Critic Reviews
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Robert Abele, Los Angeles Times
"Dragon" has enough interesting left turns in style, mood and psychodrama to make it stand out.
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Farran Smith Nehme, New York Post
The movie hurtles along at a pitch of sentiment and melodrama that would make MGM blush, and it's mostly very diverting.
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A.O. Scott, New York Times
As a whole, it does not quite work, especially at the end, when Mr. Chan tries for a Shakespearean climax of filial rebellion and paternal rage.
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Mark Jenkins, NPR
The widescreen cinematography and mountain rain-forest locations retain their interest, as does the deftly incongruous score, which ranges from samba to hard rock.
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Joe Neumaier, New York Daily News
The large canvas and pseudo-superhero tactics work for a bit, but then the action gets sidetracked in place of myth-building.
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Mary Corliss, TIME Magazine
A martial-arts morality play as lithe as it is forceful.
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Derek Malcolm, This is London
There are good action sequences but it has been ham-fistedly cut for UK distribution.
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Mike McCahill, Guardian [UK]
Yen again proves one of the few martial artists equally adept with subtler emotional beats.
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Chris Blohm, Little White Lies
Dragon roars.
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Rob Carnevale, The List
Chan's film may be derivative of plenty of other films (most notably David Cronenberg's A History of Violence) but it manages to keep things fresh and exciting.
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Owen Williams, Empire Magazine
Full of blistering action sequences worthy of the Shaw Brothers legacy. A treat for martial arts fans.
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Paul Chambers, Movie Chambers
A superior martial arts film with excellent cinematography and a story to match.
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Anton Bitel, Grolsch Film Works
a mannered mix of detective story, morality tale, family tragedy and Buddhist allegory, all wrapped in virtuoso visuals and some very tricksy action choreography... The story may be familiar, but wuxia has never quite looked like this before.
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Neil Smith, Total Film
Peter Ho-Sun Chan's frenetic, high-kicking thriller runs a full 20 minutes shorter than it did at Cannes in 2011 and feels all the better for it.
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Todd Jorgenson, Cinemalogue.com
An exhilarating opening fight scene sets the stage for this otherwise cheesy chop-socky Hong Kong saga.
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Chris Sawin, Examiner.com
Dragon delivers a few swift kicks and a barrage of bone crunching punches to the standard expectations of a remake. Dragon is a stunning display of martial arts action, mesmerizing detective work, and engaging performances.
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Bill Gibron, PopMatters
Gracefully acted, brilliantly shot, and effortlessly combining both character study and superb butt kicking, Wu Xia is an excellent post-modern subgenre gem.
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Alison Willmore, AV Club
Yen's strengths have never been in his expressiveness, and Dragon plods when it centers on dramatic struggles, then leaps exhilaratingly to life whenever the fighting begins.
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Roger Moore, McClatchy-Tribune News Service
A fun collision of "A History of Violence," traditional over-the-top Hong Kong martial arts pictures and sort of a "C.S.I.: Yunnan Province."
Read all 19 critic reviews
Featured Audience Ratings
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Not a bad action-drama with Donnie Yen and Takeshi Kaneshiro as what I thought the Chinese epic film is a version of <i>The History of Violence</i>.
As the enigmatic paper-maker in a small idyllic town with the unassuming name Liu Jinxi, Yen has finally delivered a… More
Not a bad action-drama with Donnie Yen and Takeshi Kaneshiro as what I thought the Chinese epic film is a version of <i>The History of Violence</i>.
As the enigmatic paper-maker in a small idyllic town with the unassuming name Liu Jinxi, Yen has finally delivered a performance which equals that of <i>Ip Man</i>, one that showcases his best as a dramatic actor and as a martial artist.
Aubrey Lam's story raises a number of moral dilemmas, in particular whether a man can truly start anew without having to atone for his past sins, and whether there is a place for humanity in a world governed by laws and regulations. This is at the very heart of the complex intertwining relationship between Liu and Xu (played by Kaneshiro), and a fascinating one which director Peter Chan explores with panache. There is no hero or villain between the two rather, both are simply pushed up against each other by their past and the circumstance by which they had made their mutual acquaintance.
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<i>Wu Xia</i>, from director Peter Chan, is part action and part mystery. Does it work well together? Indeed.<p>Running roughly around 110 minutes, <i>Wu Xia</i> successfully puts much needed emphasis on story. The pacing isn't exactly snappy, and… More
<i>Wu Xia</i>, from director Peter Chan, is part action and part mystery. Does it work well together? Indeed.<p>Running roughly around 110 minutes, <i>Wu Xia</i> successfully puts much needed emphasis on story. The pacing isn't exactly snappy, and with little in the way of martial arts in the first 2/3rds of the film, <i>Wu Xia</i> flourishes on the mystery behind one of its title characters.</p><p>The action, while limited in the early going and maybe even in the latter portions, contain excellent choreography thanks to the brilliant mind of Donnie Yen. The resulting martial arts fights are quickly paced and visually pleasing, leaving the want for more.</p><p>Takeshi Kaneshiro takes charge when it comes to the acting, as he should when Donnie isn't displaying his martial arts skills. Wei Tang ends up as a lovely innocent house-wife, while Kara Hui is amusing with her double swords.</p><p><i>Wu Xia</i> does have the potential to be an all out martial arts action adventure, but instead elects to become a more well-rounded picture. In this instance it works out nicely.</p>
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I wasn't expecting to much going into this since the last Donnie Yen movie I saw, Flash Point, left allot to be desired. Wu Xia does provide good violence like Yen previous efforts, but a bigger focus on story allows Yen to showcase his dramatic side.
Wu Xia follows Tang Long… More
I wasn't expecting to much going into this since the last Donnie Yen movie I saw, Flash Point, left allot to be desired. Wu Xia does provide good violence like Yen previous efforts, but a bigger focus on story allows Yen to showcase his dramatic side.
Wu Xia follows Tang Long (Yen), a sinful martial arts expert who wants to start a new tranquil life, only to be hunted by a determined detective and his former master. The plot relies heavily on the detective to develops two characters. This makes Tang Long, who's our main character, not interesting to follow. We never really get to learn much from Tang Long himself, it's always someone else telling us something new about him. It does on other hand get everything else right. The detective character is interesting to follow since both him and the audiences are completely unsure about Yen character. It feature some great scenes and dialogue between Tang Long and the detective. Even though Tang Long wasn't as interesting to follow, he did have more as stake and seeing how he dealt with his demons is exciting to see unfold. It does go into dark territory which benefits in making the more important dramatic scenes more powerful. Despite a not so interesting leading character, it does get other elements down correctly to make a brilliant drama.
Donnie Yen has never impressed with his acting, but that changed after seeing this and I do think even without violence he's great to watch. Though the script isn't the only thing that worked against him. While he did do a good job showcasing his dramatic side, he's very limited to the range of emotions he can give making it bland at times. Although there's little action here, the few set action pieces are done really well. Takeshi Kaneshiro was perfect and very believable as the detective. It's truly a mystery why he wasn't the star. Tang Wei who played Yen wife was good and even she outdid Yen in the acting department. Though the second best actor has to be Yu Wang, despite not having much screen he's very effective. It makes me wonder why the filmmakers didn't switch Yen and Wang roles.
Wu Xia is a powerful drama that overcome its uninteresting leading character and actor to deliver both a gritty and intelligent drama. Fans of Yen might be disappointed by the lack of action, but that shouldn't take anything away from this great movie.
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I watched this movie in the cinema at the opening night in Xi'An in China and I can tell you that Hong Kong director Peter Chan surprised me with the ability to involve the audience in the tale of Detective Xu Bai-jiu (Takeshi Kaneshiro) who tries to unravel the mystery of how an… More
I watched this movie in the cinema at the opening night in Xi'An in China and I can tell you that Hong Kong director Peter Chan surprised me with the ability to involve the audience in the tale of Detective Xu Bai-jiu (Takeshi Kaneshiro) who tries to unravel the mystery of how an unassuming paper maker Liu Jin-xi (Donnie Yen) managed to slay Yan Dong Sheng, a murderer on a killing spree.
[img]http://i1.ambrybox.com/080711/1310143836235.jpg[/img]
Slowly revealing piece by piece of the puzzle that Liu may not be who he claims to be he inadvertently puts Liu and his family on a collision course with the leader of the 72 Demons, a clan of vicious killers.
My favourite scenes were the ones where director Chan melds science and martial arts showing blood vessels being constricted and hearts stopping within the human body when precise martial arts strikes find their mark! Some of my friends thaught that these sequences are little more than a gimmick to capture our interest early in the film, for me they were a novel touch and give the film a refreshing visual style and I loved them (even when they break up the flow of the fighting in certain action scenes).
If you like movies with strong dramatic elements "Wu Xia" is a film for you! Everything has been lovingly crafted to make audiences care for the characters, and amplify their emotions when traumatic events befall their favourites. Melodramatic portions are fluid and realistic.
Yen's decades of experience in the martial arts film genre shows in the way he devises the fight scenes, with every punch and bone-crunching kick clearly presented to the audience but his acting performance was very plain. In this film Kaneshiro was close to be the acting star with his convincing performance as the decidedly offbeat Detective Xu but at the end that title belongs to Wang, the oldest member of the crew, who as a vilain was unmatched and viewers squirmed in their seats as he stalked onto the screen exuding malice with each step near the end of the film.
One of the better Chinese movies with not too many fighting scenes!
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Excellent mix of action, drama, performance. It has major strength in unspoken atmosphere as well as displayed skills.
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