Eric Caravaca, Gil Alma, Juliane Köhler

A drama centered around the illegal immigrants living in the EU.

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61% liked it

353 ratings

Unrated, 1 hr. 50 min.

Directed by: Costa-Gavras

Release Date: February 11, 2009

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Flixster Reviews (30)


  • November 21, 2009
    Recommended by Arianeta
  • November 15, 2009
    The story of this film begins at dawn over a stunning Aegean sea, introducing a mythic note that will underlie the entire film. When the Coast Guard confiscates the tub, Elias (Scamarcio) is one of the brave lads who jumps (jump to freedom) into the dark waters and swims ashore....( read more) He awakens on the beach which is part of the luxurious Hotel Eden. Mistaken for a hotel employee, he mutely wanders around, fighting off the sexual attentions of the hotel manager, until a lonely lady from Hamburg (Juliane Kohler) takes him into her bed. Though it sounds like farce, this is is all played straight to show the decadent West assaulting the shocked innocent. Because of the police Elias leaves this artificial Western paradise and strikes out for a mythical Paris, where he hopes to find a stage magician who has befriended him. On the road to his paradise, he passes through some very interesting advendures..
    Director Costas Gavras has always been strong on social commitment and he is responsible for some of the most revered and influential films in the history of modern political cinema He was directed memorable films like "Z" (foreign language Oscar), "Missing" (Cannes Palme d'Or) and "Music Box" (Berlin Golden Bear). I think it's not surprising he would choose to explore Europe's currently gigantic socio-political problem, though at this point the immigrant genre is so overworked in European cinema it should probably be banned for the next five years. It's an episodic film, a journey, not of an individual, but of all those people who, as the director comments ?have to leave in order to survive.It is like a number of Costa-Gavras?s films in that it concentrates on a human rights/social justice issue, not so much on characters, plot or aesthetic. And as someone who identifies as a ?cultural and economic immigrant,? Gavras has inside knowledge of this experience. Also in this film Gavras is eager to flex the funny bone he showed in Mad City and The Ax, delivering the brightest, most-entertaining film of his illustrious career.
  • November 8, 2009
    first is a road movie ...Very rare in our times...I AM a big fan of good films i the road ...the little info are not right ... Our hero starts a big trip in many countries until Paris ...its not a drama or as i read somewhere else satire ...its a tender film , emotional . our her...( read more)o has many difficulties , but gains with hope
    the last scene is brilliant
  • July 31, 2009
    One word: Painful. More words: Childish screenplay, silly in a very-very bad way, with a main character who in the first 15 minutes runs out of ways of looking naive/clueless/gullible and the least realistic plot I've seen for a while now. That was bad in so many ways...
  • March 15, 2009
    Turning the drama of illegal immigration into a bittersweet comedy sounds like a foolhardy enterprise, but Costa-Gavras mostly gets away with it, thanks largely to this unsentimental film's faith in humanity and a deft mix of allegory and realism. The whole outing is pretty undem...( read more)anding, and there are times when the Homer-inspired Odyssey of young illegal immigrant Elias feels contrived. But the understated, near-wordless performance of Italian lead Riccardo Scamarcio gives the picaresque succession of incidents dramatic cohesion; there's also a real sense of tension in Elias' close shaves with the authorities in the countries he traverses on his road to Paris.

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