Chieko Higashiyama, Chikage Awashima, Chishu Ryu, Haruko Sugimura, Ichiro Sugai ...( see more  see more... ) , Kan Nihonyanagi , Kuniko Ikawa , Kuniko Miyake , Setsuko Hara

Writer/director Yasujiro Ozu combines two of his favorite themes--the culture clashes in modern Japan and the emergence of the independent Japanese woman--in Early Summer (Bakushu). Setsuko Hara plays...( read more  read more... ) a young woman of the post-war era who is promised in an arranged marriage. But too much has happened in the world and in the girl's own life to allow her to agree to this union without protest. The characters in Early Summer are neither remote historical personages nor distant foreigners. They are types as easily recognizable in Japan as in any country, and this commonality enhances the universal appeal of this austere film. Yasujiro Ozu collaborated on the script of Early Summer with Kogo Noda.~ Hal Erickson, All Movie Guide

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92% liked it

2,147 ratings

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8 critics

Unrated, 2 hrs. 15 min.

Directed by: Yasujiro Ozu, Yasurijo Ozu

Release Date: January 1, 1951

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DVD Release Date: July 20, 2004

Stats: 92 reviews

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Flixster Reviews (92)


  • February 8, 2008
    All bow before the three-headed God of Ryu, Hara and Ozu!
  • August 12, 2007
    Another great film by the master of family drama. The dissolution of the family is once again a major theme. Like in Late Spring, the great Setsuko Hara plays a single woman in her late twenties who is pressured by her family into marriage. Unlike Late Spring, Hara's character...( read more) is a modern, more rebellious type of woman, or so it initially seems. Is she driven to her actions by her selfish and independent lifestyle, or are her actions driven by something else? The outcome however is the same. The motif of trains and tracks symbolizes the increasing distance between the different generations, both physical and emotional. Ozu's films are never heavily driven by plot, but by a sense of the realism of casual everyday life in order to capture those small pleasures and disappointment that life comprises of. Despite their surface simplicity, they are rich and sincere. This film can be considered the second part of the Noriko trilogy, bookended by Late Spring and Tokyo Story. It's the most lighthearted and comic one but no less poignant.

    No. of camera movements: 7 (gasp! Too many for an Ozu film!)
  • February 25, 2008
    Ozu is a master and telling simple stories about family, one of my favourite subject matters. A great story of tradition and modern life that truly reflects Japan with it's traditional cultures vs being on the cutting edge.
  • June 7, 2009
    Painfully beautiful, but somewhat dull-plotted Japanese 50's family drama from director Yasujiro Ozu, following a 28-year-old woman whose tight family is sent into worry as she starts looking to marry at such a late stage. Obviously not a story-line that can really hold two hours...( read more) of film, but the cinematography is gorgeous and scarily meticulous, the characters are kind of charming, and it's overall worth seeing once if never again...
  • May 13, 2009
    Slow as I expected. Watched for film class.
  • January 10, 2009
    No thankyou - Not interested.
  • December 10, 2008
    no thanks not my kinda thing
  • November 2, 2007
    Classified as a classic = Interested.
  • July 19, 2007
    All CLASSICS are GOOD

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