Billy Bevan, Claud Allister, E.E. Clive

A hypnotic woman steals the body of Count Dracula, and bloodless corpses start appearing in London again.

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47% liked it

2,209 ratings

Critics

40% liked it

10 critics

Unrated, 1 hr. 12 min.

Directed by: Lambert Hillyer

Release Date: January 1, 1936

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DVD Release Date: September 10, 1992

Stats: 118 reviews

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Flixster Reviews (118)


  • November 5, 2008
    Dracula's Daughter is a blatant cash in on the success of the original Dracula film. Dracula's Daughter learns of her father's death and seems to seek a way out of the vampire's curse, yet doesn't really try that hard. The film will keep your interest, but that's about it.
  • September 4, 2008
    Picking up exactly where DRACULA (1931) left off, this sequel has Drac's "daughter" seeking to liberate herself from the curse of vampirism by seeking the help of a psychotherapist. Some interesting twists (Countess Zaleska is both the first tragic vampire and the first openly b...( read more)isexual vampire), but matter-of-fact vampiress Gloria Holden has none of the sinister charisma of Lugosi.
  • October 16, 2007
    Moody, atmospheric, almost hypnotic film (much like its main character) from Universal is an overlooked gem. Gloria Holden owns this film and creates a strange, sad, perplexing "monster." What's most interesting about the film is that we, as the audience, are never quite sure i...( read more)f she's really a vampire or just a deranged serial killer who likes to bite and kill cute women. Otto Kruger, as the male lead, is good although his character is absolutely horrible and I kept wishing he would get killed in some awful way. I don't know if this is how the film wants us to see him but that's how I felt. Marguerite Churchill is beautiful and bright as the romantic lead and her attraction to Kruger is strange since, for the entire length of the film, he is unapologeticlly horrible to her. Anyway, watch out for some great lesbian subtext if you're as into that sort of thing as I am. All in all, a very good Universal Monster film that is more psychological than most. Check it out.
  • August 12, 2007
    Being intimately familiar with modern day horror sequels, I expected this granddaddy (Grandmomma?) of horror sequels to follow the same routine: complete and total retread of the original's material with a significant drop in quality (a la Chainsaw Massacre). But to my surprise, ...( read more)these early horror sequels while not as good as the originals had admirable ambition and originality especially compared to today's horror sequels.

    While Dracula was the tale of a man cursed to immortality fueled by a blood-lust, and ultimately ignoring any moral convictions in his continued survival; Dracula's Daughter follows a more tragic tale of his vampyric offspring afraid of both ending her existence and of continuing that existence.

    Bela Lugosi's Dracula, while the villain, had a high level of sympathy due to his otherwordly charisma, and the charm of that film was the duality of wanting him to be stopped . . . and wanting to see him succeed. Immortality proved a curse. He's not necessarily evil, he's not exactly on the hero's path either, but you can't help but like the count.

    Dracula's Daughter admirably draws a sharp contrast to that film, giving the title character a genuine desire to overcome her cursed heritage. She's not evil. She's not the protagonist . . . but she wants to be and is trying to be.

    This sets up an interesting game as the fates play for Marya's future. On one hand, a servant seeking the infamous curse constantly pushes towards giving up these pure pursuits and taking the path of her father, while another character does genuinely try helping her with, sadly, an insufficient understanding of her real problem.

    It does provoke a number of questions worth exploring. I wondered if Von Helsing would try to destroy Marya before learning her intentions, if the characters would try to help her, and if they couldn't help her find a way to tolerate her blood lust?

    I guess it's appropriate that Dracula's Daughter can never escape the shadow of her father. Lugosi and Browning will forever come first in the minds of audiences before Holden and Hillyer. Even with that said, I still like Dracula's Daughter for finding its own identity and not retreading the film that came before it.

    Modern horror sequels have neither a thought nor a question. Modern horror sequels are nothing more than empty shadows of their predecessors. I find it interesting that this was not always the case.
  • October 31, 2007
    Bad sequel, but it has its charms. The Van Helsing story works better than the monster story which is kind of lame.
  • October 21, 2009
    The direct sequel to Dracula which starts immediately after the original with Dr Van Helsing being arrested for murder. Starts out very comical and changes its tone after about 15 minutes in, but it never loses its more light-hearted approach. A rather explicit lesbian theme pe...( read more)rsists with the daughter seeking psychological help for her desires. I actually like this one a bit more than the original.
  • April 25, 2009
    No thanks - Not interested
  • August 17, 2008
    Rather better than the original Dracula, which, though groundbreaking, was horribly stagebound and uncinematic. This does the job much better, if without Lugosi (who went on to a rather dreadful movie career.)
  • August 17, 2008
    I was expecting this to be a lot better than I found it to be. Maybe I just couldn't ignore the patriarchal bias which really dates the film.
  • July 29, 2008
    Dracula's Daughter definitely has some very creepy moments, but it could've been so much better if Bela returned. But overall it was a pretty good horror movie. Gloria Holden delivered a surprisingly great performance.

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