Emil Jannings, Emilie Kurz, Hans Unterkirchner

Deemed too old to retain his prestigious position, the doorman for a luxury hotel is demoted to a bathroom attendant in this silent.

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91% liked it

2,906 ratings

Critics

100% liked it

23 critics

PG, 1 hr. 35 min.

Directed by: F.W. Murnau

Release Date: January 5, 1925

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DVD Release Date: November 11, 2003

Stats: 178 reviews

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Flixster Reviews (178)


  • September 2, 2009
    Outside the exaggerated mugging by the actors this is a fine film. The evocative visuals only further confirms Murnau as one of the most innovative directors of his era, having to doing away with title cards and employing some nice tracking shots. He has a lot of fun experimentin...( read more)g with distorting lenses. The epilogue is so unnecessary and unbelievable that it even says in the film that what happens is unlikely.
  • October 1, 2008
    The ending is such a punch in the face. One that lingers on your cheek for a while.
  • November 14, 2009
    wow wat an extrodaniy film!!!! defs hada lemon ending....but the abitlity 2 tell the story it did wif out title cards truly amazing!!! worth a watch!!!
  • September 11, 2009
    Review coming someday...

    100/100
  • April 22, 2009
    i thought this would be much better. the critics love this and think it's one of the best silent movies ever. throughout the film, i had it below the other silent classics. i mean, the guy is a hotel doorman, and wearing the uniform is important to him. i get that. it's touching ...( read more)and it matters when he gets demoted. but then all of his neighbors think he's a piece of shit all of a sudden? i mean, this is an old man with an intimate relationship with his neighbors, wouldn't they sympathize? and is it really a difference between hotel doorman and washroom attendant? the psychology of the film is just off to me. finally, call me a douche, but i thought the ending was stupid.
  • January 8, 2009
    Beautiful and touching story about aging and falling. Murnau really found the way to capture it in any ways.
  • December 15, 2008
    not thanks not my thing
  • November 11, 2008
    Cinéaste par excellence de l'expressionnisme allemand, Murnau, comme son compatriote Fritz Lang, semble avoir un don pour l'exploitation des contrastes, de la lumière et des ombres. Ce don est utilisé à plein régime dans Der Letzte Mann, considéré par plusieurs comme son chef-d'o...( read more)euvre.

    Dégradé de son poste de portier à celui de commis des toilettes, un vieil homme s'effondre peu à peu sous le poids de son humiliation sociale. Film particulier que celui-ci, notamment parce que Murnau n'utilise aucun intertitre pour les dialogues, se contentant d'en glisser deux ou trois pour préciser des détails importants de l'histoire.

    Il s'agit également du premier film à utiliser une caméra mobile, ce qui bien entendu sera d'une importance considérable dans le développement de l'art cinématographique. Le film peut sembler un peu lent au spectateur moderne, mais la beauté de sa facture et le jeu hyperbolique des acteurs devraient suffire à accrocher son attention.
  • October 23, 2008
    Awesome silent film.
  • September 16, 2008
    An interesting silent film with decent characters.

Critic Reviews


January 1, 2000
Roger Ebert, Chicago Sun-Times

The film would be famous just for its lack of titles, and for its lead performance by Emil Jannings, which is so effective that both Jannings and Murnau were offered Hollywood contracts and moved to A... full review

View more Der Letzte Mann (The Last Laugh) reviews at RottenTomatoes.com

Comments


  • wasawato
    June 5, 2007
    I don't know why i can't sent you ther poster of this great movie!! anybody please help me and all this movie lovers!!

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