Bernhard Goetzke, Hans Sternberg, Karl Rückert

This beautiful gothic fantasy was inspired by a childhood dream of its writer/director, Fritz Lang, who first gained world recognition with this film's triumph. "Destiny" is the story of a young man t...( read more  read more... )aken by Death just as he is to be married. His lover makes a deal with the Death figure--if she can save one of three possible lives, her fiance will be returned to her. Otherworldly atmosphere is created by extraordinary, bizarre sets, gothic lighting, and eccentric characters combined with spectacle and camera trickery astonishing for its time. With its many magical and haunting images, "Destiny" still possesses real power to impress the imagination!

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83% liked it

1,282 ratings

Unrated, 99 min.

Directed by: Fritz Lang

Release Date: January 1, 1921

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DVD Release Date: November 7, 2000

Stats: 70 reviews

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Flixster Reviews (70)


  • June 29, 2009
    a wonderful gothic romance like something from grimm's fairy tales. in his autobiography buñuel wrote that this inspired him to make films. there's an homage to it in un chien andalou. it was one of alfred hitchcock's favorites and a big influence on the thief of baghdad (both...( read more) versions) and murnau's faust among many, many others
  • October 14, 2009
    Reported to be Alfred Hitchcock's favorite film, and easily a new favorite for me. I've never been so entranced by a film. Astounding expressionistic photography. I was so moved that I decided not to review this film, but take an unconventional approach to showing my appreciation...( read more), by retelling the story in the form of poetry.


    "My lover, we travel the dusty path.
    There he stands blocking our way,
    With his cold, long, skeleton staff.
    He?s come for you and I my dear.
    His cheekbones cast long shadows,
    Dark, cold, and sincere.

    He came here, to plant roots.
    Suffering no one,
    No trace of blood on his boots.
    He decides who will go, and who will be left,
    Our tour guide, his name is Death.

    Carefree, sipping our ale, peacefully.
    A soft thought distracts you, my love.
    She returns to never again find,
    Her eternal beloved.
    Disappeared in the night like a dove.

    Death is strangely familiar,
    Behind his tall gate,
    Looking down his eternal pillar.
    Cloudy personification, opaque glowing eyes.
    He stares you directly, never blinking,
    Altering the mood of the skies.

    Presentiments of doom,
    Hark to what I say good people,
    Is there nothing I can do?
    My beloved is taken away from me,
    And I haven?t a clue.

    Passion is as cruel as the grave.
    A lesson in love, she shall receive.
    For her love, she has to save,
    Three lover?s lights,
    To be extinguished within the hour.

    Flame one. The falling flower.
    A shame, some love withers,
    before it can even be enjoyed.
    Entrapment, a devise of his clever ploy.
    El Mot has a half-buried surprise,
    Ramadan is destroyed.

    Flame two. Another predestined doom.
    A princess in a parade, a masquerade.
    Carnival approaches soon.
    Our lovers devise a secrete mete,
    Yet only to greet, and be met by,
    A cold dagger , a smooth and swift blade.
    Once again trapped, in Death?s serenade.

    Flame three. Their love is magic, you see.
    Kissing in segments, 1, 2, and 3.
    A shepherd of the feeble, a jester for the throne,
    The emerald wand, only demons of fire would condone.
    Yet, her lover pierced by the arrow of fear,
    Our princess Shiva, sheds a single bloody tear.

    You have failed in your task, to bring your lover back.
    But don?t think that I sit and laugh.
    Compassion, I long since hath.
    Stuck in God?s seemingly relentless wrath.
    Death is just the cross that I bear.
    Return to living! Return to your life out there.

    I refuse! ..our hero screams.
    She?ll do anything for her beloved,
    He is the man of her dreams.
    Passion is dangerous, he has already warned.
    Honestly scorned, already laid to rest, dear.
    Loving is dying, it now becomes clear.

    Not one day?
    Not one hour?
    Not one breath..!
    Our hero has no options,
    Has nothing left.
    I give myself to you, sweet release of death."
  • July 1, 2009
    Without the romance story and its attached shenanigans, the focus would've been on the cool premise, which would've enabled me to like it more. Cool effects for its time.
  • February 8, 2009
    Filme favorito do Hitchcock.
    E um ótimo filme, de fato ;)
  • November 11, 2008
    Fritz Lang réalise en 1921 Der Müde Tod, le film qui le rendra célèbre auprès de ses contemporains et qui marquera le cinéma dans son ensemble, faisant sentir ses échos à travers les années et ce jusqu'à nos jours. Aussi important que d'autres films muets de la même époque tels q...( read more)ue Le Cabinet du Dr. Caligari et Nosferatu, mais ne bénéficiant pas de la même notoriété publique, ce classique de l'expressionnisme allemand jette les bases de plusieurs techniques visuelles et narratives qui seront récupérées par une foule de grands noms.

    Film favori d'Alfred Hitchcock, encensé par Bunuel comme l'oeuvre qui lui a donné la piqûre du cinéma, inspiration du personnage de la mort dans le Septième Sceau de Bergman, les éloges ne se comptent plus et la portée de l'oeuvre ne saurait être décrite à sa juste valeur. Pionnier du film à sketch, du Décaméron aux Contes de la crypte, Der Müde Tod est également un film d'aventure, une méditation philosophique et une réalisation visuelle époustouflante.

    Le spectateur moderne sera surpris de voir comme ce film a somme toute bien vieilli. Il faut évidemment laisser de côté ses habitudes de cinéphile gavé au CGI, mais le souci artistique et la débrouillardise dont fait preuve Fritz Lang ne manqueront pas de surprendre. Les moments d'ennui sont étonnamment rares et le tout demeure fort divertissant, surtout pour un film qui a plus de 80 ans. Dommage qu'aucune restauration sérieuse n'ait été effectuée. Croisons les doigts.
  • September 15, 2008
    now that's good storytelling. rich in symbolism, gothic imagery, and imaginative fantasy & special effects, Lang's tale of the destiny of love transcends time and cinematic era. moving, enduring, and a truly beautiful silent film. the one thing that bothered me were the captio...( read more)ns--the various fonts were challenging to read at times. but that varies from translation to translation, so it doesn't affect my overall judgment of the film.
  • July 29, 2008
    Fritz Lang, whatelse to say? =)
  • July 29, 2008
    death is portraited in a beautiful, imparcial and, sometimes, funny way.
  • July 6, 2008
    Really ambitious, great story, not Lang's best, but still enjoyable, for me, the arabian part was the best one.
  • April 29, 2008
    Utterly sublime. The effects are one thing, but the love story, the story of destiny, of going to the ends of the world, of fighting everyone from the Emperor to the Caliph, I was awe-struck, it brought a typical tale and warped it in a baggage that discovers the meaning of moral...( read more)ity, of the human plight. The scenes are very mystical, like the one of the wall, what is it about? Why there? I feel that the idea of it is something I need to discover.

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