Chieko Nakakita, Eitar? Shind?, Masao Shimizu

A gangster with tuberculosis and a bullet lodged in his hand relates to the alcoholic doctor that treats him.

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Unrated, 1 hr. 42 min.

Directed by: Akira Kurosawa

Release Date: January 1, 1948

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DVD Release Date: November 27, 2007

Stats: 166 reviews

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  • June 10, 2009
    Akira Kurosawa's "Drunken Angel" (1948) is a significant film for the prolific director as he has claimed it to be the film in which he "found his style". It's also his first film with longtime collaborators Toshiro Mifune and Takashi Shimura, who both starred in Kurosawa's "Seve...( read more)n Samurai" and "Rashomon", among others. The film, however, is not a samurai one. Instead, it's developed very much like a typical American gangster film. A thug meets an old man who, after initially going rough on him, takes him under his wing. The thug's past comes back to haunt him, however, and he's prevented from moving on with his life. Although certainly not groudbreaking material, "Drunken Angel" makes itself worthwhile through the touching performances of Mifune and especially Shimura, and the absolutely breathtaking cinematography.

    The drunken angel of the title is a doctor, Dr. Sanada (Takashi Shimura), who is an alcoholic. He resides in a slum in Tokyo surrounded by swamps and run by the gangs. One day, a thug named Matsunaga (Toshiro Mifune) comes into Sanada's office looking for assistance with a bullet wound in his hand. The gruff Dr. Sanada spitefully removes the bullet without anesthetics, much to the dismay of the loudmouth Matsunaga. He also notices Matsunaga's unpleasant cough and diagnoses him with tuberculosis. The two develop a sort of father-son relationship, and it seems as though Sanada's subtle compassion begins to provoke a transformation in the arrogant Matsunaga.

    When Matsunaga's old boss, Okada (Reizaburo Yamamoto), is released from jail after three years, he reclaims Matsunaga's territory and tries to once again win over his old girlfriend, Miyo (Cheiko Nakakita), with a familiar song on a guitar. Near the end of the film, Matsunaga overhears Okada refer to him as expendable, and Matsunaga tries to kill Okada. He is not only battling his ex-boss, however, he's battling his own body with the tuberculosis forcing him to cough up his own blood. The end of the film takes place in a large building under construction, where paint cans topple over and the men tussle in white paint.

    Although Mifune is perhaps the more recognizable of the Japanese stars, it's Shimura who always provides more grounded and heartfelt performances (that's not taking away from Mifune's abilities as a madman). By making Dr. Sanada such a harsh figure, the good and bad lines are blurred and it sort of plays off of the "bad cop" cliche with a "bad doctor" twist. Although Shimura is the "angel" of the film, he's an interesting figure in that he's such a cynic that he, at the end of the film, doesn't show much compassion for the fallen Matsunaga, rather he reduces him to a statistic. Despite the performance, however, and some wonderful cinematography, the film suffers a bit from a forgettable narrative that doesn't show the innovation of Kurosawa's later works.
  • April 26, 2008
    Drunken Angel was the first film Kurosawa was allowed to make without studio interference, and features an alcoholic doctor who forms an unlikely bond with a gangster who he diagnoses with tuberculosis. This film is all about the characters; Takashi Shimura and Toshiro Mifune wer...( read more)e regular collaborators with Kurosawa and for good reason. Their performances were a little more melodramatic than in their later works, but they still have great chemistry and charisma as the two similarly stubborn men butt heads almost to comic effect in places. I found the visual metaphor a little heavy handed and it lacks some of the emotional involvement of Kurosawa's best, so it doesn't seem as sophisticated as his finest films. It still has style in spades, and it's great for every moment Shimura and Mifune are on the screen together.
  • April 7, 2008
    (2nd viewing. Got the Criterion edition as a Christmas present. Owned the UK import BFI edition for years.) An early Kurosawa film and his first film he was given total control. Unlike his previous films that were changed by either the Japanese or American government. A fascinati...( read more)ng document of life in post-war Japan.
  • December 30, 2007
    a great morality tale, mifune and shimura put in their usual top notch performances in this kurosawa film about a tough gang leader that is softened by the combination of a deadly disease and a no nonsense doctor. the film was a little redundant in the beginning and it started a...( read more) little less engaging than most kurosawa pictures, but the themes of human struggle and optimism were strong and the overall feel of the film was wonderful. another good kurosawa effort.
  • May 16, 2009
    This was the eighth film made by the legendary Akria Kurosawa, but many commentators (including Kurosawa himself) look at it as the beginning of his career. This was the first film Kurosawa could make that wasn?t heavily censored or influenced by the propaganda driven wartime go...( read more)vernment or by the American Occupation censors (although the later did still have some say in the final cut). While Kurosawa will go on to bigger and better things later, there is clearly a budding talent at work here. The film, about the relationship between a Yakuza member with TB and his alcoholic doctor, was set during the occupation and is a document to the living conditions of the time and place. The film?s penultimate scene is a classic Kurosawa action scene which ranks among the best moments of his cannon. That said, the story gets preachy at times, and the character?s aren?t quite as great as they could have been. Still, a fine start for an amazing career.
  • September 17, 2009
    The first collaboration between the legendary cinematic couple Toshirô Mifune and Akira Kurosawa consists in a moving tale of morality, crime and revenge in post-war Tokyo, a world that I hadn't seen before this film. The brilliance implied in early Kurosawa works relies on chara...( read more)cter development and stories that, as simple as they may seem, establish a clear and true message: life must go on. An extraordinary performance by Takashi Shimura, this is an early good film by one of the greatest filmmakers of all time.

    85/100
  • June 28, 2009
    an old film but good story.... directed by akira kurosawa.... one of my faves
  • April 14, 2009
    Premier film de Kurosawa dont il a la pleine liberté artistique, et c'est encore plus évident si l'on compare avec ses premières oeuvres comme "No Regrets for Our Youth" qui contient très peu du Kurosawa qu'on connaît bien. Également sa première collaboration avec Toshiro Mifune,...( read more) donc un film important à bien des égards.

    Mais est-ce que c'est bon? Oui, c'est excellent, bien que je puisse comprendre que ça ne plaise pas à tout le monde. C'est pas mal théâtral mais c'est un style qui me plaît bien, et Mifune est vraiment excellent et presque épeurant surtout avec son maquillage quasi-expressionniste.

    Mais Takashi Shimura vole le show. Moi qui suis pourtant un peu réticent envers son style de jeu plus grand que nature, là-dedans il est tout simplement génial, vraiment hilarant et ses échanges verbaux pimentés avec Mifune sont d'anthologie. C'est con à dire, mais il est tellement sérieux que ça en devient comique. Je recommande!
  • February 12, 2009
    Yoidore Tenshi (1948)

    Drunken Angel is an early Akira Kurosawa movie about an alcoholic Doctor Sanada (Takashi Shimura) who treats a gunshot wounded young Yakuza gangster, Matsunaga, played by Toshirô Mifune (this is his first film with Kurosawa) Dr. Sanada discovers that Matsun...( read more)aga has developed tuberculosis.

    Matsunaga has been the cock of the walk in his neighborhood, but he is slowly becoming skin and bones; weakened by the TB. His heavy drinking and carousing around isn't helping. Then his old mob boss (Masao Shimizu) gets out of prison and wants to gear up the crew.

    Dr. Sanada exclaims Matsunaga's being exposed to bad people as the same health detriment as the polluted stream that the neighborhood children play in outside his office.
  • January 26, 2009
    historia sobre un gángster de la yakuza enfermo de tuberculosis y el médico alcohólico que le atiende

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