El Maestro de esgrima (The Fencing Master) (1992)
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For Astarlos, living in Madrid at the time of the troubled rule of Isabel the Second in 1868, fencing is not an outmoded method of personal combat, but it is a way of life. It teaches lessons about comportment, attention, responsiveness to others, and taking responsibility for one's own life.… More For Astarlos, living in Madrid at the time of the troubled rule of Isabel the Second in 1868, fencing is not an outmoded method of personal combat, but it is a way of life. It teaches lessons about comportment, attention, responsiveness to others, and taking responsibility for one's own life. Further, it is an aristocratic art, and the heart of aristocratic sentiment (no matter what one's station of life at birth) is to take responsibility for those who are less fortunate than oneself. Noblesse oblige. In this drama, the fencing master seeks to remain true to his values during a turbulent time which imperils his student's lives. One student is a beautiful and mysterious young woman, another is a handsome lad of aristocratic birth. Among the outsiders impinging on their lives are a police inspector and a passionate revolutionary. ~ Clarke Fountain, Rovi
- Directed By
- María José Iglesias Peralta, Pedro Olea
- Written By
- Antonio Larreta, Francisco Frada, Antonio Perez Reverte, Pedro Olea
- Genres
- Documentary, Drama, Art House & International, Mystery & Suspense
- In Theaters
- Sep 18, 1992 Wide
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Cast
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Omero Antonutti
as Astarloa
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Assumpta Serna
as Adela
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Joaquim de Almeida
as Ayala
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Alberto Closas
as Salanova
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Miguel Angel Rellan
as Carceles
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Jose Luis Lopez Vasquez
as Campillo
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Juan Jesus Valverde
as Carreno
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Francisco Vidal
as Romero
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Rafael Vaquero
as Rioseco
- José Luis López Vázquez
- Miguel Rellan