Critic Reviews
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, New York Times
A haunting experience, and should have been, coming from afar from a man born to make movies.
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Jonathan Rosenbaum, Chicago Reader
One of Satyajit Ray's greatest early films (1962), full of sensuality and ironic undertones.
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Edward Guthmann, San Francisco Chronicle
It's a film that bears all the hallmarks of Ray's best work: gracefulness, exquisite pacing and composition, love for his characters and a deep regard for the power of silence to tell a story.
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Dennis Schwartz, Ozus' World Movie Reviews
Ray's lyrical images reflect on how the fervor of Hinduism can sometimes lead to misplaced worship.
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, TV Guide's Movie Guide
Ray shows compassion and insight, telling the story in a subdued but fascinating manner.
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