Alejandro Awada, Alejandro Ganc?, Daniel Alejandro Ovando

Espinosa is a master taxidermist and an epileptic who often speculates about committing the perfect crime. When his friend invites him on an ill-fated hunting trip, the opportunity to put his idle tho...( read more  read more... )ughts into action becomes a tantalizing reality. But Espinosa's keen observational skills and meticulous planning may not be enough to navigate through the nefarious world he uncovers in the dark woods and backroads of southern Argentina.

Flixster Users

75% liked it

3,856 ratings

Critics

89% liked it

45 critics

Unrated, 2 hrs. 14 min.

Directed by: Fabián Bielinsky

Release Date: November 15, 2006

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DVD Release Date: April 10, 2007

Stats: 256 reviews

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Flixster Reviews (256)


  • June 2, 2009
    Ricardo Darín's peculiarly charactered performance is executed with such subtlety and nuance that it's hard to believe he's acting. The sound design and original score are beautiful, and so perfect for the film they seem to be growing out of it rather than being imposed upon it. ...( read more)This is one of those rare films where the ride is so engaging that its hard to imagine anything but disappointment merely because it does end (the ambiguity of the ending notwithstanding).

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    sitenoise at the movies: The Aura
  • April 25, 2009
    El Aura is a wonderfully deep and thoughtful crime film. The bleached look make it a dark and dreary world, but one that doesn't exclude viewers. It's not Wham-Bam action, but when it does kick off the violence is more affective than the majority of crime dramas. Darin is a wonde...( read more)rful actor that doesn't feel the need to "sing for his supper". He lets you interpret his thoughts. The extremely silent moments, where he bonds with the dog simply with subtle glances, are great moments. As he plays a taxidermist, the relationship is laced with ironic warmth. The film has many Malick esque moments of quiet reflection, using the landscape and simple gestures to convey much more. Drags a bit in the 3rd quarter as it attempts to build a few too many relationships.
  • June 21, 2008
    im surprised no one has seen this. a fantastic (and final) thriller from the late Fabian Bielinsky about moral ambiguity, fate and free will, and fantasy versus reality. some beautiful music and camera work.
  • August 21, 2007
    The best part about The Aura is its tone. It is an entirely overcast movie, perpetually threatened by the possibility of rain (on which it never delivers). It seems an appropriate atmosphere for this grim, sad tale of a man who doesn't have much to live for but his heist fantasie...( read more)s.

    That same tone, so meticulously crafted and presented, grows almost overbearing at times. The Aura is markedly one-note in its presentation, but it doesn't suffer blatantly for it. It's just that seeing the same grey-green forests and forlorn faces over and over again grows exhausting by the time you've slogged through this two-hour journey.

    But for all its heaviness, I didn't really find The Aura hard to watch. Its plot is very simple, which is refreshing; an unadorned plot can do far more in almost any situation than something extremely complex. The Aura, with its bare bones plot and emphasis on tone and character, is quite like a one-man Heaven. It concerns an epileptic taxidermist who dreams about committing a heist and just so happens to stumble into one; in movie tradition, however, things rarely go as planned.

    The Aura is thematically complex. There's a lot of allegories and motifs buried in the film, such as the treatment of women, the wolf, fantasy versus reality, and the illusion of control. To find such literate writing in a thriller movie is very refreshing. Expounding on these themes is Ricardo Darin, giving a strong performance as the taxidermist. It's a difficult role to pull off given the character's (and movie's) lack of expression, but Darin keeps things interesting.

    A wistful footnote to end Fabian Bielinsky's career, The Aura is something vital and intelligent. While it may bore some people, there's merit to be found in what it does for its genre and performers.
  • August 8, 2007
    Second and sadly last film by Fabián Bielinsky. a compelling thriller with a great performance by Ricardo Darín, as an epileptic and diffident taxidermist with a strange urge for elaborated heists.
  • September 12, 2009
    After the dissapointing Nueve Reinas, Bielinsky makes a great film, Interesting & engaging with a bleak & overcast atmosphere
  • August 14, 2009
    I found the protagonist completely unsympathetic, the voyeurism unredeemable, and the plot over-contrived and illogical. It's like Carne went to Spain to make a Hollywood film.
  • August 2, 2009
    Very very scary and definitely not what you would expect!
  • July 24, 2009
    LETTERBOX. La visualización no podría ser más refinada, pero no logra ocultar del todo los elementos formulistas del guión. La actuación de Ricardo Darín es, como siempre, excelente. / The visual aspect couldn't be more refined, but it cannot completely hide the formulaic aspects...( read more) of the script. Ricardo Darín's performance is, as usual, excellent.
  • January 22, 2009
    a good and clever thriller.

    u can give a shot on this one

Critic Reviews


January 13, 2007
Ty Burr, Boston Globe

The Aura is richer and less showy than Nine Queens, and it lifts off from the gangster genre to contemplate deeper mysteries. Reminiscent of Antonioni's The Passenger in its obsession with fate and ch... full review

November 17, 2006
A.O. Scott, The New York Times

The world of The Aura is, quite obviously, a heightened and stylized version of reality, but its governing emotions of dread, suspicion and moral confusion are bracingly real.

September 12, 2006
Nick Schager, Slant Magazine

With The Aura, Fabián Bielinsky replaces Nine Queens' flashy Mamet-esque posturing with downbeat Melville/Antonioni noir existentialism. full review

View more El Aura (The Aura) reviews at RottenTomatoes.com

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