Ling Bai, Pauline Lau, Tony Leung Ka Fai

A former soap opera actress decides to eat a Mainland woman's special dumplings in her quest to obtain eternal youth. Trashy Mainland immigrant Mei is a former singer-turned-doctor-turned-abortionist ...( read more  read more... )whose patented dumplings provide a lifeline for Qing, a retired actress whose marriage to businessman Li has sexually stalled. What's now clear is that Li himself, who eats eggs containing chicken fetuses, is equally obsessed with maintaining his sexual allure. This leads him to also seek out Mei's services, with surprising results.

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70% liked it

4,916 ratings

Unrated, 1 hr. 31 min.

Directed by: Fruit Chan

Release Date: August 20, 2004

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Flixster Reviews (467)


  • June 7, 2009
    Ageing Hong Kong actress attempting to regain her beauty by eating a mysterious woman's special dumplings provides for a rather bad taste take of the age old tale of the search for eternal youth. Another extremely macabre shock flick with no real substance to it.
  • September 4, 2008
    Dumplings is about a woman attempting to regain her youth by eating dumplings made from human fetuses.

    And there's the first great thing about it: no spoiler alert is required there, because you'll basically know what's in those dumplings by the end of the opening credit ...( read more)sequence. This is an extraordinary horror film on many levels, and one of them is certainly the ways in which it avoids and rejects typical horror film narrative structure. Where most scare flicks would spend half their length building to a reveal ("What's in those dumplings?!"), director Fruit Chan is after different, more deeply disturbing shocks.

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    The plot, in the tradition of Asian horror, is simple: Mrs. Lee (Miriam Yeung) is a former soap opera star anxious to regain her youth (she is best known for starring in a teen love story), especially once she finds out that her husband, Mr. Lee (Tony Leung Ka-fai), is having an affair with a 20-year-old girl. She begins visiting Aunt Mei (Bai Ling), who claims to be an expert in traditional Chinese medicine. Mrs. Lee becomes almost a junkie, convinced that Aunt Mei's wonder dumplings are making her attractive once more to her husband. Eventually, though, Mei's means of gathering her dumpling filling materials place her under suspicion, and she flees Hong Kong, leaving Mrs. Lee in the lurch just as the dumplings seem to be exacting a vicious price on her.

    Dumplings began as one third of the anthology film Three... Extremes, a rare Hong Kong-Japanese-Korean co-production which itself was a sequel to the original Three, and although its simple plot would lead one to expect it would work better at the shorter length, it turns out to be even more powerful as a separate feature. Based on a novella by acclaimed writer Lillian Lee (who not only wrote Farewell, My Concubine, but also the fabulous Tsui Hark fantasy Green Snake), the writing is something well worth savouring, with richly developed characters and intriguing sub-plots.

    Dumplings is really about the modern fear of aging (regardless of sexes), and the casting of both lovely young pop star Miriam Yeung and sex-on-a-stick Chinese-American Bai Ling are as atypical for a horror film as the plot structure. Yeung, who, when the film was shot, wasn't even 30 yet, is not made up to look old or antiquated, and so we realize early on that her search for youth is really quite ridiculous. Asian countries, including Hong Kong, have recent and gradually become even more obsessed with appearance than the Western ones, and Dumplings mocks that obsession in no uncertain terms.

    Director Fruit Chan's career up to this point has been as Hong Kong's king of the low-budget socially conscious drama; he's chronicled the lives of young tenement kids being sucked into triads (Made in Hong Kong), abused children (Little Cheung), mainland prostitutes seeking clients in Hong Kong (Durian, Durian), and even sanitation (Public Toilet). Dumplings, despite an obvious higher budget and the presence of several major stars, clearly continues Chan's interest in social issues, exploring not just the obsession with youth but also economic class (the Lee's are wealthy, while Aunt Mei is poor), underage pregnancy, abortion, incest and gender politics.

    But Dumplings isn't just an odd social drama/horror flick hybrid, which might imply a certain level of art-house dullness. It's also entertaining, in a twisted, I-can't-believe-what-I'm-watching kind of way. Aside from the nauseatingly realistic dumpling fillings and the fine script, it's also got a throbbing sexual layer, thanks largely to the performance of the insanely sexy Bai Ling as Aunt Mei. Ling won virtually every acting award in Asia for this, and it's no wonder - Mei is one of the great antagonists of modern horror cinema. She's trashy, dressed in her skin-tight '60s-era pants and high heels, she's cunning, she's hasty, she seems to possess at least some skill, and we may even believe her when she tells us she's much older than she looks (especially since her apartment seems to be a shrine to pre-Cultural Revolution China). You just know she's going to end up seducing Lee, and it's surprising that their relationship was completely omitted in the short version of Dumplings.

    The film also sets itself apart from the typical run-of-the-mill shocker by employing the world's greatest cinematographer (and I'll take on anyone who wants to challenge me on that statement), Christopher Doyle. Best known for his gorgeous, glowing work with Wong Kar-wai, Doyle makes every damn frame of Dumplings glow with saturated colours and off-centre framing; you'll be gasping over the beauty of Miriam Yeung's skin even as you gag over the way the contents of the dumplings can be glimpsed just beneath the translucent dough. Doyle's camera also expertly captures the shocks - and believe me, Dumplings has a couple of those, too. I can't remember the last time I literally jumped out of my seat in a horror film, but one shot of husband Lee's answer to his own search for youth creeped the hell out of me.

    Anyone looking for further proof that the world's best horror films are, since the last decade and a half, coming from Asia need look no further than Dumplings. It's such a pleasure to watch an horror film made by and with adults who care about cinema, that's not presented as just another quickie product for consumption. Disturbing, but totally delicious.
  • May 16, 2007
    So ridiculously disturbing...oh god...
  • April 25, 2007
    The best of the Three... Extremes, I find this movie so strangely endearing. It's considerably different than the short version, with a different ending and different character progression. I really like the way there was more exposition and nonchalance surrounding the dumpling f...( read more)illing, and the deeper insight into the Aunt Mei character. What I didn't like was the ending, and the greater incorporation of the mistress. I liked how the short version ending was more about the protagonist wanting her youth more than her husband, whereas this one was more about her growing to relish being cruel. I like the way the diet turned her into a monster, something lost in this version. Apart from that, this flick is delicious, if you'll pardon the pun.
  • April 14, 2007
    Quite unusual in its own way, read the message as many ways as you want, vanity, the male female agenda in china etc...well shot and directed, the abortion scene actually made me feel quite sick, something which i've never really experienced before...well done!
  • November 6, 2009
    Shocking at times, but I wasn't a fan of this Fruit Chan film and found it to be the weaker of the"Three Extremes" film.
  • September 16, 2009
    Believe it or not, this kind of thing is true. What a brilliant, yet disturbing movie this was! It's included in the "Three Extremes" as the third and final story and a good place at that it'll leave you surprised.
  • August 10, 2009
    After watchng this movie, I have never been able to eat dumplings again. This movie is great. Not scary, but horrific.
  • August 9, 2009
    A swift and pretty means of annihilating your brain-meats! Worth watching.
  • August 3, 2009
    I intended to find the Box in this "three" series, but couldn't find any.

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