Hiromi Nagasaku, Hitomi Sato, Koji Yakusho

Hayasaki is an inventor working on an Artificial Body. It is not going well and he is stressed out and on the verge of being fired from the research division of his company. His doppelganger appears t...( read more  read more... )o help him out of the rut he has created for himself.

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55% liked it

528 ratings

R

Directed by: Kiyoshi Kurosawa

Release Date: September 27, 2003

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DVD Release Date: March 29, 2005

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Flixster Reviews (35)


  • July 15, 2009
    Often, I find films that play on some grand metaphor to be more fun to think about than they are to sit through. Such was the case with Doppleganger for me. In typical Kurosawa fashion there is a sense of dread that lingers throughout the film but once it gets going it plays more...( read more) like a comedy caper than a drama, and this is not a horror movie by any stretch of the imagination. But it's also not a very funny movie either except in a weird sort of way--in a Kurosawa sort of way. It's not a bad film and it does have a satisfactorily meaningful resolve but I was kind of annoyed with the lead character yelling at his Doppleganger all the time so I grew impatient waiting for that resolve. YMMV
  • April 23, 2009
    This film seems to have people who really like it or really don't. I suppose I fall somewhere in between. After enjoying Cure so much, I was expecting as good of or better film but overall, wasn't too bad.

    Technically, this was a nicely shot movie and there were some interes...( read more)ting ideas at work. A lot of care was taken in framing and blocking. The editing was also quite impressive with a number of instances where the screen was split into two or three segments showing the different sides of Hayasaki and his ghostly twin. The acting was good from all involved and everyone was trying their best with what they were given. In the end, I felt Doppelganger fell victim to lazy writing.
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  • January 13, 2008
    I saw this a while ago but it seems that Flixster has added it only now. Not that I really care, because this is Kiyoshi Kurosawa's worst movie by a mile. I honestly cannot remember a single thing about the plot except that it lacked any sort of conflict or character development....( read more) The one scene I can recall is when Koji Yakusho freaked out and destroyed a bunch of equipment because goddamn, at least he was DOING something.

    This is the movie that made me wonder if KK is pulling the wool over my eyes with the rest of his films. That's kind of a harsh assessment for a director that I really adore, but seriously, the man gets his screenplays right one out of five times. It's kind of admirable that he just says "fuck it" to those cinematic conventions, but a lot of the time they exist for a reason.

    Someone send this man a decent script!
  • September 10, 2007
    Starts well, and then, for no reason, derails so badly in the second half i was wondering if Kurosawa just directed the first part and then dropped the whole thing. What starts as a strange psychological thriller ends up being some sort of silly road trip film full of slapstick c...( read more)omedy that doesn't work.

    This, along with Kairo stays as K Kurosawa's weakest efforts to date. The man can do way much better.
  • June 1, 2008
    interesting concept, decent acting..but slow moving and film turns on its side from ghost /horror to more of a comedy..I ultimately gave up on this one!
  • October 1, 2009
    This movie is the kind of movie that will have people loving or hating it. But I think one thing cannot be denied, this is amazing filmmaking. No one can really doubt the effects and effectiveness of the visuals in this movie. And the character development means something when yo...( read more)u get to the last act, but once you get to the last act you realize the transformation of the separate entities as the relate to the whole ? and by then the entire act is almost executed in symbolism.

    This is Kurosawa at his technical best. The movie is moody, even in the bright countryside. The machine means so much more and is a perfect symbolic catalyst for the doppelganger. And the story of the brother himself in the first act really brings the tone of the movie right to our noses, right up to the truck accident. Actually, the entire movie gets very symbolic and more allegorical once they are in the countryside. There are many points about control of the body and reflection on oneself that is very deep in their visual use. And, as usual, the violence in the movie is brutal and real. It is one thing I appreciate about Kurosawa, like what Cronenberg did in History of Violence, he gave it to us in an exciting way, but made sure it wasn?t polished and that we saw the aftermath.

    I recommend this movie to anyone who likes character studies with a sci-fi twist, or really character study movies and don?t mind realistic violence. This is definitely a psych class paper. And the split screens are played to wonderful effect. It was like watching a De Palma movie when he was good.
  • August 15, 2009
    Doppelganger was not like I had anticipated. It was not a horror film although it could have easily been made as one with a similair story. This is however such an unusual story that you'll have the feeling throughout the movie that something can't be right, that there is somethi...( read more)ng more going on. I don't want to spoil anything though so I'll leave it at that. This is one of those movies where it is close to impossible figuring out what will happen next.
  • January 8, 2009
    2004 Seattle International Film Festival
  • May 16, 2008
    One of the best from prolific Japanese director Kiyoshi Kurosawa. Horror with a strong comic tone. What would YOU do if your evil twin was stalking you?
  • March 21, 2008
    I did not really like this movie.

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