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Plot: Like any of Yasujiro Ozu's best-known films, Early Summer is a marvel of cinematic simplicity, revealing layers of depth through multiple viewings. It may seem at first that Ozu's family tale i...( read more read more... )s too simple, but looks are deceiving, and closer study reveals an intensely structured, highly formalized example of Ozu's transcendental realism, focusing on the dilemma of 28-year-old Noriko (played by the immensely popular Setsuko Hara), whose late-breaking decision to marry sends unexpected shock waves through three generations of her close-knit family. While providing a vivid portrait of liberated womanhood in post-war Japan, this lighthearted yet quietly devastating drama also serves as a gentle study of tradition vs. modernity, and a clash between conformity and independence. It's also a triumph of DVD-as-film-school: As he did for Criterion's release of A Story of Floating Weeds, the distinguished scholar Donald Richie provides an eloquent full-length commentary as valuable as the film itself, thoroughly exploring the purpose of Ozu's low-angle style, the influence of Ernst Lubitsch, the importance of Setsuko as a role model for Japanese girls, stylistic comparison to Jane Austen's fiction, and a variety of other relevant topics. "Ozu's Films from Behind the Scenes" gathers three of Ozu's longtime collaborators for affectionate reminiscence, and mini-essays by Ozu expert David Bordwell and long-time Ozu admirer Jim Jarmusch lend further appreciation from critical and personal perspectives. This is Criterion's fifth Ozu release on DVD, and like the others, it's highly recommended. --Jeff Shannon

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Recent Reviews

  • 4.0 Stars
    MCT:
    February 25, 2008
    Ozu is a master and telling simple stories about family, one of my favourite subject matters. A great story of tradition and modern life that truly reflects Japan with it's traditional cultures vs being on the cutting edge.
  • 5.0 Stars
    MCT:
    August 12, 2007
    Another great film by the master of family drama. The dissolution of the family is once again a major theme. Like in Late Spring, the great Setsuko Hara plays a single woman in her late twenties who is pressured by her family into marriage. Unlike Late Spring, Hara's character is a modern, more rebellious type of woman, or so it initially seems. Is she driven to her actions by her selfish and independent lifestyle, or are her actions driven by something else? The outcome however is the same. The motif of trains and tracks symbolizes the increasing distance between the different generations, both physical and emotional. Ozu's films are never heavily driven by plot, but by a sense of the realism of casual everyday life in order to capture those small pleasures and disappointment that life comprises of. Despite their surface simplicity, they are rich and sincere. This film can be considered the second part of the Noriko trilogy, bookended by Late Spring and Tokyo Story. It's the most lighthearted and comic one but no less poignant.

    No. of camera movements: 7 (gasp! Too many for an Ozu film!)

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Details

  • Rated: (Unrated)
  • Directed by: Yasujiro Ozu
  • Genres: Art House & International, Drama, Classics
  • Released: January 1, 1951
  • DVD Released: July 20, 2004

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