Featured Audience Ratings

• Stella D

  
  well, after making fun of this for years, i finally watched it and it was pretty damned entertaining. jennifer jones pulls some weird faces and tiomkin's score is too bombastic as usual, but it kept me interested throughout. i don't get the allegations of racism here. do… More
  well, after making fun of this for years, i finally watched it and it was pretty damned entertaining. jennifer jones pulls some weird faces and tiomkin's score is too bombastic as usual, but it kept me interested throughout. i don't get the allegations of racism here. do people think no one ever used the word halfbreed? that ending is still pretty silly but easier to take in context

• jay n

  
  David O. Selznick's misguided attempt to recreate the success of GWTW in a western setting. The film has pleasures to be sure but also some woefully terrible parts. On the plus side: the cinematography is gorgeous and some of the supporting performances are good, Lillian Gish and… More
  David O. Selznick's misguided attempt to recreate the success of GWTW in a western setting. The film has pleasures to be sure but also some woefully terrible parts. On the plus side: the cinematography is gorgeous and some of the supporting performances are good, Lillian Gish and Charles Bickford come off best. However there are some fatal flaws: a meager story to pin two and a half hours of film on and an overly earnest tone are two big deficits but what really hurts the film the most is the complete miscasting of the two leads. Gregory Peck was a fine actor but he was also an icon of resolute decency, whereas other actors with that persona like Henry Fonda could occasionally play a villain convincingly Peck could not. His casting alone would not be so bad if it wasn't paired against the absurdity of Jennifer Jones as Pearl. While I'll admit to never being a fan of hers within a limited range she could be an okay actress when the role wasn't too demanding, for instance The Towering Inferno. Pearl Chavez is far outside that scope, the part isn't really that good to begin with, even an actress as skillful as Vivien Leigh would probably been hard pressed to make her real although Ava Gardner with her raw sensuality could have made her work, but Jones mistakes over emphasis with depth and Vidor's florid style of direction doesn't help her. Part of the blame probably rests with Selznick's famed smothering control and that fact he was determined to make Jones the greatest of all stars which resulted often in putting her in material for which she was not suited and away from her strengths as a performer. The film is entertaining in an often campy way but one viewing should be enough.

• Universal D

  
  A Western soap opera played as if it were Cecil B. DeMille's Ten Commandments, with every iota of the accompanying self-importance and then some, but with only the barest bones of a plot and script. Unintentionally laugh worthy and yet hard not to watch, like a over emotional… More
  A Western soap opera played as if it were Cecil B. DeMille's Ten Commandments, with every iota of the accompanying self-importance and then some, but with only the barest bones of a plot and script. Unintentionally laugh worthy and yet hard not to watch, like a over emotional drunk acquaintance crying over a breakup. "She ain't nor never was worth yer tears, friend."

• Tim S

  
  I should have liked this a bit more than I did. After all, it does have Joseph Cotten and Gregory Peck in it (two of my favorites), but I don't. I can't say the I enjoy seeing a weak woman being weak, and especially not gaining any strength. She almost seems like… More
  I should have liked this a bit more than I did. After all, it does have Joseph Cotten and Gregory Peck in it (two of my favorites), but I don't. I can't say the I enjoy seeing a weak woman being weak, and especially not gaining any strength. She almost seems like she's going to be strong toward the end, but cops out. Another reason I feel this film fails is its length. It has 'Gone with the Wind' itis. Tries to be a big sweeping epic about a time and place and the people in it, when it's actually just a private character study trying to be something it's not, with a weak ending. A shame that, because it does have some good things going for it.

• Devon B

  
  With a lot of big name talent, the producer of "Gone With The Wind" brings us a would-be epic western that doesn't amount to very much. Really, the plot could be summarized as "a manipulative woman falls for an evil man and they spend the rest of their lives doing… More
  With a lot of big name talent, the producer of "Gone With The Wind" brings us a would-be epic western that doesn't amount to very much. Really, the plot could be summarized as "a manipulative woman falls for an evil man and they spend the rest of their lives doing bad things to people". Producer David O. Selznick wrote this film as a star-making role for his then future wife, Jennifer Jones, but the film didn't do her, or anyone else involved with it any favors. Jones plays Pearl, the indian halfbreed who is sent to live with distant relatives when her father kills her libidinous mother in a fit of jealous rage. Her new family consists of a southern aunt (Lillian Gish), her husband, the crippled old senator (Lionel Barrymore) and their two sons, the good one Jesse (Joseph Cotten) and the bad one, "Lewt" (Gregory Peck). Lewt isn't a badboy, he's just kind of an a-hole whose hobbie include bullying and raping and murdering. Pearl wants to be a good girl, sort of, but manages to ruin her every opportunity by not being able to keep it in her pants. Yes, the movie is sexually charged, what with all the raping going on, but Pearl's hardly a victim. She manipulates the kindly old straw boss into marrying her just to make Lewt jealous, and basically gets the man killed for her own pride. So where do our sympathies lie? With Jessie, I suppose. He does the sensible thing, stands up to his domineering father and goes off and makes good. He even gets a good girl to marry. Good for him, I guess. King Vidor directs the film that in another era would recall a Benjamin Button or Forrest Gump, and while these are very acclaimed films, I find them both to be a little trite and obvious when it comes to their directing, sacrificing believability for the "perfect scene" scenes. Jennifer Jones' overacts something frightful, and the whole thing winds up being something I frankly don't give a damn about.

• George M

  
  Operatic and over-the-top at times but with great otherwordly photography and good acting.

• Dannielle A

  
  She seemed like such a nice girl. Why did she keep giving into lust and keep coming back to a man she hated who was so low down dirty? I guess it just goes to show that women are emotional, relational creatures and sometimes fiercely faithful to their abusive lovers. Duel in the… More
  She seemed like such a nice girl. Why did she keep giving into lust and keep coming back to a man she hated who was so low down dirty? I guess it just goes to show that women are emotional, relational creatures and sometimes fiercely faithful to their abusive lovers. Duel in the Sun had the essence of Gone With the Wind. It was passionate, beautifully photographed, and at times, overly dramatic. It's hard to hate the bad guy when he's played by Gregory Peck!!! (Disappointing ending though.)

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