno Ganz, who would go on to play Hitler in Downfall), who has been diagnosed with a terminal blood disease. He encounters and befriends an American named Tom Ripley (Dennis Hopper) who has connection with the criminal underworld. Soon enough, Tom convinces Zimmermann to take part in a pair of crime assassinations in order to pay for his medical bills.

    This film?s depiction of the Ripley character differs greatly from the depiction in the Anthony Minghella film which I?ve long been fond of. In that film Matt Damon played Ripley as a bit of a dork, albeit a psychotic dork so desperate to be someone more glamorous than he was that he latched onto and eventually murdered an American playboy on vacation in Italy. Here, well? he?s Dennis Hopper, and he takes on most of the mannerisms you expect Dennis Hopper to have. Gone are the goofy, yet oddly disturbing grins and the creepy stares, in their place is? Dennis Hopper, in a cowboy hat. The performance isn?t completely without its charms (I particularly liked a scene where he lays down on a pool table and takes pictures of himself with a Polaroid), but as a whole I found this Ripley significantly less interesting than the one I was used to. It?s kind of like Going back to the movie Manhunter and seeing Brian Cox play Hannibal Lecture after having scene Anthony Hopkins dominate the role in Silence of the Lambs.

    Really, I have to say I feel the same way about the rest of the movie, it?s a pretty decent thriller but it didn?t strike me as remotely as interesting as The Talented Mr. Ripley. There is sort of a perverse friendship at the center of it all, but for the most part this is less of a psychological thriller and more of a Hitchcockian thriller and it works at its best during a pair of suspenseful set pieces. Wenders handles these scene very well, though I was surprised at just how pedestrian his style was here, this isn?t anything like the lyrical camera work of his more famous works Wings of Desire and Paris, Texas. I also found aspects of the plot fairly confusing, particularly the workings of the crime syndicate that?s trying to make things happen.

    So overall, this is a nice little movie that I enjoyed watching, but I don?t think it will stay with me.
  • November 10, 2009
    Kinda okay, kinda slow, kinda a movie.
  • July 10, 2009
    Una movie de Wim Wenders. Un moribundo consigue trabajo como asesino a sueldo para conseguir dinero fácil antes de partir de este mundo. Dennis Hopper es el amigo gringo que le ayuda a ejecutar a las víctimas.
  • June 14, 2009
    An unusual and definitive 70s film. It has a slow pace that creeps up on you and totally pays off. There's also a level of suspense that is quite surprising. Here Wenders finds a perfect balance between his German roots and his love for American movies. Dennis Hopper is also very...( read more) effective in it.
  • May 5, 2009
    Gets better & better the more you think about it
  • April 2, 2009
    "what the did my heart in Hollywood " a film about films ...marvellous

Critic Reviews


October 23, 2004
Roger Ebert, Chicago Sun-Times

There's something cheerfully perverse about filming a thriller and then tossing out the parts that would help it make sense, but Wim Wenders has a certain success with the method. full review

View more Der Amerikanische Freund (The American Friend) reviews at RottenTomatoes.com

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