Alexandra Maria Lara, Bruno Ganz, Jan Josef Liefers

Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the still fragile German democracy. The radicalized children ...( read more  read more... )of the Nazi generation led by Andreas Baader (Moritz Bleibtreu), Ulrike Meinhof (Martina Gedeck) and Gudrun Ensslin (Johanna Wokalek) are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi past. Their aim is to create a more human society but by employing inhuman means they not only spread terror and bloodshed, they also lose their own humanity. The man who understands them is also their hunter: the head of the German police force Horst Herold (Bruno Ganz). And while he succeeds in his relentless pursuit of the young terrorists, he knows he’s only dealing with the tip of the iceberg.

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76% liked it

2,056 ratings

Critics

86% liked it

76 critics

R, 2 hrs. 24 min.

Directed by: Uli Edel

Release Date: September 25, 2008

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DVD Release Date: March 12, 2009

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Flixster Reviews (691)


  • September 29, 2009
    German cinema is the one that fascinates me the most when it comes to European cinema, because it proves that less is more. Maybe The Baader-Meinhof Complex isn't as powerful as The Edukators which was given to us a few years back, but it's still a near-maste...( read more)rpiece of a great historic momentousness. The performances by the starring trio are just excellent. Moritz Bleibtreu (whom I first saw in Lola Rennt) was great enough to both own the movie, but to also allow Martina Gedeck and Johanna Wokalek to shine.

    My only problem with it was that it attempted to say everything there is to be said on the RAF organization, when many things could have been edited out. That results in extreme action-filled highs and relaxed, almost still, lows. Other than that, a great film and another specimen of fine cinema. Disturbingly provocative and holding the attention.
  • May 17, 2009
    "Stop seeing them the way they weren't."

    A look at Germany's terrorist group, The Red Army Faction (RAF), which organized bombings, robberies, kidnappings and assassinations in the late 1960s and '70s. Based on Stefan Aust's best-selling nonfiction book.

    ...( read more)nt size=+2 face="Century Schoolbook">REVIEW
    Although being somewhat more than moderately interested in politics, I knew very little about the original activities on which this film is based. Having seen the film, I now feel vastly more knowledgeable on how world events in the late sixties and early seventies led from the emergence to the demise of this particular left wing faction. My attention was fully engaged throughout the film. I thought the screenplay brilliantly portrayed the way the mindset of the RAF developed as they became more and more convinced they were living in a police state. Acting and direction were superb throughout. In spite of the violence and repression being depicted, I was reassured by the fact that such thought provoking films can and are being made for today's cinema audiences.

    After seeing Die Welle (I think it was three times) earlier this year I am now very enthusiastic about German cinema and shall certainly be hoping to see Der Baader Meinhof Komplex at least once more this year. A masterpiece of political film making. Highly recommended.
  • April 26, 2009
    Interesting and complex labour of love from Edel which demands a lot from the viewer with its historical sweep. It is long and the pace varies dramatically but you will learn a lot about the subject.
  • November 17, 2008
    A fascinating docu-drama about the rise and fall of a German left-wing terrorist group in the 1970s. The film's aim is to neutrally portray all the facts, which is also its weakness, and as such it doesn't come to any particular conclusion after two and a half hours. Although it ...( read more)could have been made shorter and punchier, I was totally engrossed throughout and enjoyed this examination of the creation of the 'age of terror'.
  • October 11, 2008
    The true story of terror attacks in Germany of the 1960s and 70s, performed by left extremists of the Red Army Fraction. While the movie is already two and a half hours long, it would have needed even another hour to deliver the background for people not familiar with this part o...( read more)f Germany's history. Especially the end comes rather suddenly and should have some explanations added for foreign audiences. That being said, the film does a great job in bringing this time back to life by rushing through the most important events in a really exciting and interesting way, following the most important characters on both sides of the law. The cast reads like a who is who of current German cinema, the performances are all around great, especially by Moritz Bleibtreu as terrorist leader Andreas Baader. By using montages with original news footage and music, delivering some of the strongest scenes, the film manages to sum up the mood, thread, ideas and emotions involved at that time really well. It just shows what happened, without judging or taking either the terrorists' or the law's side. A great history lesson, but probably hard to consume without some more background information.
  • October 26, 2009
    I believe there's so much things to say about this subject but it isn't necessary to cram them all in one movie. Therefore there were a couple of scenes that weren't just going nowhere. However... it was fascinating. Absolutely kept me gripped the whole time, great acting and...( read more) minimalistic cinematography (kind of like those old German crime tv series).
  • September 17, 2009
    Interesting true story of this 2009 Oscar nominated for Best Foreign Language Film of German production is based on the exploits of Berlin's Red Army Faction, a terrorist group active during the 1970s who fought against American imperialism. That was almost even to 1988 American ...( read more)production's Patty Hearst. Great politician cinema I've ever seen; the direction, the acting, the script and the editing.
    The quality of the acting ranges from good to fantastic (with very few exceptions like Alexandra Maria Lara, who is nothing more than wide-eyed again and who thankfully doesn't even have dialogue). Especially Martina Gedeck and Johanna Wokalek are sensational. It is THEIR film and the conflicts in Stammheim which led to Meinhof's suicide are acted Oscar-worthy. But Michael Gwisdek (Ensslin's father), Jan Josef Liefers (Peter Homann), Sebastian Blomberg (Rudi Dutschke), Nadja Uhl (Brigitte Mohnhaupt) and Hannah Herzsprung (Susanne Albrecht) arey good.
  • September 15, 2009
    for a simple subject matters about a terrorist vs the goverment,this movie is too overlong and too convoluted.looks like director Uli Edel put too much ambition into this movie.unlike MUNICH,which has many layer and moral message,this one lack of it.
  • September 6, 2009
    Intense, long and thoroughly engaging. There's a lot of characters and history to track over this one. There's also an explosive, energetic propulsion that justifies the demands it makes on the viewer. A slice of history that deserves better understanding.
  • September 6, 2009
    mi è piaciuto molto, anche se credo sia raccontato con un po' troppa frettolosità! La fascia storica in cui è ambientato è quella, per me molto affascinante, degli anni di piombo che hanno vissuto (e tumuto) i nostri genitori.. il risultato è ammirevole, considerando anche che è ...( read more)un film tedesco, che sta sempre più crescendo, ok, ma non ha alle spalle una storia tanto ricca da questo punto di vista! Comunque, consigliato soprattutto a chi vuole sapere qualche cosa in più sugli anni che cambiarono la seconda parte del 20esimo secolo!

Critic Reviews


September 15, 2009
A.O. Scott, At the Movies

Very good, very smart, very clear. full review

September 10, 2009
Roger Ebert, Chicago Sun-Times

The Baader-Meinhof Complex is diluted by too many events and characters distributed over too much time. full review

September 4, 2009
Mick LaSalle, San Francisco Chronicle

A rare epic that deserves every minute of its epic length. full review

August 24, 2009
Anthony Lane, The New Yorker

I have seen The Baader Meinhof Complex three or four times now, and, despite exasperation with its fissile form, I find it impossible not to be plunged afresh into this engulfing age of European anxiety. full review

August 21, 2009
Kyle Smith, New York Post

The Baader Meinhof Complex isn't, very: This saga of Communist terrorists sowing mayhem in 1970s Germany treats a bloody band as a unit of stouthearted warriors sallying forth to fight for their princ... full review

August 21, 2009
Kurt Loder, MTV

A fiery action film with lots more on its mind. full review

November 14, 2008
Nigel Andrews, The Financial Times

The Baader Meinhof Complex is the latest autopsy on an important and under-dramatised segment of European history. Those who do not learn from it risk being among those who might repeat it. full review

View more Der Baader Meinhof Komplex (The Baader Meinhof Complex) reviews at RottenTomatoes.com

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