Driving Miss Daisy is a one of a kind film. It's a simple, funny, and heart-warming tale of learning to change and friendship. Winner of Best Picture at the Academy Awards, Driving Miss Daisy brought a whole new line of records to the Academy Awards. It is the last film to ever… More
Driving Miss Daisy is a one of a kind film. It's a simple, funny, and heart-warming tale of learning to change and friendship. Winner of Best Picture at the Academy Awards, Driving Miss Daisy brought a whole new line of records to the Academy Awards. It is the last film to ever win Best Picture that is PG; it is the last film to win Best Picture without getting NOMINATED for best director; the actress of Miss Daisy Jessica Tandy won the award for Best Actress and from then on became the oldest winner of the Best Actress category; and it is the only film based on an off Broadway production to ever win Best Picture. With these honors, and these wins introduced to you, I want to tell you about the beauty and kindness of Driving Miss Daisy.
Based on the play of the same name, Driving Miss Daisy takes place in 1948, in Atlanta, Georgia. It's about a woman named Miss Daisy (Tandy), and when she accidently wrecks her car one morning, her son, Booli (Aykroyd), finds her a chauffeur. The chauffeur's name is Hoke Colburn (Freeman), and once he becomes Miss Daisy's driver, she is determined to dislike him. The film goes on to show the relationship between the two characters, and how totally different people, can become the best of friends.
The story is comedic and sure Oscar-bait . It's so heartwarming, so funny, so simple, and so entertaining. I loved every bit of it, from when Miss Daisy wakes up at the beginning, to where Hoke feeds Miss Daisy pie. The way it told the relationship between the two characters was perfect, and the message the film sent out was perfect, as well. My favorite scene was when Hoke was driving Miss Daisy to Mobile, and he needs to use the restroom. She tells Miss Daisy he must pull over, but Miss Daisy refuses and tells Hoke to drive the rest of way, for it's only an hour. Hoke agrees, but, as for he is an old man, he knows his bladder can't hold such a burden. He finally tells Miss Daisy he is pulling over, and as he does, he explains to her he will not be treated like a dog, for he is a grown man. He agrees to be Miss Daisy's driver, and agrees to give her respect, but when it comes to his health and his life, Miss Daisy has no control over such a thing. And as he leaves the car, Miss Daisy sits, in awe. I love this scene because it shows that although Hoke has shown so much kindness and respect and how much he's done for Miss Daisy, Hoke's does not revolves around Miss Daisy's, and that he's finally made a stand for himself. It also shows that when you gotta go, you gotta go.
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The acting within the film was spectacular. Morgan Freeman always put a smile on your face, as he played his jolly, calm character of Hoke to perfection. His laugh was so hearty; it just made you feel good inside. I believe he should've won his nomination for Best Lead Actor, but sadly, that didn't happen. Jessica Tandy played her role of a stern, old Miss Daisy superbly, and she had such a flare of anger it made you feel a bit scared of her. She deserved he win for Best Lead Actress, and it should've been no other way. Dan Aykroyd was also good within the film, but I believe he had a bit too much screen-time, for I believe the film makers just wanted to show off their all star cast.
The cinematography within the film was amazing for a dramedy such as this. The way they shot the scenes when the car was being driven was just amazing. It really showed how much they wanted to make the play into a movie, so they could show the potential of the story. The editing was alright. Nothing really great, it was just fine. The makeup was done really well, for it made Jessica Tandy look 60 years old, then 90 years as the movie went on.
The direction for Driving Miss Daisy was also well done, and I'm extremely confused as to why it didn't even get NOMINATED for best director. Bruce Beresford is a fine director, and would later get nominated for Tender Mercies, but he really should've got nominated for this one as well. I'm not quite sure why the Academy forgot about this director, but it seems there were more to take his spot.
All in all, Driving Miss Daisy is a healthy dramedy not to be missed. My one single flaw for the film was that some of the scenes within the film weren't put to their full potential. Such as the one scene where the synagogue was bombed, and Miss Daisy and Hoke were real close to the destruction, and the blowing up was talked about a lot, but we never even saw the synagogue in its ruins or destruction. It might've been that the film didn't have the budget, but there were a lot of scenes that did this. Besides that, this film was a masterpiece. The message or moral it sent out was the best part of it. Now, there were plenty of morals that I got or went through my head, such as prejudices of different races and religions, illiteracy, and more. But the main lesson taught within this film is that although one might not like someone at first, and no matter how different these two people are, they can always become friends, and always be there for each other. And that lesson made straight to my heart.
Please, if you still don't understand why I gave this film a 90%, visit this link below:
http://www.rottentomatoes.com/user/935623/blogs/?id=703501