Andrew Robinson, Clint Eastwood, Harry Guardino

In the year 1971, San Francisco faces the terror of a maniac known as Scorpio- who snipes at innocent victims and demands ransom through notes left at the scene of the crime. Inspector Harry Callahan ...( read more  read more... )(known as Dirty Harry by his peers through his reputation handling of homicidal cases) is assigned to the case along with his newest partner Inspector Chico Gonzalez to track down Scorpio and stop him. Using humiliation and cat and mouse type of games against Callahan, Scorpio is put to the test with the cop with a dirty attitude.

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86% liked it

58,642 ratings

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95% liked it

38 critics

R, 1 hr. 42 min.

Directed by: Don Siegel

Release Date: December 24, 1971

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DVD Release Date: November 18, 1997

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Flixster Reviews (3,381)


  • October 29, 2009
    better than when john wayne tried being a cop instead of a cowboy. it's got everything you want in it. the dirty harry character suits clint down to the ground. a couple of good one liners in it. looking forward to seeing the other four
  • September 30, 2009
    Classic! The granddaddy of mean, lone cop films. It?s very quotable too and has been ripped off too many times. Siegels direction is also very cool, the pan-out from the stadium is one of my favourite scenes ever.
  • August 25, 2009
    No one can play a bad-ass, squinting anti-hero like Clint Eastwood. Dirty Harry is full of memorable moments that have influenced so many movies that came after it, and it is a true classic of its genre.

    The killer, Scorpio, is such a sick and reprehensible S.O.B., that it make...( read more)s the viewer want him caught by any means necessary, just like Callahan. Sure, it's a little beyond belief to think that Callahan wouldn't have known that his actions were going to endanger the investigation, but I'd like to think that most people would have done exactly the same things that he did. And when the end finally comes for Scorpio, it is oh so satisfying.

    So yeah, this was an awesome movie. I wish I would have seen it a long time ago. It completely deserves its iconic status.
  • June 9, 2009
    A good template for "unorthodox cop tracks down psycho killer" movies to come, but one that does not age well. I was really disappointed, it's kind of boring and Clint is flat, but I shouldn't be too hard on the Western-outside-the-Western genre, this film is important for that r...( read more)eason as well. Better versions of this film are now so common that, unfortunately, it's just not exciting. No less of a cinematic signpost, though.
  • February 26, 2009
    Bad ass and way a head of it's time. Worth seeing for the stadium pull back helicopter shot alone.

    A brilliant genre opposite to Zodiac
  • November 21, 2009
    Of course it's iconic, Harry Callahan represents the old school blah blah blah I don't care to go into that. It's a good movie though.
  • November 18, 2009
    The introduction of the anti-hero.
  • November 18, 2009
    I had wished to see this film ever since I watched a parody involving WWE's Undertaker.

    & after watching it....all I can say is Harry callahan is Legend!

    What a film,what a character...I wonder if there would be anyone who wouldn't idolize Harry callahan!

    Clint eastwood...( read more)'s character as the cynical,sarcastic,toughie bad ass cop quickly became a cult icon & the inspiration for many films of the same genre!

    the thriller concept with a great score truly made it one of the best & iconic movies ever made.

    plus some bonus nudity provided for peeps...LOL

    But I truly admit I have become an instant fan of the character,the film & no need to tell how many times I've repeated the monologue

    I gotta have one of those .44 magnums!
  • November 14, 2009
    "I know what you're thinking. "Did he fire six shots or only five?" Well, to tell you the truth, in all this excitement I kind of lost track myself. But being as this is a .44 Magnum, the most powerful handgun in the world, and would blow your head clean off, you've got to ask...( read more) yourself one question: Do I feel lucky? Well, do ya, punk?"

    Dirty Harry (1971)


    Director: Don Siegel
    Country: United States of America
    Genre: Action / Crime / Thriller
    Length: 102 minutes

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    To choose a certain topic in order to start talking about the influence, originality and ultimate badass attitude that Dirty Harry has is a rather difficult task. The first film in a long series of unsuccessfully lame sequels is undeniably the best and one of the top thrillers in American history. Not only it managed to attractively establish the most influential and referenced stereotypical characteristics and clichés of a cold-blooded and "cool" male leading role, but it also achieved to gain all of the quality and talent characteristics that a perfectly elaborate thriller of such calibre required. Dirty Harry has become an action icon within American cinema, and it has been referenced and even paid homage endless times throughout the subsequent decades from the making of spoofs to the imitation of dialogues and the very direction style.

    When a sniper starts to kill people randomly in the streets of San Francisco just because of the fun of it (and also for obtaining 100,000 dollars), a cop with no clear authority above him and with no respect towards rules whatsoever decides to go on the hunt independently of the orders that were given to him by the police. Normally, films of this nature (with the rare exception of Die Hard [1988]) are not meant to receive attention from film festivals and academies which, although it is utterly unfair, is a good sign of brilliance. Action is the most underrated filmmaking genre, in my humble opinion.

    The immortal character of Police Inspector Harry Callahan, flawlessly incarnated by the legendary film gunman Clint Eastwood, has the outstanding habit of reminding audiences why stereotypical portrayals of modern action films and thrillers are completely ineffective. Instead of showing the typical model policeman, who usually happens to be an avid follower of the law, Harry literally does not give a sh!t about police authorities and represents the mindless and merciless city gunman who clearly states that he owns the most powerful handgun in the world, a handgun that will be shot if the punk under its powder power is feeling lucky. Naturally, most of its talent and mindblowing and heart-pumping tension is derived from the cataclysmic explosion originated from the collision of the aforementioned character with one of the most insane, psychotic an son-of-a-bitch annoying antagonists that have ever graced the screen, even resembling some of the personality and physical appearance of what would be an Alexander DeLarge.

    Consequently, the quantity of action is adequate and perfectly measured. Dirty Harry is not an action movie in the strictest sense of the genre. It relies most of its effectiveness in an unnerving suspense and in an implicit desperation of Scorpio Killer never being caught, a character who was loosely based on the Zodiac Killer. The direction by Don Siegel, who obtained most of his popularity thanks to the film Invasion of the Body Snatchers (1956), is extremely talented and allowed such thing to happen. To build such a thriller with the correct combination of insanity, cool one-liners, quality action and atmospheric suspense is a task that few modern auteurs are capable of doing nowadays. The screenplay is exceptional and the cinematography pays certain attention to urban objects and clues, making it more of an intimate and claustrophobic experience rather than an explosive one.

    People who worship action films such as John McTiernan's Predator (1987) and Die Hard (1988) should often look back at the roots and origins of such stories, screenplays and characters and pay credit to the correct filmmakers, regardless of the fact that they get worse as time goes by. Originality was a beautiful and delicious feature that action films shared, and before mindless action filmmaking and the confusion of the terms "thriller" and "horror" occurred, Dirty Harry was one of the first thrillers that defied the laws of conventional action and conventional, moralistic characters, who can even get boring at some point. Clint Eastwood was the man, and this film is one of the strongest proofs of such statement. The slow pace may confuse the viewer since the beginning, but the second half is highly rewarding.

    87/100
  • October 30, 2009
    Clint making tweed look cool. That alone is worth the watch. But its his sheer viciousness that is awe inspiring. The film is nearly 40 years old, I was born 10 years after it was made yet it hooked me straight away. Great to see an American film not set in LA or New York.

Critic Reviews


October 23, 2004
Roger Ebert, Chicago Sun-Times

If there aren't mentalities like Dirty Harry's at loose in the land, then the movie is irrelevant. If there are, we should not blame the bearer of the bad news. full review

View more Dirty Harry reviews at RottenTomatoes.com

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Dirty Harry Trivia


  • Match the movie to the quote: Callahan: "Well, I'm all broken up over that man's rights."   Answer »
  • Frank Sinatra was to play Dirty Harry but had to pull out because of a hand injury ?  Answer »
  • who plays inspector harry callaghan in the "Dirty Harry" movies?  Answer »
  • What kind of handgun does Dirty Harry use?  Answer »

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