Jeanne Moreau, Michel Piccoli, Georges Géret

Based on the 1900 novel by Octave Mirbeau, 'Diary of a Chambermaid' tells the story of an alluring chambermaid who enters the service of an eccentric family in rural France.

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84% liked it

19 critics

Unrated, 1 hr. 38 min.

Directed by: Luis Buñuel

Release Date: October 13, 2000

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DVD Release Date: November 20, 2001

Stats: 105 reviews

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Flixster Reviews (105)


  • May 3, 2009
    In Luis Bunuel's "Diary of a Chambermaid", a fairly straightforward film by the great director of "The Discreet Charm of the Bourgeousie" and "Belle de Jour", a highly political film about French fascism is disguised by the story of a maid. She is the 32-year-old Célestine (Jeann...( read more)e Moreau), a manipulative feminist who journeys from Paris to work for the family of an estate in rural France. The Monteils, a bourgeois family not unlike the others Bunuel criticizes, are the owners of the estate. Célestine is introduced to the world starting with an expansive tour by her employers in which she's navigated through the sterile world of antiques and other delicates.

    The world, alas, is not the clean safe haven she had expected. For instance, the patriarch of the house, Monsieur Rabour (Jean Ozenne) is a foot fetishist who gets off on his maid's boots. Outside of his perversion, he seems like a fairly decent man until he shoots a butterfly off of a flower. Madame Monteil (Francoise Lugagne) is the boss of the house - a strict grouch who rules over the estate and it's furnishings as if it were an old church. Her husband, Monsieur Monteil (Michel Piccoli), is a hunting enthusiast who has impregnated most of the women servants. Joseph (Georges Géret) is a sort of handyman who always dishes out the dirt on the maids of the estate. He is the most obvious link to French fascism as he is apart of the movement. In several scenes, he expresses his dislike of foreigners, particularly Jews.

    One day, Monsier Rabour is found dead clutching a boot in his hands. In the same afternoon, Claire (Dominique Sauvage), the daughter of one of the maids, is found raped and murdered in the forest. Célestine is quick to blame Joseph, and she frames him by planting a piece of his boot on the crime scene. Once he is taken to prison, Célestine marries Captain Mauger (Daniel Ivernel), a wealthy man who could aid her in ascending from maid to mistress.

    The film often cuts away to a fascist rally, most notably at the very end. It's challenging material to digest the first time around, especially if you're not familiar with the politics. That being said, however, if you take it literally, the story of a maid in a peculiar household is entertaining enough. Jeanne Moreau is exceptional, a feminist who borders the line between good and evil. We want to like her as the protagonist of the film, but she shamefully fulfills Monsier Rabour's foot fantasies and later frames a man because she doesn't like him. She's a strong-willed figure, but also a cunning and manipulative one.

    Of the Bunuel i've seen, this one moved me the least. That being said, however, it's still enormously entertaining and well worth seeing. Also, compared to films like "The Discreet Charm of the Bourgeois", this may be a good film to check out of you want to see Bunuel without the surrealism and unconventional narrative structure.
  • May 10, 2008
    When moral order and sensual urges collide, Bunuel's favourite theme among the many tackled by this dense work, is brilliantly enhanced by the (incredible) acting performances.
  • October 4, 2009
    Luis Bunuel's satiric look at the fascism of 1939 results in an extraordinarily acted, portrayed, directed and written drama worth seeing several times. A little French masterpiece of the 60's, the master scores one more time!

    92/100
  • September 17, 2009
    Sep 2009 - Quite interesting account of the perversive and decadent life in provincial France of late 19th century. Everything is going well but it has nothing that is really eyecatching. I would be very interested to see Renoir's adaptation of the same novel.
  • January 20, 2009
    salut moi sofiane algerine cherche mariage 002137975203338 ou lire-moi01@hotm.fr jatand
  • November 22, 2008
    moreau'nun çok güzel oldu?u zamanlardan bir film, bunuel çekmi? olabilir ama mesele o de?il ?imdi.
  • May 10, 2008
    I like Bunuel films and his way, but I read the book before watching the film and it has almost nothing to do with it =(
  • April 30, 2008
    The directing is great. Luis Bunuel probably best work with the camera. The plot is more accessible than other works from him. The forward and backward travelings are the delight of this "moving photography", which is the entire movie, from the moment when Celestine is coming to ...( read more)town, to the crowd that is moving away. Jeanne Moreau does not look like a chambermaid, but the role is perfect for her.

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