Edgar G. Ulmer - The Man Off-screen (2004)
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67% of critics liked it
(6 reviews) -
69% of users liked it
(101 ratings)
The accomplished documentary editor Michael Palm (I Am From Nowhere, Calling Hedy Lamarr) takes his directorial bow with the nonfiction film Edgar G. Ulmer: The Man Off-Screen. Filmmaker Ulmer raised low-budget, B-picture production to the level of an art form, via careful aesthetic choices and an… More The accomplished documentary editor Michael Palm (I Am From Nowhere, Calling Hedy Lamarr) takes his directorial bow with the nonfiction film Edgar G. Ulmer: The Man Off-Screen. Filmmaker Ulmer raised low-budget, B-picture production to the level of an art form, via careful aesthetic choices and an intelligent hand, producing such time-tested, sensationalistic 'cult classics' as Bluebeard, Detour, The Black Cat and Murder is My Beat. Yet he had, by all accounts, a relatively shadowy and well-hidden private life - so well-hidden that few have attempted to undertake a feature-length cinematic investigation of the helmer's world. Via film clips, rare audio recordings, music cuts, interviews, and recollections from such recent Ulmer protégés as John Landis, Joe Dante, Roger Corman and Wim Wenders, Palm reconstructs piece by piece of the Ulmer story. Throughout, Palm and his participants wields the facts of Ulmer's life that later became legends, from his rise to prominence at the UFA studios in pre-Reich Berlin, to his period of impoverishment in Tinseltown, to his temporary industry banishment for absconding with a studio exec's daughter-in-law. ~ Nathan Southern, Rovi
- Directed By
- Edgar G. Ulmer, Michael Palm
- Genres
- Documentary, Television, Special Interest
- In Theaters
- Jul 29, 2005 Wide
Critic Reviews
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Manohla Dargis, New York Times
This 77-minute primer sheds partial light on this B-movie legend who, unlike his contemporaries like Lang, never managed to ascend to the A-list.
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Jay Weissberg, Variety
Despite some excellent talking heads, Palm's good-natured attempt to stuff Ulmer's life into a B-movie mold of its own ultimately lacks the lean crackerjack narrative stylization that marked the emigre helmer's best works.
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Ed Halter, Village Voice
[A] well-wrought investigation of the often mysterious life of Edgar G. Ulmer.
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Sura Wood, Hollywood Reporter
Michael Palm's film remains earthbound despite its interesting, offbeat subject.
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Jeffrey M. Anderson, Combustible Celluloid
The documentary employs many of Ulmer's trademark techniques, such as rear-projection, and tries to open up the usual talking-head format by taking the camera outside, in and around Hollywood.
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