El Maestro de esgrima (The Fencing Master) (1992)

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For Astarlos, living in Madrid at the time of the troubled rule of Isabel the Second in 1868, fencing is not an outmoded method of personal combat, but it is a way of life. It teaches lessons about comportment, attention, responsiveness to others, and taking responsibility for one's own life.… More For Astarlos, living in Madrid at the time of the troubled rule of Isabel the Second in 1868, fencing is not an outmoded method of personal combat, but it is a way of life. It teaches lessons about comportment, attention, responsiveness to others, and taking responsibility for one's own life. Further, it is an aristocratic art, and the heart of aristocratic sentiment (no matter what one's station of life at birth) is to take responsibility for those who are less fortunate than oneself. Noblesse oblige. In this drama, the fencing master seeks to remain true to his values during a turbulent time which imperils his student's lives. One student is a beautiful and mysterious young woman, another is a handsome lad of aristocratic birth. Among the outsiders impinging on their lives are a police inspector and a passionate revolutionary. ~ Clarke Fountain, Rovi