Downfall (Der Untergang)

Downfall (Der Untergang)

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Downfall (Der Untergang)

Alexandra Maria Lara, André Hennicke, Bruno Ganz, Christian Berkel, Corinna Harfouch

The last ten days of Adolf Hitler and his Nazi regime are seen through the eyes of ayoung woman in his employ in this historical drama from Germany. Traudl Junge(Alexandra Maria Lara) was 22 years old...( read more  read more... ) when, in the fall of 1942, she was hired tobe personal secretary to Adolf Hitler (Bruno Ganz). In April of 1945, Junge wasstill working for Hitler as Allied forces were bearing down on Germany and theleader retreated to a secret bunker in Berlin for what would prove to be the lastten days of his life, as well as that of the Third Reich. As Hitler's mistress EvaBraun (Juliane K?hler) attempts to throw a cheerful birthday party for her man,Hitler's closest associates, including Heinrich Himmler (Ulrich Noethen), JosephGoebbels (Ulrich Matthes), and Albert Speer (Heino Ferch), urge him to flee the citywith only Goebbels maintaining any illusions that the Third Reich has any hope ofsurvival. Hitler refuses to leave Berlin, and he spends his final days ranting andraving to Junge, blaming all around him as he tries to understand where hisleadership went wrong. Meanwhile, Goebbels and his wife round up their six childrenand bring them to the bunker as Berlin begins to topple, determined to take theirlives rather than face the Allies after Germany's certain defeat. Der Untergang (akaThe Downfall) was based in part on the memoirs of the real-life Traudl Junge, whoseexperiences also formed the basis of the 2002 documentary Im Toten Winkel: HitlersSekretarin (aka Blind Spot: Hitler's Secretary).

Id: 10893612

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  • December 27, 2009
    ''Many mistakes have been made. Be ruthless. Life doesn't forgive weakness. This so-called humanity is religious drivel. Compassion is an eternal sin. To feel compassion for the weak is a betrayal of nature. The strong can only triumph if the weak are exterminated.''

    Trau...( read more)dl Junge, the final secretary for Adolf Hitler, tells of the Nazi dictator's final days in his Berlin bunker at the end of WWII.

    Bruno Ganz: Adolf Hitler

    Der Untergang(2004) has historical valour, a controversial rendition and a powerful insight into the High Command of the National Socialist party during 1945.
    The story of the last ten days of Adolf Hitler and his Nazi regime are seen through the eyes of a young woman and other close personnel in his employ; this is historical drama and reference from Germany.
    Based on the books Der Untergang (meaning Downfall) by historian Joachim Fest and Bis zur letzten Stunde by Traudl Junge, Hitler's last private secretary from 1942 to 1945.


    Bruno Ganz portrays Adolf Hitler truthfully: He doesn't show him as a stereotypical monster but an intelligent, at times caring, human being.
    Hitler was a man with a vision intent on world domination and racial superiority; A vision which would revive and take Germania to new dizzying heights in the World.
    Any mistakes by his cohorts or personnel would instantly send him into a violent outburst of anger; Ganz shows this beautifully. His mannerisms, gestures and accent are all given precedented depth by the talented Bruno Ganz.
    Bruno Ganz practiced Hitler's unusual accent with the help of a young actor from Hitler's area. Also Ganz studied Parkinson's patients in a Swiss hospital to prepare for his role as Hitler.
    The portrait Hitler is staring at in one scene is that of Frederick the Great. A very mysterious moment when Junge sees him alone just looking at the painting.

    Alexandra Maria Lara whom plays Trundl Junge a secretary to Hitler (The actress has brown eyes while the real Junge had blue eyes: Brown eyes induce more sympathy than cold blue); the story is conveyed from her perspective. Although the story is told expertly through other witness accounts at times.
    Thomas Kretshmann as SS-Gruppenführer Hermann Fegelein; one of my favoured German actors for me was in the film.
    Ulrich Matthes as Joseph Goebbels is a portrayal of significance; His devotion and loyalty to the Party unwavering throughout the entire film.
    Heino Ferch as Albert Speer; The architect and artist of Third Reich projects is also another cleverly portrayed character. He begins to see the War will be lost and the fruitlessness of continuing. The suffering of the People being one sacrifice of persisting. His changes in stance and thinking show a very deep man. One of the few whom survived the War and continued with life after this cataclysmic event.

    Granted Downfall is a long film at times; but it is necessary to convey the great fashions of the times, set pieces and an outstanding score bring proceedings to life. We actually feel part of this 1940s World we are seeing, we are pulled into events becoming more than merely a spectating bystander.
    This is history being told honestly and in a truthful non-glorifying manner; yet in an also non-demeaning way at the same time. Featuring graphic, violent and horrific scenes like any films which drive and propel the realism to great lengths.
    One scene that was especially effective was in the bunker where Magda Goebbels (played wonderfully by Corinna Harfouch), places cyanide pills into her children's mouths; Why? Because she simply does not want her children to grow up in a world without National Socialism.

    This movie shows a whole nation obedient to Der Fuhrer; Loyalty, obedience and total control belongs to Hitler and his High Command.
    He shows at times empathy for his people; When they fail he shows them no remorse. Downfall shows Hitler as a Caring and affectionate man; he loves Eva Braun, (played by Juliane Köhler) and his loyal dog Blondi; yet when he is the Fuhrer he is angry, powerful and abandons emotional weakness. In essence he is at times a completely different person.
    This is pure, honest, historical storytelling from Directing team Duke White, Garrett White, and Oliver Hirschbiegel.

    Hitler is obviously always the main focus of the story; even when he is not on-screen his looming shadow on proceedings is always omni-present.
    Minor grave endeavors are shown throughout the movie and director Oliver Hirschbiegel does a good job of connecting the dots: the National Socialist Party and it's high ranking members are given detail and the attention required.
    Happenings in Der Untergang range from instances showing violence on the streets of Berlin to honourable patriotic suicides. The most intriguing part of the film is not only the realistic reproduction of a bombed city, or the amazing acting by all involved; although these mentioned are startling and deserve awards. No, the best part is definitely the way Hitler and his closest aides are illustrated. During his last ten days Hitler didn't have control over anything; not the country, not the army, and not even the Nazi party itself. While the movie depicts those things really well, it goes even deeper and acknowledges that the Fuhrer couldn't even control himself. It was something not even he realized until those final desperate moments in that isolated dark bunker; where he shot himself.

    The movie looks great thanks to the cinematography of Rainer Klausmann; with battle scenes and aftermaths coloured in strikingly cheerless tones of grey. Credit also has to go to director Hirschbiegel for the choices he made as far as casting and cinematography are concerned. It is also to his credit, the way he directs and commands his actors. Bruno Ganz practically embodies Hitler, portraying both his flaws and positive traits. All the actors around him, while turning in great performances are simply puppets for him to interact with, remarkably mirroring the roles their characters played in Hitler's real life.

    So in this film you get not only an enormously accurate picture of World War II itself, but also an accurate portrait of the life of the most important and flawed man in arguably all of human history. Downfall is an endlessly rewarding motion picture and one of the best of the year. So if you don't mind the German language and having to read subtitles; you will be able to acknowledge the importance of Oliver Hirschbiegel's Downfall.

    ''You must be on stage when the curtain falls.''
  • May 3, 2009
    With his feature debut, the shocking Das Experiment, German director Hirschbiegel arrived as the European filmmaker to get excited about. Not one to steer clear of controversy, implicitly Das Experiment was about the rise of the Nazis, and for his next trick he went the whole hog...( read more) ? depicting Hitler?s final days in his Berlin bunker, the Führer tipped into a hyperbolic frenzy by the fall of his kingdom. Giving evil a human face, Hirschbiegel dares us even to sympathise with the collapsing Reich. That is, until you see Frau Goebbels icily poison her own children. It makes Hirschbiegel?s crash-and-burn in Hollywood ? The Invasion ? all the more galling.
  • January 24, 2009
    Powerfully dramatic. An important and significant film, not only because it's a true story that needed to be told but also because it was told by Germans. If this had been a Hollywood production with Hollywood stars it would not have had the impact that it has had.
  • January 19, 2009
    Downfall takes us back to those glorious days of April and May of 1945 when we were about to declare victory in Europe. Let's kiss a girl in Times Square because the German's are toast! We all remember those images. For an American, watching Downfall is the negative side of V-E d...( read more)ay celebrations. The film is about the final few weeks of the Third Reich as seen by on of Adolf Hitler's secretaries (Alexanda Maria Lara).

    When going into Downfall you expect your basic last days of Hitler in his bunker story, but even though Hitler is the main focus of the film it digs deeper than that concrete tomb and examines what life was like for civillains and the military establishment in those final days in berlin as the Russians knocked on the Eastern door. Bruno Ganz plays Hitler in a way that's never been seen before. He isn't just the crazed mad man in the ground. He's not a split person, he's totally shattered by the faltering Reich and Ganz makes the audience feel something for his subject that probably has never been expressed in a film featuring Hitler- sympathy. There are a few moments when you actually sympathize for Adolf Hitler, though they are few and he usually does something to eliminate that feeling rather quickly. That's a true accomplishment in Ganz portrayal of the Fuhrer making it the role of his career.

    What's amazing is the way that even in the end there was still a split between following the orders of no surrender and realizing that this is the end and the need to save themselves and the city of Berlin. Many fall on the sword in this one and shows the extreme views of Nazi Germany.

    This is a well acted, directed, and written piece of cinema. Downfall can stand as a testament to the evil that men do and how stubborn they can be when they realize they were wrong. They all realize they're wrong. In the end it's a decision of whether pride is going to let them keep on living.
  • January 16, 2009
    A brilliantly constructed tale of a powerful man's final days. Ganz offers depth and humanity to a role that could have gone horribly wrong. His accent, his mannerisms, all are handled with with care and attention. It's haunting to see Hitler fighting for what he believes in and ...( read more)is surprisingly saddening. Other moments are truly unforgettable, such as the Goebel children's death scene. The film is very precise and doesn't venture out of the bunker unless absolutely necessary. This keeps a film that deals with an event to change the world very personal.
  • December 31, 2009
    De entre todos los episodios históricos representados en el cine, la Segunda Guerra Mundial es sin duda, el que ha sido repetido con más ahínco y el que ha dado origen a gran parte de las películas que hoy son clasificadas como cine bélico. Sin embargo, lo más usual para las obra...( read more)s basadas en la más grande guerra que se ha peleado es introducir a los personajes y a los bandos beligerantes con concepciones previas sobre su conducta y con personalidades extremas hacia el heroísmo o la brutalidad. Es ahí donde radica la diferencia que existe entre Der Untergang y otros filmes, en la representación humana que se nos muestra sobre Hitler y sus allegados, en esta película no son monstruos: son seres humanos llevados al extremo por su ideología.

    La historia narra los últimos días de Adolf Hitler y del régimen Nazi durante el sitio soviético a la ciudad de Berlín, todo esto, dentro de la perspectiva de Traudl Junge, la secretaria personal del Führer. Con la inminente derrota ante los rusos, se nos presenta la crisis ética y emocional que experimentaron todas las personas del búnker. El pánico ante la destrucción de sus creencias se hace evidente en los oficiales y sus familias, algunos (como Eva Braun) prefieren hundirse en la negación y es cuando la locura en las órdenes de Hitler es percibida por sus personas de confianza.

    Los diálogos trabajan de forma brillante reflejando la ambigüedad de un hombre que podía jugar con su perro y condenar a su pueblo a la extinción el mismo día, Hitler, el hombre y el monstruo que escuda la esencia de su ser en la ideología que ha creado y que, solo al ver el final de su imperio, puede volver a ser él mismo y termina agradeciendo a quienes estuvieron a su lado.

    La película no comete el error de ser condescendiente, no muestra a Hitler como un hombre bueno o como a un mártir, solo se contenta con ponerlo íntegro en la pantalla sin hacer mayor reflexión. En ese sentido, la película se limita, ningún personaje hace mayor introspección en pantalla, todos se nos muestran de forma natural, pero sus motivaciones no son objeto de ningún análisis. Se trata de una cinta básicamente realista a pesar de la dramatización de los momentos climáticos, de algún modo pretende más ser una evidencia documental que un trabajo artístico.
    Todas las actuaciones son atinadas y la interpretación que hace Bruno Ganz de Adolf Hitler contribuye al ambiente realista de este trabajo de Oliver Hirschbiegel.

    Der Unterganges una muestra única de las emociones humanas en conflicto, un retrato verídico y conciso de los últimos días de uno de los hombres más influyentes de la historia; los días finales de Hitler de algún modo tienen paralelo con los eventos que antecedieron a la pasión, obviamente guardando las dimensiones, se trata de una lectura interesante y se puede hacer una comparación temática justa entre este filme y The Last Temptaion of Christ.

    Existe un muy buen trabajo de fotografía y la escasa música es usada de forma atinada y el guión fluye constantemente a pesar de su duración. El verdadero problema radica en el poco movimiento de las escenas, las cuales son, en su mayoría, casi idénticas; por lo que, a pesar de que nada se siente fuera de lugar, la edición no se ve reflejada en el resultado final.

    Claramente, Der Untergang no es una película a la que se pueda tomar afecto fácilmente; sin embargo, los elementos técnicos de la película, el enfoque humano que se toma de la figura del führer y la veracidad histórica presente en todo momento hacen a este filme un testimonio casi documental único en la comprensión del hombre que fue Hitler y un giro necesario para el estudio fílmico de la Alemania Nazi.

    ***1/2
  • November 17, 2009
    La pelicula refleja muy bien una Nacion que se desmorona a pedazos. Es una pelicula triste, llena de tragedias.
    Es la primera pelicula donde le hacen algo de justicia a Hitler pintandolo como un ser humano y no como una caricatura... al menos al inicio.
    Aunque al final vemos nuev...( read more)amente a ese Hitler estereotipado por la propaganda, chiflado y haciendo corajes, nada que ver con la realidad historica.
  • November 11, 2009
    Best Actor 2004 - Best Foreign Language Film 2004
  • November 8, 2009
    Acteurs très crédibles
  • November 6, 2009
    Want to see it again

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